In a new touring piece by an electrified audiovisual band, the musical score is data.

Space F!ght, off to tour London on Sunday, are a multi-media ensemble inspired by the greatest writers in science fiction. But science fact is the source of their latest piece, as they collaborate with the Stockholm Environment Institute and NASA’s Goddard Institute for Space Studies to turn ozone data into the materials of their performance.

That data has a message, as ozone levels directly impact human health.

See the video at the top for a look at how the whole system works.

spaceflight

Dr. Radek Rudnicki, who mans the Elektron drum machines and works for the Stockholm Environment Institute, writes us with more:

I’m writing to you as I just finished USA East Coast tour with RPE Duo and about to do another one in UK with my audiovisual band Space F!ght. On both of these tours I’m sonifying NASA’s ozone data using Elektron MD and OT. Piece are made in collaboration with Stockholm Environment Institute and NASA’s Goddard Institute for Space Studies and show ozone’s impact on human health.
We are using 3D projection mapping for visualisation with the same datasets as for music scores.

Stockholm Environmental Institute describes more of the science end of all of this:
Music of the atmosphere

We also get to hear a bit from the upcoming Sci-FI EP Space F!ght is putting out:

Info on the tour – and a video teaser:

http://spacefight.eu/scifi-tour-2013/

  • Radek Rudnicki

    Thanks for posting this Peter! Just to clarify Space F!ght is touring UK only. We did tour USA with Matt Postle as RPE Duo in September this year. Based on that work with Space F!ght we are using same datasets but different instrumentation – sax, guitar and 3D visualisations to show ozone’s impact on human health.

  • a

    Looks like it was M4L doing the sonification? Would like to know a bit more about that.

    • Radek Rudnicki

      Machinedrum was driving max/MSP’s sequencer via MIDI. I had one note on first step in MD mapped to change the month/ max seqencer step. Max patch was sending scaled CC to MD based on the ozone data. Simple really, just scaling data and midi routing in max. All synthesis in MD. 10 trumpet notes were also mapped, so Matt was reading it from the screen like a score and playing each note within the bar. We were also watching the sequencer and playing more dense/intense while the values were higher. With Space F!ght its similar, clock goes to laptop running vvvv as well, so MD is driving the whole show. We are going to watch data visualisation on screen made of pyramids this time :)