Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully.

Oops, sorry, lost my train of thought there.

Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description:

* Patch performed live * No overdubs *
In this short improvisation, Detroit-based electronic artist, Erika, composes a celestial passage using a pair of Mother-32 analog synthesizers. An external reverb unit is used to add an astral quality to the patch.



Reverb: it’s what’s for dinner.


If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news.

Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard.

Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.) Continue reading »

Are you in a warranty-voiding mood? Have you got a soldering iron?

The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times.

Skip ahead to the end of the video above to hear what we mean. Continue reading »

Photo (CC-BY) Kevin Wong.

Photo (CC-BY) Kevin Wong.

“I’m the operator with my pocket calculator.”

No — like, actually.

HoustonTracker 2 runs on the TI-82/83/83+/84+ Texas Instruments graphing pocket calculators – the kind you probably had to buy for your high school math class. And it doesn’t just make the calculator into a sequencer. All the sounds come straight out of the calculator itself, thanks to some gorgeous-sounding 1-bit noises. (Who needs those 15 or so extra bits, anyway? This is beautiful.)

What do I mean? Just watch: Continue reading »


MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access.

There’s just one catch: you will still need the computer.

Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad?

Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight. Continue reading »

We’ve seen apps made exclusively for touch devices like the iPad. And we’ve seen very basic touch support in desktop apps. But Bitwig Studio 1.3 is both.

So, on the same day we find out about a proper touch laptop, we also get a DAW that’s ready, today, to take advantage of it. (See also FL Studio below, though Bitwig brings specific support for Microsoft’s new displays, and some new ideas.)

Also, is Bitwig actually trolling Mac fans, or Apple? Because Bitwig is touting the fact that OS X will at least get its new “E-Cowbell device.” (I’m not making this up.) Continue reading »

Apple’s strategy is clear: make one line of things that are laptops (running OS X), make another line of things that are touch-based (running iOS). That strategy has served them – and musicians and other creatives – well. You can certainly have a lot of fun with a fairly inexpensive iPad full of apps, and the MacBook line has earned its place as the music laptop of choice.

But that’s still left some creative types in the gap between the two. That is, it did, until today. Continue reading »