This update I believe is worth a second post, as it makes visible the otherwise-mysterious algorithms producing music in our previous post.
And yes, I believe this is “music,” naysayers aside. Whether it’s good music is in the ears of the listener, but if you can describe this much sound with this little code, imagine what’s really possible in computer music. Whatever it is you want to hear, it’s within the power of your imagination to describe it, on a score or in code, either one.
Thanks to none other than Stephan Schmitt for the tip.