The cast of characters crazy enough to try this. Image courtesy Native Instruments.

In 1985, Thomas Dolby, Herbie Hancock, Howard Jones, and Stevie Wonder met onstage in Los Angeles to perform a Synthesizer Medley. (See video, bottom.) Can vocalist/electronic music legend Jamie Lidell (and keyboadist Mr. Jimmy), experimental sound guru and producer Tim Exile, champion turntablist DJ Shiftee, and “finger drummer” virtuoso Jeremy Ellis pull off something that epic, backed by visuals from Berlin’s Pfadfinderei?

That’s what music tech vendor Native Instruments is hoping, as it debuts the “superband” Mostly Robot at SÓNAR in Barcelona in June. Now, when you hear something like this backing NI’s products, you might assume the whole thing is a publicity stunt – slash – product demo, but this is an actual performance and official SÓNAR event, not something relegated to a booth or showcase or something. So, while, yes, Maschine, Reaktor, Traktor, and FM8 all figure prominently, the quality of the music will have to fall or fly on the musical performance. And the roster of artists, for their part, are closely involved with these tools, sometimes even directly in development.

The big hook, apart from the artist lineup: the performance will be fully improvisatory. There’s no clock between instruments, no grid in advance. And the artists will be using unreleased material from their own work. The visuals are part of the presentation, too, as Pfadfinderei visualize note and controller data and audio content in projected accompaniment to the show.

We still don’t know exactly what this will sound like – well, apart from knowing something about each of these artists – but I was curious to get more background. I asked the team from Native Instruments that put together the performance to explain themselves. Beyond that, of course, the proof will be in the final performance; we’ll be watching.

CDM: What is the instrumentation for each of these artists?

NI: Jamie Lidell’s main instrument is his voice, which he will use to sing the lyrics but also use to create interesting sounds. On top of this, he will use Maschine to fire off samples and synth sounds.

DJ Shiftee is a turntablist using Traktor Scratch Pro with the new F1 controller, 2 turntables and a DJ mixer.

Jeremy Ellis is using Maschine to play all drum and percussion sounds live.

Mr. Jimmy is a keyboard wizard and the harmonic lynchpin who loves FM8 but will also use a lot of the other instruments and sounds from Komplete.

Tim Exile will have his hands on the controllers which entirely control his self-made Reaktor ensemble.

The visual artists Pfadfinderei will receive note and controller events created by each individual musician on stage to generate motion graphics in real time which then will be projected on the big screens on stage.

Here’s a look at Pfadfinderei’s visual work:

Okay, so Native Instruments is now putting together a superband — how, exactly, did that come about?

We had long been wanting to do something live on stage with the artists that we work closely together with. The video Jamie Lidell did with us for iMaschine last year triggered the idea to come up with more performances in alternative environments. In parallel, Tim Exile, DJ Shiftee and Jeremy Ellis performed an improvised jam session at our 10-year anniversary of the US office in January. So it was a logical progression to bring all those talents
together plus adding the keyboard master and harmonic lynchpin Mr. Jimmy and the visual artists Pfadfinderei.

For us, Sónar is the ideal environment to host this debut show. We actually had the “Native Lab“ at Sonar festival way back in 2001 so the idea of collaborating had long been in the air. At this point it all just made sense, and getting this opportunity to work with such great, creative individuals and being able to put them on a stage at one of the world’s finest electronic music festivals was a no-brainer.

Have these artists done anything like this before?

As mentioned, three of some played together once, but apart from that, no. Of course Mr Jimmy and Jamie Lidell know each other from going on tour together.

Can we see some of the work of Pfadfinderei elsewhere?

The visual show Pfadfinderei create for the Mostly Robot show will be unique. They will be based on a completely new approach using the note and controller events of the musicians to generate motion graphics in real time using Quartz Composer. But Pfadfinderei have of course already done other great shows: on their website you can see other some examples of their work for Moderat, Modeselektor or Paul Kalkbrenner.

Some of these artists have been involved in the development of this technology, too, yes, as well as playing it?

Yes, Tim Exile actually already developed some Reaktor ensembles and even released products with Native Instruments: The Mouth and The Finger are instruments that originated from his mind. On stage he will be using his
unique Reaktor setup. Also, Shiftee is always in close contact with Traktor developers. We always work as close as we can with all of the involved artists.

More information:
www.native-instruments.com/mostlyrobot

I just hope it winds up being like this:

  • http://www.facebook.com/chromatouch Leon Trimble

    i hope it doesn’t turn into a wankfest like that! what is t. dolby doing to that 303 ffs?!?! fair enough they’re having more fun than ever, but it’s a racket and the audience merely look bemused… tis fantastic clip though…
     from their promo it looks like pfadfanderei might actually be seriously cool, and not just over egged techy pudding, i know jeremy ellis knows how to use machines and still sound so funky that the place is sweating, even the walls… i’ve done visuals with him in a basement here in brum, jaws were dropping. along with the tongue in cheek nutiness of tim exile i’d lock up your daughters! another bloke who can sing a wicked dj type and some other bloke… looks ace…

  • nick

    That Grammy mime-fest was pretty infamous event to be likened to. For what it’s worth, my favorite superband thing, though not all in the same room at the same time was NMLM, basically Yellow Magic Orchestra + Japan with added material by Kraftwerk, Brian Eno, The Dalai Lama, voice of Princess Diana, Cyndi Lauper and some others

  • http://mrtunes.ca/blog Mr. Tunes

    impressive lineup! was not expecting this cast of characters.

  • http://pkirn.com/ Peter Kirn

    Heh, okay, we don’t *really* need it to be like the 1985 Synthesizer Medley. (Though, come on, you’ve got to admit you want their a) costumes, b) stage rig, uh, not necessarily in that order.)

    • zeroreference

      the synthesizer medley is a beautiful dream

  • Nope

    ” Now, when you hear something like this backing NI’s products, you might
    assume the whole thing is a publicity stunt – slash – product demo”

    • Dafragsta

      My thoughts exactly. I’ve dealt with NI support, bought thousands of dollars in software from NI, and after Kore and dealing with their support, I think NI is the new Gibson of electronic music. Making tons of products and discontinuing others is not the way to keep fans. Putting a band together of all your spokespeople and providing the photo “Courtesy Native Instruments” is just enough to make me fucking barf. I fucking hate NI now. I still love Maschine, but I paid for it and earned the right. Fuck them and I’ll never buy another product with NI’s abandonment issues.

  • http://profiles.google.com/benak.jan Ján Beňák

    people forget about narod niki. the best superband :)

  • Industry Shill

    When you can no longer sell records , sell product to those who also can no longer sell records.

    Everyones a winner! No Wait, I mean what a crock of shit.

    • http://pkirn.com/ Peter Kirn

      What has that got to do with anything? For one thing, the issue of live performance would be independent from revenue from records. And both live performance and the construction of instruments far predates recording. It’s fine to say you see this as shilling, but the idea that it’s fundamentally flawed – sorry, I can’t agree.

    • Mhendrix

      isn’t it better if people are buying a product simply to have the product rather than buy the product with the notion that they will sell records?

  • http://www.facebook.com/profile.php?id=679068625 Chris Hahn

    I wonder if NI will make Ellis *actually use* the Maschine software? He’s been using a Maschine and Maschine Mikro (turned sideways) triggering Reason. Not sure that it would matter though. That guy could finger tap cardboard boxes and it would sound cool.

  • Heinrich Zwahlen

    Some super talented people here with Shiftee and tim Exile..only Moldover is missing rocking the F1. And yes Jeremy Ellis is also using the Maschine software this time..just to get some of that fat sound.

  • http://profiles.google.com/trebtid Polite Society

    This makes me more than a bit excited.