Saadane Afif Power Chords installation

A beautiful art installation; pray they’re not programmed to play Stairway to Heaven. Saadane Afif’s Power Chords, view of the installation at the Lyon Biennial 2005. Image by Galerie Michel Rein.

Maybe it’s something about music making in the digital age, the alienation of music technology. Or maybe there’s just something fun about mechanical objects making sound on their own. Whatever it is, artists lately have been fascinated by mechanical instruments. Here’s yet another one:

French artist Saadane Afif makes sometimes-chilly installations out of musical objects, like a minimalist collection of guitars and amps, strummed by mechanical apparatus, in his piece Power Chords. Or, in art world-speak, he…

…works with notions of displacement and contrast. His pieces, vibrating with multiple meanings, function by using collusion as their driving force. He employs objects, scale models, installations, sounds, and writing to classify the unclassifiable and mirror-in the work of art itself – the dialog that arises between the viewer and the artist. This dialog is continuously fueled by various allusions and is infiltrated on every side by historic, psychological, social, and cultural elements.

It always has to be about displacement, doesn’t it? Always has to be the dialog between viewer and event? Darned art writers.

Anyway, in plain English he puts 13 guitars in a room and they play mysterious, ethereal strumming sounds as you walk through, a bit like a minimalist haunted Guitar Center.

It’s not just the guitars: he’s made his other work into musical installation. Lyrics is a radically different take on the artist retrospective: the artist is gone, and instead digital music reinterpreting his work takes its place. Lyrics are printed in bold Helvetica on the walls, and commissioned texts are reinterpreted by commissioned composers, as colored lights lead the audience around to headphones.

Lyrics Installation, Saadane Afif

Lyrics are transformed into art objects, too; the music plays on headphones. Lyrics, installation view, Palais de Tokyo, Paris2005. Image by Galerie Michel Rein.

Good stuff, and fertile ground for those imagining new venues for music. Now, excuse me; my phone is vibrating with multiple meanings.

Gelerie Michel Rein on Exhibition
Power Chords, monograph
Seen in the lovely Artkrush 63

  • lertica

    Look at this installation: zazobrull.blogspot.com

  • Michael Una

    Yeah, those art writers. Always talkin' about something other than what's in front of their faces.

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  • http://sidechainmusic.com Dri

    Don't forget… this work is challenging the established paradigm and pushing at the boundaries of pre-conceived artistic expression. Breaking new ground and eschewing obfuscation.

  • Saadane Afif

    In the eighties artist Remko Scha already did this very successfully, look up 'machine guitars' on Google. [..]

  • fint

    And he's repeated himself too in the work "Black Chords" for the Documenta 2007 in Kassel. Which is the same but only this time with Les Paul guitars instead of Strats. So what's the concept here … since he's repeating himself he must have a different concept drawn here. Choosing archetypal opposites like a Strat or a Les Paul or a black or white guitar signifies a dichotomy between the perceived schism of both the social and ethnicity of the viewer and the artist himself.