Apple’s iPad is here. It starts at $499. It’s a gorgeous, brilliantly-designed device that has the benefits of Apple’s cleverly-engineered, best-in-class developer tools for mobile. A lot are likely to sell. And unfortunately, to me that means bad news for the kind of creative computing we talk about on this site.
To put it briefly, I think the new, mobile Apple is doing immense harm to the computing legacy the company has forged. We could have had a Mac tablet today. Instead, we have a giant iPhone – and that’s a decision that has some serious repercussions. It’s a blow to open source alternatives, but also to open development in general: the power of interchangeable hardware and software, on which everything we do with music and visuals on computers is based.
For years, the Mac community railed against the perceived closed nature of Microsoft. Now, many are rallying behind an Apple with a vision more closed than Redmond’s.
This is important to both CDMs, because it’s on both these sites that I, along with readers and contributors, have advocated open computing as a creative outlet, for creation, sharing, and distribution of music, visuals, and knowledge.
I’m entirely biased by my own perspective. There are certain things I care about, that I believe in. I can talk about the technical, measurable values of each of those, but I can only speak for myself. With that in mind, the iPad, in a single device, embodies the exact opposite of all the reasons I’ve invested so much time in computing for the last 25 years.
- It’s a closed platform. As with the iPhone, development for the iPad means reliance on Apple’s tools, on the use of proprietary Apple hardware and software just to build an app. Now, those could be worthy sacrifices for a great product. But it also means that Apple alone distributes applications, and decides which applications developers will be allowed to create – something that has never been true on a computing OS. Since the unveiling of the iPhone SDK, Apple apologists argued that somehow this was a decision made by phone carriers, that surely their beloved Apple was not to blame. Yet Apple has chosen that path for a device that, while it lacks a keyboard, otherwise looks for all the world like a computer – like something that could have been a Mac, with all the power and freedom of a Mac, instead of an iPhone.
- It has no standard ports. Like the iPhone, the iPad has only a proprietary dock connector, ensuring Apple has control over the hardware made for the device. You can throw away decades of the lessons of the value of standard connectors, of the freedom to connect a computer as – to use a phrase Apple popularized – a digital hub.
There’s not even HDMI to connect to a display. Clarification: video out will be possible, albeit with a proprietary adapter. And *access* to that video port from software has been a huge problem on the iPhone. See additional notes on Create Digital Motion. Additionally, the possibilities of external hardware are not entirely known. Apple will offer a memory card reader adapter that uses USB. But there isn’t a native USB port on the machine, and this doesn’t necessarily suggest full support for USB; hopefully, additional details will emerge. - It’s tied to iTunes. As with the iPhone, you can’t use the iPad’s drive as a drive. You can’t connect it to a computer and put on it what you like. You’re limited to using third-party apps as conduits or servers – and even then, you’re limited; critical files for media and reading are controlled by Apple’s market-dominating iTunes app. It’s a storage device you own, but that someone else controls. Maybe that’s acceptable for game consoles, but, again, the iPad has the appearance of a computer. (Except, of course, it’s actually not.)
- Apple alone controls the distribution of media. Apple already has a dangerously dominant position in the consumption of music and mobile software, and their iTunes-device link ensures that content goes through their store, their conduit, and ultimately their control. This means that developers are limited in what they can create for the device when it comes to media – a streaming Last.fm app is okay, but an independent music store (like Amazon MP3 on Android) is not. Now, you can add to that Apple dominating book distribution. At a time when we have an opportunity to promote independent e-book publishing, the iPad is accompanied by launch deals from major traditional publishers. What does that mean for independent writers and content? Updated: As several readers have noted, one positive sign is that Apple’s book application supports the open epub format. We’ll see how this works, and how this interoperates with other devices over the coming days and months. (And it’s important, too – this is not Create Digital Books, but a lot of the information we want to read is published in e-books.)
- It’s not an open computer. It’s not a Mac. The bottom line: you can’t do the things that an open computing experience allows. You can’t connect the hardware you want, develop or run the software you want, or have the open-ended experience computers have provided. That’s not to say a tablet or slate or pad or whatever you want to call it needs to be exactly like other computers. On the contrary: if you believe in the computing experience, you believe it should work in new and creative form factors. (There was a time when the clamshell laptop was a new idea, remember, a time when computers were giant bricks you plugged into a TV.)
Limitations are a wonderful thing. Specialized operating systems for mobile make perfect sense. But that’s a design decision – it’s about the interface, the developer tools, the hardware. A mobile device can work just as well without being tied to iTunes or with actual ports on it.
I know what the objection will be: but this computer isn’t “for” people like me. But that’s the whole problem. Apple threatens to split computing into two markets, one for “traditional,” “real” computers, and another for passive consumption devices that try to play games without physical controls and let you read books, watch movies, play music, and run apps so long as you’re willing to go through the conduit of a single company.
And, of course, this wouldn’t be worth my breath if not for my real concern: what if Apple actually succeeds? What if competitors follow this broken path, or fail to offer strong alternatives? The iPad today is a heck of a lot slicker than alternatives. It’s bad news for Linux, Windows, and Android, none of which have really workable competitors yet. It’s especially bad for Linux, in fact, which had a real chance to make its mark on mobile devices. Edit: Actually, one major advantage of a big, splashy Apple announcement – a number of those manufacturers have started talking about their rivals, already in the pipeline.
These issues have always been a matter of open debate. Jean-Louis Gassée infamously got an “OPEN MAC” license plate for his car during the early days of Apple Macintosh. The “open” vision was the vision we got. It’s the Mac II. It’s the expansion capabilities of the Mac that allowed PostScript support, which let the Mac launch computer desktop publishing and ensured the survival of the platform. And it was a vision in contrast to that of one (younger) Steve Jobs, who argued against expansion and nearly made the Mac a failure, another forgotten 80s oddity. It was after Jobs was forced out of the company that the Mac platform, the Mac community as we now know it were really forged, built on the expansion and flexibility those later Macs offered. That expansion port was what enabled early products from Digidesign, which would later become Pro Tools – the very birth of digital audio production.
Like I said, I’m biased by my own opinion. But it’d be unfair, after years of being hard on small developers when it comes to issues of openness, if I held back here. This is the world’s self-proclaimed “largest mobile manufacturer,” the company that, as it reminds us in every press release, launched the computing revolution. I wish I understood why they were now running away from some of the basic ideas that made that revolution possible.
This is what I asked in January 2007 on this site, shortly after the original iPhone was launched:
“1. Will Apple lock down the iPhone, blocking Flash, Java, custom widgets, and open development from its new platform?
2. Could Apple’s multi-touch patents actually stifle growth of new, interactive displays?”
Unfortunately, that turned out to prescient. As for point #2, and perhaps no fault of Apple’s, it’s apparent that multi-touch gestures are now missing in prominent platforms like the Android because of fear of litigation. (Yes, the Droid in my pocket has multi-touch and even a multi-touch API, but nothing in the shipping apps, apparently because someone’s legal department got involved.)
And as for point one, just compare what you can do with a Mac to what you can do with an iPhone.
Ironically, at that same show, I saw the very thing the Mac users most badly wanted: a Mac tablet. But because an independent developer had to hack that product together, it was overpriced and not terribly useful. At the same time, I know some people bought them, because that’s what they wanted. They wanted a Mac tablet.
Ironically, the biggest disadvantage of the iPad is that it’s not a Mac. So now we wait and see if someone can come up with intelligent new tablets that are at least more like PCs.
I know who I’m rooting for. And it’s not this.
Clarifications / thoughts from comments:
Of course, comments are here so that we can have a spectrum of opinions, and believe me, I do read and listen – including (sometimes especially) those with a different perspective than my own.
Some issues worth clarifying, respective to the above:
Several readers pointed out that I’m oversimplifying some of the relative historic “openness” of Apple. When the “Open Mac” battle was raging in the early Mac days (leading to the SE and Mac II), the connectors were indeed often still proprietary. The question was more whether to have ports or expansion at all. In the defense of the early Apple engineers, recall that, with the exception of formats like serial, standards were not as evolved as technologies like USB today. Even though there were already IBM clones, they were clones of IBM PCs, literally, not the open-ended PC market we have today. So readers are absolutely right – I was blurring some of the issues here. At the same time, this only underlines my point.
We’re again revisiting the question of what “consumers” need. The reason Jobs was opposed to ports, expansion, and the general ability of a user to service or upgrade a machine was because he perceived a need for a “consumer” device. In other words, he was making the argument then that his design is making now, and that some commenters are making, as well. Jobs was forced out of Apple, and the “Open Mac” won – and the rest is history. But my devil’s advocate question would be, given that computers with expandability won out in the 80s, why are we in a rush to eliminate that functionality now, in 2010, when even average consumers are more demanding and less afraid of technology? Is that who this is really for, or by the very virtue of its limitations, is this just a toy for gadget lovers? (I’m not asking that rhetorically; I think the readers making this argument have a point, and I’d be curious to hear people follow up.)
The other question is whether Apple was “open” in the intervening time period. However, here I have to invoke some history. Apple under Sculley was working very hard on interoperability with IBM, even though that ultimately failed. The Mac platform may have run a different OS, but it also embraced and/or helped popularize serial ports (hello MIDI), SCSI, and 3.5″ floppy drives (standard storage for the time). Under Amelio, Apple even pursued cloning – before Jobs reigned it in. (I’m not arguing that was a smart business decision, but it did at least qualify as “open.”) Mac OS X and modern Mac hardware are replete with standards, the Safari team is by far the most active contributor to WebKit, and the Apple OS team continues to work hard on interoperability.So, I may have been oversimplifying, too, but I can at least say this particular product is not characteristic of some of the more “open” behavior of Apple in other areas.
Finally, many of the comparisons have been made to the Lemur. I agree the Lemur hardware is aging and the software is relatively inflexible (certainly more so than apps made with the iPhone SDK). As for specifics of how the devices compare in multi-touch accuracy, or whether users will be as satisfied with the iPad as a wireless controller versus the Lemur’s Ethernet cord, that remains worth discussing.
Side note: Nowhere did I say that the alternative to an iPad has to be open source. I’m a huge fan of open source and truly free software. But by the measures above, Windows qualifies as open.

Peter Kirn
michaeluna
Tom Whitwell
[...] Permalink : http://createdigitalmusic.com/2010/01/27/how-a-great-product-can-be-bad-news-apple-ipad-and-the-clos... [...]
[...] excellent critique that the iPad is not a Mac, it’s a giant iPod touch and that it’s proprietary innovations stifle competition and boost up a business that’s become more closed than [...]
[...] to Peter Kirn at CDM for his opinion on the iPad. I tried hard to ignore the hype about this device, but gave in and listened / watched live blog [...]
[...] musi by? tylko z iT. Zabawne… Bardzo m?dry komentarz na ten temat napisa? Peter Kirn na blogu CDN, [...]
[...] full post on Hacker News If you enjoyed this article, please consider sharing it! Tagged with: Apple • [...]
[...] Cvander me comentaba que “para hacerla perfecta, tenes que hablar de apertura. El ecosistema de Apple con la estrategia de su tienda es un error que les pasará [...]
[...] didn’t watch the iPad announcement. Having read this and this — which I think you should read, too! — it sounds like it was incredibly [...]
[...] The new Apple iPad is doing immense harm to the computing legacy the company has forged.Close [...]
[...] instance, a story on the top of Hacker News today says: This is what I asked in January 2007 on this site, shortly after the original iPhone was [...]
[...] already expressed my personal disappointment (though not surprise) with Apple’s direction on the iPad, on Create Digital Music. Having gotten that out of my system, however, you can expect remaining iPad coverage on CDM to [...]
[...] which in some ways it is. However, is this anything really new? I first ran into this when reading Peter Kirn’s response on Create Digital Music. He writes about how previously Apple fan’s railed against [...]
[...] the software restrictions that drive people mad when they’re using the iPhone are going to be just as frustrating on the iPad. All the device’s content — apps, songs, TV shows, movies, books, you name it [...]
[...] for the above, and lots of good discussions, can be found at createdigitalmusic.com, siliconAngle, Ars Technica, CNET, the New York Times, and Gizmodo on (more than) eight things that [...]
[...] the software restrictions that drive people mad when they’re using the iPhone are going to be just as frustrating on the iPad. All the device’s content — apps, songs, TV shows, movies, books, you name it [...]
[...] it. As usual, there’s a large number of bloggers and commenters who disagree, sometimes with valid arguments, but most of them seem to be of the flavor “oh noes it has no camera” or [...]
[...] livre de trecho do artigo de Peter Kirn no site Create Digital [...]
[...] zeker. Hij is al helemaal om en vindt de iPad nu al geweldig… De echte Apple-freaks zijn minder enthousiast. De iPad is namelijk gewoon een enorme iPhone en de ingebouwde beperkingen een vloek voor het merk [...]
[...] CDM’s Peter Kirn [...]
[...] thrilling new apps. Peter Kirn over at CreateDigitalMusic went on a bit of a rant in a post titled How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac. He states he displeasure with Apple’s closed system, the choice of an iPhone vs Mac OS in [...]
[...] the software restrictions that drive people mad when they’re using the iPhone are going to be just as frustrating on the iPad. All the device’s content ? apps, songs, TV shows, movies, books, you name it ? [...]
[...] the analysis at CDM is thorough and definitely worth [...]
[...] Peter Kirn at Create Digital Music has an extensive post considering the potential problems of the “closed Apple” world: Apple already has a dangerously dominant position in the consumption of music and mobile software, and their iTunes-device link ensures that content goes through their store, their conduit, and ultimately their control. This means that developers are limited in what they can create for the device when it comes to media – a streaming Last.fm app is okay, but an independent music store (like Amazon MP3 on Android) is not. Now, you can add to that Apple dominating book distribution. At a time when we have an opportunity to promote independent e-book publishing, the iPad is accompanied by launch deals from major traditional publishers. What does that mean for independent writers and content? [...] [...]
[...] Create Digital Music How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac [...]
[...] there are some downsides to the iPad. Peter Kirn points out that the iPad, like other Apple devices, is built on a closed platform. It has proprietary ports, [...]
[...] our homies over at Create Digital Music have found numerous flaws in the iPad, as far as music producers/visual artist go there may be a [...]
[...] Pinter I’m with Peter Kim of Create Digital Music ( how a great product can be bad news apple ipad and the closed mac ) on the iPad. It is a storage device that you own but all of the content is controlled by someone [...]
[...] many have hinted at or danced around the issue — among them Twitter engineer Alex Payne in a widely read post and Annalee Newitz in [...]
[...] Create Digital Music » How A Great Product Can Be Bad <b>News</b>: Apple <b>… [...]
[...] thoughtfully designed, deeply cynical thing. It is a digital consumption machine. As Tim Bray and Peter Kirn have pointed out, it’s a device that does little to enable [...]
[...] Peter Kirn: “To put it briefly, I think the new, mobile Apple is doing immense harm to the computing legacy the company has forged… It’s a blow to open source alternatives, but also to open development in general: the power of interchangeable hardware and software, on which everything we do with music and visuals on computers is based.” [...]
[...] thoughtfully designed, deeply cynical thing. It is a digital consumption machine. As Tim Bray and Peter Kirn have pointed out, it’s a device that does little to enable creativity. As just one component of [...]
[...] of the best posts I’ve read on this subject is over at Peter Kirn’s createdigitalmusic.com; deeply incensed by Apple’s restrictive software philosophy, Kirn may have penned his [...]
[...] Shared Create Digital Music » How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac. [...]
[...] this post was supplied in a tweet from Alan Patrick (@freecloud), but it perfectly encapsulates the controversy going on in the geek world around the new Apple tablet device announced on Wednesday. Is it going [...]
[...] iPad: Kauf ich’s? LINK: SPON – Darum kaufe ich Oma ein iPad (und mir keins) LINK: CREATE DIGITAL MUSIC: How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac andere Artikel:Das Apple iPad: Bodo Hombachs feuchter TraumUpdate: Telefonieren mit dem iPad [...]
[...] Peter Kirn [...]
[...] muy bien diseñada, y terriblemente cínica. Es una máquina de consumo digital. Como Tim Bray y Peter Kirn ya han apuntado, es un dispositivo que hace realmente poco para aumentar la [...]
[...] thoughtfully designed, deeply cynical thing. It is a digital consumption machine. As Tim Bray and Peter Kirn have pointed out, it’s a device that does little to enable [...]
[...] Yehuda Katz takes the open side in “A GREAT Day for Open Technologies”. Actually, Yehuda takes both sides. Apple has created a closed platform while at the same time creating a very powerful platform for the Open Web. The trouble is that if you view the iPad as the future of computing, it is a scary thought as a geek to work on a platform that is so closed off. That’s more of Peter Kim’s take. [...]
[...] such as the Internet Archive’s Brewster Kahle describing the iPad as “chiling.” Peter Kirn warns that the iPad “embodies the exact opposite of all the reasons I’ve invested so much time in [...]
[...] it, but what about a MIDI output? What about peripherals? Create Digital Music summed it up for me with this post. I can see the promise, but I’m disappointed with the approach. And no multi-tasking? [...]
[...] is how you get on the web, where you buy things, and how you do your business. And Apple’s closed system on the iPad is geared toward this end. Google already has search pretty well locked down, and they additionally [...]
[...] feeling is that the iPad is nifty, but it could have been a lot niftier. The price is nice, however, and I really look forward to seeing what kinds of apps people will [...]
[...] recently read this thoughtful essay by Peter Kirn, wherein he criticizes the iPad for being “closed”. Kirn focuses on the [...]
[...] the recent launch of iPad, much has been written against Apple’s closed nature. On such a divisive product, it feels that many people who are [...]
[...] here we go again with the [...]
[...] Peter Kirn [...]
[...] other people arguing the same idea, with even more reasons. This is one of the most specific. Plus, [...]
[...] other people arguing the same idea, with even more reasons. This is one of the most specific. Plus, [...]
[...] I’m not buying an iPad (I don’t have the money, and I think I’d look like a profound hypocrite if I got one anyway), but I will be looking for early adopters who can report back. I am genuinely interested to see [...]
[...] Kirn makes a case on the Create Digital Music blog that the iPad’s very attractiveness makes its lack of openness all the more dangerous: Apple [...]
[...] Most readers are likely already familiar with my iPad launch day editorial, in which I had some strong criticisms for Apple’s platform: How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac [...]
[...] Cory Doctorow, Dave Winer, Mark Pilgrim, Alex Payne (cf. this post also), Tim Bray, and Peter Kirn, take the side of the open [...]
[...] I know what the objection will be: but this computer isn’t “for” people like me. But that’s the whole problem. Apple threatens to split computing into two markets, one for “traditional,” “real” computers, and another for passive consumption devices that try to play games without physical controls and let you read books, watch movies, play music, and run apps so long as you’re willing to go through the conduit of a single company. Les hele Peter Kirns blogpost [...]
[...] Create Digital Music How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac [...]
[...] ???? ??????. ??? ???? ??????? ????. ???? ???? Tim Bray ? Peter Kirn ???? ???? ???? ?????? ?????? [...]
[...] ???? ??????. ??? ???? ??????? ????. ???? ???? Tim Bray ? Peter Kirn ???? ???? ???? ?????? ?????? [...]
[...] in which Underkoffler pointed out the importance of open works given the ascent of increasingly locked-down proprietary platforms. Thorp expressed some cynicism regarding the future of data visualization given the manner in which [...]
[...] 3. Kirn, P 2010, How A Great Product Can Be Bad News: Apple, iPad, and the Closed Mac, ‘Create Digital Music’, viewed 30 May 2010, http://createdigitalmusic.com/2010/01/27/how-a-great-product-can-be-bad-news-apple-ipad-and-the-clos…. [...]
[...] Kirn, Peter (2010) ‘How a great product can be bad news: Apple iPad and the closed Mac’, Create Digital Music, January 26, http://createdigitalmusic.com/2010/01/27/how-a-great-product-can-be-bad-news-apple-ipad-and-the-clos... [...]
[...] publications, which changes the nature of the material. Although, I agree with commentators such as Peter Kirn, that this medium is almost caught in familiar institutionalised monopoly of knowledge that is [...]
[...] P, Kirn ‘How a great product can be bad news: Apple, iPad and the closed Mac’, <http://createdigitalmusic.com/2010/01/27/how-a-great-product-can-be-bad-news-apple-ipad-and-the-clos…> , 27 January [...]
[...] touch that pencil you might stab somebody’ approach. (Yes I mean you apple 30% app store racket, closed system, no flash…or maybe we should talk school networks ‘what do you mean talking to students [...]
[...] The iPad’s WiFI connection has the reputation of not being the most reliable, and I don’t want to believe if it is working well on stage, I want to be sure. The lack of an Ethernet port is indeed a strong selling point for Jazz-Mutant’s Lemur. [...]
[...] more information click here // Posted in [...]
[...] ???? ??????. ??? ???? ??????? ????. ???? ???? Tim Bray ? Peter Kirn ???? ???? ???? ?????? ?????? [...]
[...] Create Digital Music » How A Great Product Can Be Bad <b>News</b>: Apple <b>… [...]
[...] made a plea, when the iPad came out, for certain ideas – like advocating open development, open source software, content creation and not just [...]
[...] Though with every grand leap comes a tremendous drop back down to Earth. In a manner of words, Peter Kirn dispels the illusion of the iPad’s most awesome encapsulating of technology in one slim-lined [...]
[...] functionality, Peter Kirn argues on his blog that the iPad is a closed device allowing Apple to hold ultimate control in [...]
[...] to tech savvy individuals like myself there are a few important points to consider. Firstly, this week’s readings made it clear that technology like the iPad may be a step in the wrong direction for the [...]
[...] Kirn, P 2010, How Great A Product Can Be Bad News: Apple, iPad, and the Closed Mac, Create Digital Music, accessed 26 May 2011, <http://createdigitalmusic.com/2010/01/how-a-great-product-can-be-bad-news-apple-ipad-and-the-closed-…> [...]