Call it future shock. Love of retro gear is more than nostalgia; sometimes it takes time to appreciate what technology means. And so, today, classic digital samplers and drum machines like the E-mu SP-1200 and SP-12 can inspire even greater passion than they did when new. Today, producers can feel love not only for retro analog, but retro digital.

With plenty of 12-bit digital dirt, the original SP samplers sound gritty, warm, and unique. And one of my favorite samplists, Hugo of Gold Baby Productions, does a nice job of capturing that personality – enough for me to take note of a soundware set, which is something I tend not to do often on this site.

You can grab the second volume of SP-12 and SP-1200 samples for US$29, but Hugo also has a free holiday gift: over a hundred 24-bit samples from the SP-1200, none of which is in the paid version, have been added to the various nice free stuff on offer on his site:
http://www.goldbaby.co.nz/freestuff.html

Hugo talks to CDM a bit about sampling vintage equipment, good fodder for inspiration if you’re thinking of taking up a similar project yourself. (It’s a great way to spend the winter months, I think, fellow residents of the Northern Hemisphere.)

To start with, I have an extensive collection of drum machines, real drums, and percussion, all recorded by me over the last 20 years. I took a selection of these and got a Dubplate made. I also re-recorded some of them to tape. This made it easy to recreate one the SP’s more famous tricks — pitching down to get aliasing. The Dubplate was pressed at 33 rpm then played back at 45 rpm, then sampled and tuned down on the SP. Hello, aliasing! I used the same process on tape. I could have done this using pitch software via the computer, but that is not the Goldbaby way!

Back in the day, this trick was not originally done for sonic reasons. With a sampler only having limited sampling time, it was a ghetto way to get more [recording time]! So, with the analog filters and the 12-bit, 26.4 kHz sampling engine, you get both grit and warmth!

Another trick with old hardware samples is experimenting with how hard you hit the sampling input. For instance, snares sound great if you hit the input really hard. It kind of acts like tape and squashes the transient; it gives them punch. A high hat can sound grittier if you sample them at a very low level — it kind of works like bit reduction. Also, using threshold record triggering can help give a drum a sharper attack. It basically is a function where you select a threshold level for the sampler to start sampling.

Whatever you do, don’t read the sampler manual! All the advice they give is for getting clean-sounding drums.

I also did a few recording sessions with some newly-acquired percussion and drums.

I went through some of my old synth product audio demos and and sampled them also. I wanted to get that ‘sampled from a Moog concept album’ sound!

I also have a portable recorder I carry everywhere at all times. My field recording folder is a great place to dig for new sound ideas. I used a few in this product — check out Drum_Festival1_SP1200R.wav. The world is filed with sound…

So two months of doing this gets you about 1500 samples.

I think DRTFM (don’t read the f***ing manual) could be a new watchcry. Some sound samples:


SP-1200 Volume 2

All photos courtesy Hugo at Goldbaby; used by permission. (Is anyone aside from me impressed with how modern the panel designs look on the E-mu? I think we need an alternate MeeBlip case that looks like this – our plastic housing is the same shape as the SP-12. Any takers?)

Got vintage gear you like to use? Found inspiration for modern digital techniques from equipment from the past? Let us know in comments.

Side note: a project inspired by digital samplers of yesteryear worth mentioning here is the open-source Where’s the Party At. (It’s an 8-bit sampler, though; the E-MU would be easy enough to ape in a Max or Pd patch if you wanted to use the retro hardware as a jumping-off point.)

  • http://regend.com Regend

    i remember the popular rumor that used to exist that one of the producers Sean Combs used to use would run things through the Real Media encoder to get some reduction. in those days it seemed like a joke because you could easily find 12-bit samplers of all kinds. out there. not it actually makes lots of sense.

    i'm going to pull out my RZ-1 and run some samples through the 8-bit sampler and post for #FreeSample #Friday on twitter.

    Peter what other dub plate goodies are you hiding? =)

  • jasonmd2020

    Great. Thanx for making me regret getting rid of my Ensoniq Mirage!

  • usedtobe

    Dude, jason!

    I have the Rack mount and keyboard mirage, and they're the most unreliable, noisest, shittiest BADASS samplers ever! okay maybe not ever but they're really the bomb. Sample a sweet dx7 epiano chord and turn it into an earful of vintage glass.

    jason buy another! both of mine were under $80.

  • Chris Thorpe

    Idle thought but is there any standard metadata format for samples? I'm thinking of something that could be built into audio apps to let them browse web-based sample libraries directly? Maybe with a 'what's new' equivalent to RSS. A cursory Google revealed nothing.

    Come to think of it, plain old RSS could probably work.

  • http://acidboxblues.blogspot.com/ dyLAB

    I still use old Roland drum machines for most of my tracks – and recently just got a TR-808.

    The UI on these machines is far more enjoyable that any piano rolls or matrix clicker. 

    The only thing I have seen that looks a pleasure to programme beats on would be either monome or tenori on in bounce mode.

  • http://www.audiovisualz.com Robbe K

    Great article and right on time for me haha!

    I just bought a (of course second hand) MPC 60 mkII!

    It reminds me a bit of my old S2000.

    I really love recording at 12 bit and then running them through old vintage eq's and compressors!

  • http://www.dubspot.com S. Rellz

    Great piece, as Im in the process of getting rid of some of my stuff, I still have my Ensoniq ASR-X and Akai S3000XL. When I make my move to the states not sure if both will come with me… Maybe the S3000XL will

  • http://identi.ca/reverendgreg Greg

    No offense, what makes these sample packs worth the cash?

  • Dj K2

    All i use is Roland 808 & Emu Sp1200 nothing else matters to me!!!!!!

  • 808

    tight man, thanks!