Recording on Planes and in Bubbles; Battery-Powered In-Flight Recording

Jamiroquai in the sky

Jamiroquai sound engineer Rick Pope joins the mile-high recording club. Funny, when I try to set up this way on a plane, my neighbors get annoyed.

When you hear the repeated stories about how traditional recording studios are dead, I suspect your first thought is not, “Finally! The dream of in-flight recording has its day!” or “Ah-hah! Now all the bands will move into inflatable plastic bubbles as a marketing stunt!” Yet, such things have come to pass. One involves a band you may care about and actually yields some practical tips. The other involves a band I’m almost sure you don’t care about and is a silly stunt.

Respectively:

Jamiroquai played a gig at 35,000 feet on its way to Greece for a select group of fans. I know this, because Focusrite sent out a press release. We get these kind of press releases all the time: someone used something or other (usually something expensive) somewhere in a way that’s not all that interesting. This case was different. Sure, recording a live gig in flight is a gimmick. But as a recording challenge, that means they:

  1. Ran entirely on battery power.
  2. Set up the whole recording rig in a standard airline row. (Coach, no less!)
  3. Weathered some turbulence.
  4. Had to fight a sudden outbreak of poisonous snakes. (Okay, made that one up.)

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Refresh: Asides

PreSonus Adds Vista Drivers for 10×10 FirePod

After early driver releases by MOTU, RME, Roland/Edirol, and a few others, the Vista driver landscape has been pretty quiet. (M-Audio, anyone?) Some drivers will work anyway, after dismissing some warning dialog boxes. But having Vista-ready drivers is, of course, ideal.

PreSonus is the latest, with new 32-bit and 64-bit Vista drivers (and XP/XP x64) for its 10×10 FireWire-based Firepod interface. These are WDM Audio drivers, along with the usual ASIO drivers. Based on information from Microsoft and developers, it’s our understanding that only PCIe-based interfaces can support the new high-performance WaveRT driver technology, though we have heard from readers who claim better performance for USB and FireWire devices under Vista, as well.

Any PreSonus owners out there running Vista, we’d love to hear how this works for you — and if you can use the XP drivers for the other PreSonus hardware under Vista even without official “Vista support.”

PreSonus Downloads

Cassette Change Purse; Choosing Cassette Decks with Pitch Control

Now, cassettes hold spare bills — you know, the things you used to save up to buy tapes.

Continuing in the spirit of cassette tapes, here are two more cassette items.

Cassettes that Hold Your Change

Completely useless, but somewhat amusing: Designboom’s Cassette Wallet recycles old cassette shells into zippered money holders. If you’re looking to get your retro chic on, they’re $43. Or, if you find some lame tapes as you’re rooting throw your collection for the Cassette Jockey Competition at Maker Faire, you can try to figure out how to recycle it into something like this and sell it for $43. Via the Spanish-language JP-Geek, Sweden’s English-language Fosfor, and a site you already know about.

Cassettes for Analog Resampling

Photo credit: Flavietto via Flickr. From the days when tape was king. And yes, while the world has moved on from tapes, that shouldn’t stop you from finding useful applications in a digital studio. (Other than converting them to change purses or birdhouses or something.)

In the domain of the musically functional, Roland from Munich wonders if cassette players with pitch control could be the perfect addition to a digital studio.

Just saw your post about cassette players and wanted to ask if you know of any old commercially-available players that allow you to set the playback speed manually (maybe some professional model?).

Could really use that for sampling since I am not a big fan of the digital algorithms available.

I’d love to hear some reader thoughts on this.

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Call for Cassette Jockeys @ Maker Faire, Cassette Tech Roundup

cassette.jpg

Photo credit: DG Jones. Leave the Marantz at home, and fire this one up in your homebrewed tape mangler.

No laptops. No CD players. No turntables. The Cassette Jockey World Championships will be cassette tape only. And the rules are tough: store-bought, commercial cassette tapes only. (Dig that Paula Abdul out of your closet — you know you want to.) Sounds dull? Think again: how you play those tapes is entirely up to you, and from what we’ve seen insane circuit benders and mad scientists of circuitry do to tape machines, that could get real interesting.

Mark Gunderson, aka Trademark G, is organizing the event at day one of the Maker Faire outside San Francisco, Saturday, May 19. You’ll need a ticket to the Maker Faire — but if you have even a slight shot at access to the Bay Area that weekend, I’d suggest you do that, anyway. (I’ll be there, lurking about, trying not to burn out sensors because I confused +5V and +9V.)

It’s an open call — and if you think you’ve got what it takes to judge, you should get in touch, as well.

Art of the Cassette Tape

Whether you’re going to the Maker Faire or not, I’ve also rounded up cassette tape creations from CDM stories past, just to get your tape juices flowing.

Homemade Cassette Tape DJ Mixers + Max/MSP PC
International Mixtape Project Sharing Tapes, CDs Worldwide
Warhol for TDK Tapes (Okay, video cassette tapes … maybe a VJ session should come next.)
Obsessive Cassette Tape Collection
Homebrewed Game Boy sequencer, via Walkman tape player
Put a Cassette Deck in Your Windows PC

Open Call for Cassette Jockeys

Here’s the full scoop on the “CJ” competition from Trademark G:

2007 Cassette Jockey World Championships
*** CALL FOR COMPETITORS ***

CALLING ALL: Cassette Jockies… Retro-Tech Lovers… Magnetic Media Monsters… Circuit Benders… Multi-Media DJs… Walkman Hot-Rodders… we want you at the:

2007 CASSETTE JOCKEY WORLD CHAMPIONSHIPS
at the Make Magazine Maker Faire!

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This Week In Synths: Mexican Wrestling, Flourescent Displays, EMS, and Donny

By Matrix

Latinsizer 2This week I thought I’d start of with something a little different. An artist that goes by the name Latinsizer of Mil Records (Latinsizer on MySpace). I first discovered Latinsizer via a number of great synth videos on YouTube posted by pepemogt. I personally like nearly all synth videos I see because regardless of the music being played, it gives me a chance to hear what the synth sounds like as well as a peak at its interface, however these videos stood out. They not only showcased a particular aspect of each piece of gear extremely well, but musically they were all interesting – some in ways not typically associated with a given synth. I particularly liked the following video for the Future Retro Revolution. Note the vids are not full tracks, they are just short demos of what the gear can sound like.

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