OB-6-Right-1

That dreamy Dave Smith OB-6 is now in desktop form

Be relieved, budget-constrained synth addicts. Now, instead of coveting the OB-6 six-voice analog synthesizer in keyboard form and working out what you’d need to sell to get it, you can … covet the OB-6 six-voice analog synthesizer in desktop form and work out what you’d need to sell to get it. Or, alternatively, if you have extra money lying around, you can get twelve-voice polyphony by chaining two OB-6 together — like, for instance, a desktop unit and a keyboard unit. I say if you can’t presently afford that, you should fire your booking agent. (“But I have two kids!” …

READ MORE →
Forte-36

Berlin warms up for techno and visuals in a Portuguese castle

Techno lineups don’t have to be scraped off of the top of DJ charts and Google searches. And visuals don’t have to look like a screensaver that got drunk. Festival Forte, set for the end of August at the castle of Montemor-o-Velho, between Porto and Lisbon on the Portuguese coast, is a glimpse of something different. Already last year, it ran against the grain of dumbed down summer festivals with some of the bleeding edge of concert visuals, set to an exceptional lineup. And it appears to be set to do that again. So, let’s check in on what’s happening …

READ MORE →
rockmen-devices

This amp and FX pack shows what you can do with Reason

In music software, you have things that are modular, and things that aren’t. Modular environments like Reaktor and Max/MSP let you build things from scratch with essentially unlimited flexibility. DAWs tend to lock you into fairly rigid options for how you combine different instruments, effects, and other tools. Well, Reason sits somewhere in between. Every virtual synth, effect, and signal tool can be patched into another in a single, integrated environment – even as it still remains a production tool with a timeline and mixer (or mixers). In a great example of why that’s cool, hard-core Reason expert Marco Raaphorst …

READ MORE →
Reason 9 is available to download now.

Why you should care that Reason 9 just arrived

Reason 9 is here, updating that singular virtual rack of instruments and effects combined with song recording and arrangement. And a quick look at the features will likely have some people saying “fine, sure, but my DAW can already do that.” But – exactly. And also – can it, really? Because Reason has a of doing things in a, well, Reason-y way – one that keeps its die-hard fans uniquely loyal. And it sometimes has a way of doing things best.

READ MORE →
cubasis_ruismaker

Ruismaker is an iOS drum synth that feels like hardware, works like a plug-in

Software drum machines aren’t kingmakers the way hardware is. So Bram Bos of Eindhoven is not a household name the way, say, certain hardware makers are. But back in the 90s, Bram’s HammerHead Rhythm Station was one of the first pieces of software that showed what a drum machine in software could be. Flash forward to 2016. Bram is here with an iOS app that’s all drum synth – no samples. And while that puts it in a category with some other apps, it takes a slightly different approach. First, Bram advertises it as “the most hands-on” option for iOS. …

READ MORE →
1-Tim-Murray-Browne---Anamorphic-Composition-No-1-UI-2

A composition you can only hear by moving your head

“It’s almost like there’s an echo of the original music in the space.” After years of music being centered on stereo space and fixed timelines, sound seems ripe for reimagination as open and relative. Tim Murray-Browne sends us a fascinating idea for how to do that, in a composition in sound that transforms as you change your point of view.

READ MORE →
lotsofnovationthings

Novation’s iOS app updates do Link, let you ditch the laptop

The iPad (and iPhone) are starting to look like the ultimate jamming devices – mobile, connected, and ready to play. And it’s doing what laptops can, in a less awkward form factor. Back-to-back updates from Novation are bringing their apps closer to that reality, today. Now, Novation are rubbing shoulders with Ableton in some wireless jam sessions set up at Barcelona’s SONAR Festival today. But what we’re talking about opens up possibilities for both use cases – laptops playing with iPads, and iPads replacing laptops.

READ MORE →
elektronRIP

Elektron sell off the final Machinedrum, Monomachine

It’s the end of an era. The Elektron Machinedrum (2001) and Monomachine (2003) will see this month their last batch from manufacturing. It’s pretty remarkable how far these machines have come – spurred on by passionate users and a string of software updates that kept them fresh. Our Swedish friends at Elektron aren’t being terribly subtle with their marketing announcing the event, either, going for a funeral motif. Wait. Let’s back up. These are new units arriving, and unless a software update is going all Blade Runner on these things, not sure “funeral” was what they were looking for. But …

READ MORE →
New live slicing functionality. Courtesy NI.

Maschine adds real-time slicing and other stuff you asked for

There are updates, and then there are updates. There are the updates that give you a bunch of new functionality – marketing tends to love these. And then there are the ones that just make a big slog through feature requests. Maschine “2.4.5” is not an exciting sounding update. But wow, does it ever add a long list of improvements users wanted.

READ MORE →
Photo: Udo Siegfriedt / CTM Festival.

Listen to John Chowning tell how he invented FM synthesis

To this day, it’s a synthesis method capable of producing wonderfully otherworldly sounds. And now as its applications on cell phones and cheap PC audio fade into distant memory, FM synthesis is left as one of the great achievements of musical invention, full stop – let alone being a key milestone of 20th century technology. So perhaps it’s time to revisit its significance.

READ MORE →

View older articles