Musical history seems to happen when things collide, when things get mixed up – certainly in the twentieth, and now the twenty-first century. And so it is that one of the most important “Detroit techno” records ever released came out of Amsterdam.

If this were a new artist, the long string of endorsements from a who’s who of electronic music in the video here might seem like publicity fluff. But because Dutch artist Steve Jerome Rachmad, aka Sterac, has had such a deep influence on electronic music since his 1995 debut release, instead you can listen to a network of people in the dance music community, and how those influences form nodes in a neural net of musical creativity. Those networks cross national borders and backgrounds, speaking this musical genre as a common language. As the centerpiece of this docu-short, Rachmad himself is humble and quiet, a Zen-like presence on a sofa in the midst of bubbling techno celebrities, as he talks about how he clawed his way to getting anything released at all, on his first Atari 1040ST computer.

The best part of the video, though, is hearing Sterac’s musical process, often just playing directly from his head through a series of overdubs. I’m sure Rachmad was thrilled to power up his Atari ST for the first time; nowadays, a lot of us find a way to return to the immediacy of directly-recorded one-take overdubs. (It’s not so hard, of course. Just step away from your fancy editor.)

I’ve just listened to the re-release “Secret Life of Machines,” due out in June. It’s a fantastic, fresh-sounding release – unassuming and direct in the way Rachmad himself is in the interview. The dirty reality is, some 90s electronic music – even some that is considered a landmark today – really does sound dated today. These cuts simply don’t. There is this sense, as Richie Hawtin puts it in the video, of music that’s “melodic, funky, like Holland … but [is] rhythmic and beautiful like Detroit.”

I am, not very secretly, an optimist. I wonder what musical collisions may happen next – whether it’s club music or dance music or not, in electronic music as a medium. To me, the most fertile moments in music bloom when these kinds of connections and influences can form.

“Secret Life Of Machines” will arrive in phases, remastered and remixed, starting in June 2012, on CD and digital.

  • http://raaphorst.info/ Raaphorst

    interesting stuff happening in the score of this video. he’s new to me. and I am Dutch :)

  • http://rekkerd.org Ronnie

    Secret Life of Machines is one of my favorite LPs to this day. Still sounds so fresh. When I still had turntables I mainly mixed drum and bass but I had this 12″ with a fantastic d&b tune by Dylan Hermelijn, followed by Steve’s Dominus on B2. Whenever I pulled out that record I knew my drum and bass mix was over. I’d usually end up mixing Steve’s tunes back and forth for hours. Never got boring to me.

  • http://profile.yahoo.com/X2C5LHHPDXQAKWUKBWCJFPNFVQ jahlove

    One would believe that in the day of instant knowledge google image or bing can give us now, someone would spend 10 seconds and type “atari 1040 st” and retrieve an image of that machine. But no, how about an amiga instead!
    #Occupymylaziness

    • http://pkirn.com/ Peter Kirn

      Wait, where? In the video? (I was going to say, I don’t think I made that mistake!) The two are a little similar looking, and easily confused… not sure who was copying whom. But yes, they are different machines from different makers.