Video killed the radio star. Streaming killed downloads. Home taping is killing music. Is the cloud about to kill the mastering engineer?
We live in worlds of displacement. Some of those new geographies are chosen, are freeing. This is the age of cheap airfares, of migratory artists crossing oceans, of global communication and spontaneous international collaborations. Then, there’s the inescapable darker side: forced migration, refugees. There are flights of fancy, flights of exile. And as through the history of music, musical practice traces those human movements. Karachi, Pakistan has served as a stage for very different kinds of displacement and resulting creative expression. Some of those were explored recently, which I glimpsed in a festival held by Berlin’s Hebbel am Ufer (HAU) …
At the moment when synthesizers are getting more economical, Moog are firmly establishing what the synth as luxury item looks like – and it’s this. The Minimoog model D is an exact recreation of the iconic original monosynth, starting production of that machine for the first time in three decades, down to even tiny details of circuits. And it’ll cost you – US$3499, limited run in America only.
In the heart of Brazil, baile funk is charting a new direction for bass music – soaking up influences from across the ocean in UK, mixing and evolving. And so we’re keen on the latest cut from Lisbon’s Enchufada label – that’s the label behind the likes of Buraka Som Sistema and Branko – a new collaborative gem.
What do you get when you cross a tiny patch bay with total mayhem? Well, the bitRanger, apparently – a limited-run collaboration of Bastl Instruments and Casper Electronics (Peter Edwards), and possibly the most interesting surprise to come out of Moogfest this week.
Is IDM cool again? Like even calling things IDM? We think so. Now, there’s probably lots we could say about Autechre, but that’d take precious time away from you listening to all the Autechre-y Autechre that just Autechred into your Autechre. So, let’s just cover the facts, ma’am, in quick order – and they’re all pretty awesome. Of course, spoiler, all your fellow music nerd friends have been talking about nothing else on their Facebook feed today, but at least we can put this all in one convenient location:
Okay, obvious disclaimer. Please do not prank call Ableton tech support. They’re busy, hard-working people. But … this is hilarious (as is the fact that it’s labeled as a tech support call “from Berghain”). A custom-built Launchpad and Live hacked to run inside Linux? Going with the flow and working the audience when a glitching Live set randomly launches clips? At least this scenario sounds like a plausible one involving a regular CDM reader. Listen:
There have been vocal effects before – your vocoder, your pitch shifter, what have you. But the folks at iZotope set a more ambitious goal: be all the classic vocal effects. Put them a single plug-in full of modules. Then combine them in a way that makes them accessible, whether you’re preset surfing or dialing in your own sound. Encourage exploration without even requiring some advance knowledge. The result of that is called VocalSynth, and it’s out today. And wow, is this thing big – big enough that I imagine I might spend the rest of the year playing with …
For all the changes in visual appearance, all the extra features and connections, what hasn’t changed much in headphones is how headphones work. That makes Nura, a product launching this week on Kickstarter, all the more interesting. Not only does it introduce a unique design for how the headphones physically deliver sound to your ears, but it’s also a pair of headphones that listens to your ears — even before you start listening to music.
It looks like a small remote control for a game system, but it’s a musical instrument. The OP-Z caught our imagination earlier this year at NAMM with a host of bizarre and wonderful functions, from sequenced instruments and drums to live visual animation accompaniment (seriously). Now, Cuckoo Music catches up with Teenage Engineering in his ongoing video series. That means a chance to see how the pocket music gizmo has progressed, as well as what’s happening with live visuals. Teenage Engineer David Mollerstedt joins: Meanwhile, TE’s instruments see other lovely action. Mikael Jorgensen writes CDM to tell us about his …