Insane, Starship Control Panel Controls Sound Morphing-Synth in 3D: COSMOSƒ

If I’ve said it once, I’ve said it a thousand times: manipulating sound presets should be as intuitive and powerful as regulating plasma coolant flow to the antimatter injector on a warp drive nacelle. I mean, knobs? How quaint. COSMOSƒ is a graphical morphing engine for sound, a standalone synthesizer with a wild, sci-fi interface. You can actually set up polar coordinates and navigate sounds through a sphere, in three dimensions. The sound engine is all internal, but looks like a lot of fun. (For more of this sort of thing, see the excellent, free and open source IanniX, which …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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A DJ App for iPad That’s Modular, For Exactly What You Want: d(- -)b from touchAble Creators

d(- -)b brings the colorful, visual, touchable waveforms that are part of the draw of iPad DJing. But to that, it adds another trick: custom, modular layouts, letting you choose up to six decks, for instance. Two decks, or more decks? Horizontal, or vertical waveforms? Which controls? DJ app designers normally have to make such decisions for their users – and users must, more or less, take what they’re given. Not so with the odly-named, just-released d(- -)b iPad DJ app. Using a grid to neatly-align elements, it lets you choose what you want on-screen, and whether two decks or …

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Propellerhead Reason 7: External MIDI, Integrated Slicing Get Serious, Overdue Love [Preview]

Happy 2013, everyone! Here’s CDM with the latest news. It seems there’s a new synth called the Korg MS-20! Or you can have a monosynth with filter saturation – that arrangement of three oscillator knobs looks cool. All of these things use a ground-breaking format called MIDI that allows digital instruments to talk to one another. And you can even get software for your computer that now supports MIDI output. So, you can use your computer to talk to your synth – that is, if you aren’t busy taking advantage of the computer’s ability to slice up audio. In case …

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Free Granulator II from Robert Henke for Max for Live; Another M4L Grain Instrument On Its Way

We’re spoiled by modern software as a canvas for experimental sound. Significantly, once constructed and encapsulated, these digital sound devices can fall away, allowing you to explore new noise frontiers through play, not only through calculated sound design. (That very question has come up in very different conversations with developers I’ve had in the last 24 hours or so, so I think it’s worth mentioning – whether it’s something you’ve created or downloaded, you can get to the point where you use your ears and intuition to find sounds.) Let’s talk about that in regards to Ableton Live and Max. …

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Century of Sound: 100 Years After Russolo’s “The Art of Noises”

Today, the 11th of March, is the one hundredth anniversary of “The Art of Noises,” the seminal letter written by Italian Futurist painter Luigi Russolo. That letter became a manifesto for what was then a radical document, suggesting a new approach to sound and music. In it, Russolo cautioned that “the art of noises must not be limited to a mere imitative reproduction.” The Futurists’ efforts were tragically followed by not one but two world wars, making some of their lust for violence take on a different meaning. For instance, from the 1913 letter: 1 2 3 4 5 seconds …

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What NI Was Teasing: Monark Minimoog-Modeling Synth, Remade Battery, in New Komplete

Native Instruments has been teasing new instrument software in recent days, and now we get to see what they were previewing: a new virtual-analog monosynth and a remade version of their drum sampler. But, hold on, before everyone yawns and leaves the building – there’s reason to pay attention to this news. First, yes, there is something notably absent in today’s announcement. While NI is making Komplete, their bundle of their extensive stable of software instruments, available for preorder, there’s still no sign of a big upgrade to Reaktor. The fact that the Monark video showed Reaktor patching may have …

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Ardour, For the Rest of Us: Free DAW Gets Plug-ins, MIDI, More as 3.0 Arrives

Ardour has long been software that you probably wanted to want to use. Fully free and open source, supporting standards for plug-ins and file interchange, Ardour is software that arguably the whole industry needs to exist. That is, even if you don’t use it, you might benefit from having a reasonable competitor that pushes openness and interoperability, that can innovate with open source code as much as commercial options do. Now, Ardour is here in a version you may actually want to use. It’s not that there haven’t been people getting work done with Ardour in the past. (Don’t forget …

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Not Silent: An Hour of Female Producers’ Music, Mixed by Electric Indigo

Let’s not leave this discussion on the 100th International Women’s Day with only words. One commenter noted that they had no female producers in their library. Now that means your library is almost certainly missing some important music. From Electric Indigo, founder of femalepressure (whose report was in today’s story), comes a mix of a selection of some of my own favorite producers, people who inspire me personally in electronic music. Your list would no doubt differ, but – well, I like her tastes. There are many complex windows into questions of gender, identity, and politics as relate to musical …

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Time To Act? Sobering Stats and Call for Change on International Women’s Day [Report, Editorial]

Announcing their findings in a wide variety of languages, femalepressure, a 56-country network representing hundreds of women in music from bookings to DJing, have put the electronic music scene into numbers. In a report formally released today, they quantify the sinking suspicion that labels, festivals, and media outlets are badly lacking in female representation. Just how few women are there in top festivals, label releases, and the media? Few enough that when the numbers break 10%, the results “can be considered above average.” Press Release (English) [femalepressure] Full March 2013 Report [PDF; worth reading in its entirety to see where …

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