Click through for the full image; it’s quite lovely with … um, butterflies and such. (Strap that solar panel to your MacBook and take it camping!)
Built around the Ohm hardware controller from Livid, but certainly adaptable to the interface of your choice, the Max 5-based software has some very nifty features for live performance:
- Audio looping, slicing, dicing, and scrambling
- Built-in audio effects, plus VST support – and a built-in Granulator for time-shift / scrambling effects
- Instant audio recording
- Interactive waveform display for selecting loops (or chop them up automatically)
- Beat-synced, sequenced gesture recording – meaning effects can be added in performance and locked to the loop
- MIDI learn (in case you don’t have an Ohm)
- OpenSoundControl support, for easy networking of data to other laptops, or multiple apps / VJ apps on one laptop
As you can see below, it is Ohm centric – making that already very sweet controller this much sweeter – but is likewise generic enough that you own preferred controller should work just fine. Livid also promises that this could work well with a cheap laptop like the Eee (though for now you will need Windows or, at the very least, Linux + WINE).
You’ll need the full version of Max 5 to edit it, but once you do the patch is fully open source, so you can hack it do your own thing. (Max 5 is great, but I wonder if anyone will port to Pd for an end-to-end open source experience? Or perhaps there are some similar Pd patches to consider, dear Pd community? Pd would also give you instant Linux compatibility – at least until Max is available on Linux, ahem, Cycling ‘74.)
It’s too bad Ableton Live doesn’t support OSC, as these two would go together quite nicely linked via OSC (though you should be able to sync them via MIDI, I’d imagine).
Available now for Mac and Windows, fully free as in beer and freedom and beer freedom:
Let us know how you like it when you give it a try!