Comments on: Change Audio Notes Like MIDI: New Melodyne 2 Direct Note Access http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/ The latest gear, software, and techniques for electronic music production and performance Sun, 22 Nov 2009 02:22:57 -0600 http://wordpress.org/?v=2.8.5 hourly 1 By: Javier Ferrer http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-707172 Javier Ferrer Sun, 23 Nov 2008 12:10:50 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-707172 wow this program is amazing wow this program is amazing

]]> By: Guitar Player http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-486776 Guitar Player Sat, 31 May 2008 11:55:40 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-486776 Just as a finale note to Peter Neubacker i will forgive you for putting me out of a good job as one of the best Guitar Players in England if you send me a free copy of DNA lol and once again congratulations Just as a finale note to Peter Neubacker i will forgive you for putting me out of a good job as one of the best Guitar Players in England if you send me a free copy of DNA lol
and once again congratulations

]]> By: Guitar Player http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-486760 Guitar Player Sat, 31 May 2008 11:44:06 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-486760 I see many comments here about MIDI who cares about MIDI it has always sounded crap anyway do these people not understand what this man has done these are AUDIO files here real sounds data played by real people and they are being used like Midi Files I dont realy think this Achievement has sunk in yet for some people , it has for me being a guitar player ,in brief i think this will go down as one of the greatest achievements in music history --------- I see many comments here about MIDI who cares about MIDI it has always sounded crap anyway do these people not understand what this man has done these are AUDIO files here real sounds data played by real people and they are being used like Midi Files I dont realy think this Achievement has sunk in yet for some people , it has for me being a guitar player ,in brief i think this will go down as one of the greatest achievements in music history ———

]]> By: WikiRecording’s Blog » Blog Archive » Celemony Melodyne DNA: Has this man done the impossible? http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-447930 WikiRecording’s Blog » Blog Archive » Celemony Melodyne DNA: Has this man done the impossible? Fri, 18 Apr 2008 20:59:28 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-447930 [...] This is Peter Neubäcker from Celemony. You’ve probably already seen this promo video of his new product, Direct Note Access. It’s a new version of the autotune-type pitch correction software which - it appears - can work with polyphonic sound. Record a chord, and it lets you explode that chord and re-tune individual notes. I thought that this was impossible. Peter Neubäcker says “What doesn’t work in theory can still work in reality.” Well, maybe. In May 2005, a startup called Zenph Studios claimed to have cracked the problem of polyphonic transcription. They analyse old piano recordings (i.e. Glenn Gould playing Goldberg Variations in 1955) and produce a high-resolution MIDI-type file with exact pedal movements and note/pressure data. They feed that into a Disklavier MIDI grand piano, and record the results. They’ve had good reviews (at least in audiophile mags) for the recordings. The potential of this kind of polyphonic transcription is enormous - it would let you sample a performance, not just the recording of a performance. Zenph may be able to do it in a slow, precise, way - presumably with a considerable amount of human help, and they’re just pulling out note data, not separating the actual sounds of the notes. Celemony are claiming a lot more. If it works, it’s a revolution. It shouldn’t be long before you can separate any mixed recording into unmixed tracks. You’ll be able to turn any guitar into a guitar synth with no special hardware. It’s very exciting. Does it actually work? I can’t imagine how it could, but I know almost nothing about signal processing or the theory of sound. That’s where you come in… (More coverage at Create Digital Music) [...] [...] This is Peter Neubäcker from Celemony. You’ve probably already seen this promo video of his new product, Direct Note Access. It’s a new version of the autotune-type pitch correction software which – it appears – can work with polyphonic sound. Record a chord, and it lets you explode that chord and re-tune individual notes. I thought that this was impossible. Peter Neubäcker says “What doesn’t work in theory can still work in reality.” Well, maybe. In May 2005, a startup called Zenph Studios claimed to have cracked the problem of polyphonic transcription. They analyse old piano recordings (i.e. Glenn Gould playing Goldberg Variations in 1955) and produce a high-resolution MIDI-type file with exact pedal movements and note/pressure data. They feed that into a Disklavier MIDI grand piano, and record the results. They’ve had good reviews (at least in audiophile mags) for the recordings. The potential of this kind of polyphonic transcription is enormous – it would let you sample a performance, not just the recording of a performance. Zenph may be able to do it in a slow, precise, way – presumably with a considerable amount of human help, and they’re just pulling out note data, not separating the actual sounds of the notes. Celemony are claiming a lot more. If it works, it’s a revolution. It shouldn’t be long before you can separate any mixed recording into unmixed tracks. You’ll be able to turn any guitar into a guitar synth with no special hardware. It’s very exciting. Does it actually work? I can’t imagine how it could, but I know almost nothing about signal processing or the theory of sound. That’s where you come in… (More coverage at Create Digital Music) [...]

]]> By: Change Audio Notes Like MIDI: New Melodyne 2 Direct Note Access-Download Music Free http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-420127 Change Audio Notes Like MIDI: New Melodyne 2 Direct Note Access-Download Music Free Wed, 19 Mar 2008 18:50:49 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-420127 [...] Vanitha wrote an interesting post today onHere’s a quick excerptGrab a note inside a chord, and you can manipulate that note directly. Retune it, change timing, adjust formants, change amplitude — timbre, time, and pitch are all accessible. Celemony is largely pushing this as a corrective tool, … [...] [...] Vanitha wrote an interesting post today onHere’s a quick excerptGrab a note inside a chord, and you can manipulate that note directly. Retune it, change timing, adjust formants, change amplitude — timbre, time, and pitch are all accessible. Celemony is largely pushing this as a corrective tool, … [...]

]]> By: Chris Blundell http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-419788 Chris Blundell Tue, 18 Mar 2008 22:20:44 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-419788 all thats left now is turning a full multi-instrumental recording into a series of midi and sound samples and i'd be in heaven. Can't imagining it happening any time soon though. ;) all thats left now is turning a full multi-instrumental recording into a series of midi and sound samples and i’d be in heaven. Can’t imagining it happening any time soon though. ;)

]]> By: sheabe http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-419214 sheabe Mon, 17 Mar 2008 23:08:55 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-419214 I have never had such a feeling of awe at a piece of software before. Hardware yes, but this? It's like the Guy has invented Sampling All Over Again just like Sonic Foundry Acid changed looping from something of an art to an auto response. I have never had such a feeling of awe at a piece of software before.

Hardware yes, but this?

It’s like the Guy has invented Sampling All Over Again just like Sonic Foundry Acid changed looping from something of an art to an auto response.

]]> By: Nick@sonic http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-419178 Nick@sonic Mon, 17 Mar 2008 21:40:31 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-419178 Sorry if the video has been a little clunky, we've been rather snowed under this messe. But I was at the demo and it was pretty amazing. I suspect that the audio examples were well chosen, but they were diverse for sure. It was kind of like a Steve Jobs keynote speech - cheers and woops etc. I would love to listen in a more sterile environment for sure, but either way it has enormous implications for music production. I would think that it will work pretty well, I just cant see Peter Neubaker trying to fool us - he's a pretty straight guy Sorry if the video has been a little clunky, we’ve been rather snowed under this messe. But I was at the demo and it was pretty amazing. I suspect that the audio examples were well chosen, but they were diverse for sure.

It was kind of like a Steve Jobs keynote speech – cheers and woops etc. I would love to listen in a more sterile environment for sure, but either way it has enormous implications for music production.

I would think that it will work pretty well, I just cant see Peter Neubaker trying to fool us – he’s a pretty straight guy

]]> By: harmonics http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-418779 harmonics Mon, 17 Mar 2008 01:21:52 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-418779 @ karl you may wish to do actual experiments to conclude if your claim that harmonics fall at exact integer multiples is true. the problem is a bit more tricky. @ karl

you may wish to do actual experiments to conclude if your claim that harmonics fall at exact integer multiples is true.

the problem is a bit more tricky.

]]> By: Sharing Quality » Celemony Melodyne DNA: Has this man done the impossible? http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/comment-page-1/#comment-418760 Sharing Quality » Celemony Melodyne DNA: Has this man done the impossible? Mon, 17 Mar 2008 00:47:38 +0000 http://createdigitalmusic.com/2008/03/13/change-audio-notes-like-midi-new-melodyne-2-direct-note-access/#comment-418760 [...] This is Peter Neubäcker from Celemony. You’ve probably already seen this promo video of his new product, Direct Note Access. It’s a new version of the autotune-type pitch correction software which - it appears - can work with polyphonic sound. Record a chord, and it lets you explode that chord and re-tune individual notes. I thought that this was impossible. Peter Neubäcker says “What doesn’t work in theory can still work in reality.” Well, maybe. In May 2005, a startup called Zenph Studios claimed to have cracked the problem of polyphonic transcription. They analyse old piano recordings (i.e. Glenn Gould playing Goldberg Variations in 1955) and produce a high-resolution MIDI-type file with exact pedal movements and note/pressure data. They feed that into a Disklavier MIDI grand piano, and record the results. They’ve had good reviews (at least in audiophile mags) for the recordings. The potential of this kind of polyphonic transcription is enormous - it would let you sample a performance, not just the recording of a performance. Zenph may be able to do it in a slow, precise, way - presumably with a considerable amount of human help, and they’re just pulling out note data, not separating the actual sounds of the notes. Celemony are claiming a lot more. If it works, it’s a revolution. It shouldn’t be long before you can separate any mixed recording into unmixed tracks. You’ll be able to turn any guitar into a guitar synth with no special hardware. It’s very exciting. Does it actually work? I can’t imagine how it could, but I know almost nothing about signal processing or the theory of sound. That’s where you come in… (More coverage at Create Digital Music) [...] [...] This is Peter Neubäcker from Celemony. You’ve probably already seen this promo video of his new product, Direct Note Access. It’s a new version of the autotune-type pitch correction software which – it appears – can work with polyphonic sound. Record a chord, and it lets you explode that chord and re-tune individual notes. I thought that this was impossible. Peter Neubäcker says “What doesn’t work in theory can still work in reality.” Well, maybe. In May 2005, a startup called Zenph Studios claimed to have cracked the problem of polyphonic transcription. They analyse old piano recordings (i.e. Glenn Gould playing Goldberg Variations in 1955) and produce a high-resolution MIDI-type file with exact pedal movements and note/pressure data. They feed that into a Disklavier MIDI grand piano, and record the results. They’ve had good reviews (at least in audiophile mags) for the recordings. The potential of this kind of polyphonic transcription is enormous – it would let you sample a performance, not just the recording of a performance. Zenph may be able to do it in a slow, precise, way – presumably with a considerable amount of human help, and they’re just pulling out note data, not separating the actual sounds of the notes. Celemony are claiming a lot more. If it works, it’s a revolution. It shouldn’t be long before you can separate any mixed recording into unmixed tracks. You’ll be able to turn any guitar into a guitar synth with no special hardware. It’s very exciting. Does it actually work? I can’t imagine how it could, but I know almost nothing about signal processing or the theory of sound. That’s where you come in… (More coverage at Create Digital Music) [...]

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