Traktor + vinyl + audio interface = Traktor Scratch. And while NAMM is cluttered with new DJ gear, this one deserves special attention. The audio interface alone may be worth a look, whatever system you use.

Months after they cut the cord with long-time partner Stanton and Final Scratch, Native Instruments is not surprisingly back with their own vinyl control solution, Traktor Scratch, and a new audio interface, the Audio 8 DJ.

Here’s the basic specs on the system, and our take on the whole system — including why we’re eager to test it:

Vinyl/CD control: Remember when there were two vinyl control systems, primarily Stanton’s Final Scratch and Serato’s Scratch? Now we’ve got Numark’s CUE, M-Audio’s torq, and NI’s new Traktor Scratch vinyl. So, why would you want to use NI’s system with so many (potentially confusing) choices? NI claims its system uses twice the resolution, offers a failsafe that will work even with a whole channel of timecode not functioning, and boasts minimal “needle-drop” times, along with an unique level of integration with Traktor.

AUDIO 8 DJ interface: The audio interface is what NI teased us with a couple of weeks ago. What’s nice about NI’s offering compared to competitors this week from M-Audio, Numark, and others, is that everything is included: Mic input, turntable ground point and phono pres, MIDI I/O, 8 ins, and 8 outs (yes, even surround DJing is possible). And NI isn’t doing this interface as an afterthought, either: the case is aluminum, the converters are 24-bit/96 kHz Cirrus Logic models, and the latest audio drivers offer latency under 4 ms, and it’s all USB 2.0 and bus-powered. (If you buy just the interface and not the full Scratch product, you still get Traktor 3 LE.)

Traktor Scratch software: A special version of Traktor with full MIDI control, looping, key lock and pitch shift, analog-modeled filters, effects, and two decks, plus automatic iTunes import and Beatport store integration. In other words, it’s a full-featured 2-deck version of Traktor DJ, minus the mixer, recording, and automatic beat-matching. (Come on, you can beat match manually, right?)

Optional Traktor DJ upgrade: If you choose, you can upgrade to the full Traktor for four decks instead of two, software mixing with additional, modeled-analog EQs and filters, recording and overdubbing, more looping, automatic beat-matching, and so on.

The whole package ships with “instant connect” cable snakes (or “multi-core” in NI parlance), time-code vinyl, and time-code CDs — pretty much everything you need except for decks and (if you prefer) your own mixer, though you could mix right in software, especially with the Traktor DJ upgrade.

How does this compare to other options? Well, what impresses me most is that NI has a vision of the complete solution, and that they cater so nicely to scratching on decks. The elements that are missing — decks, control surface, mixer — are the elements most likely to be variable. For instance, you might choose different control surfaces based on whether you’re doing in-computer mixing, and how many channels; the NI system should scale nicely to different users. Compare, for instance, M-Audio’s new Xponent offering: there’s a big control surface, but it assumes you want to use jog wheels, and there’s no audio input capabilities — requiring another device. NI also clearly has an edge with their software; the competitors look nice, but it’s difficult to compare to the upgrade path to the full-featured Traktor.

My only disappointment: like Wally, I’d like to see more interoperability. Why shouldn’t I be able to use one set of vinyl, and DJ a set in Ableton Friday and in Traktor Saturday? One way to do this would be to support the open MsPinky vinyl control system, even if NI considers it inferior. Another would be to provide a plug-in version of their Traktor DJ deck — after all, NI ought to know something about plug-in development, right? It’d be equally nice to see plug-in support in Traktor, especially considering that I hear NI makes a few plug-ins of their own. (Maybe even one ending in “-aktor?)

Still, even the audio interface looks like it could be useful for anyone using decks; there’s nothing stopping you from using Ableton Live with an AUDIO 8 DJ and some decks. I’m glad NI offered these unbundled — again, something competitive products aren’t doing.

Overall, in a NAMM cluttered with DJ products, NI is a clear standout. I look forward to getting a full test for CDM.

By the way, am I the only one who thinks the logo font looks like the website Skratchworx?

Pricing: US$669 for the whole package; US$449 for just the audio interface (with US$119 upgrade to Traktor).
Availability: April/May 2007
Updated 2007-03-23: Zzounds has the unit listed as shipping on April 15th. US$599 for the full package. JL.

  • Nicholas Vegas

    its true the Logo font looks quite very similar ;)

    but what i really missed its a dedicated control surface from NI like the one that VESTAX surprisingly delivered with the VCI 100 !!!

    I still will wait whats happend till the Musikmesse '07.

  • http://www.createdigitalmusic.com Peter Kirn

    I agree, totally, Nicholas. So far, NI hasn't really done much in the control surface area. They've got KORE, with eight knobs, and Guitar Rig for your feet, but that's it. Then again, I don't know that they need to have their own offering if someone does it right. (It's nice to see tons of Doepfer gear at the NI booth; that's what they travel with.)

    So we'll keep watching for the perfect control surface…

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  • http://www.idgrid.org danny

    Ze Germans are coming! With Traktor baby! Bring nice box to the party :) I like it and consider geting this. Traktor 3 is already solid – the efects sector are pure smoking hot and the mixer section, what… you get an emulated Pioneer and/or Alen & Heath that sounds just like the $1500 hardware version. Hit play and lets go play with dose beats. >> Danny

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