Sorry. I’m terrible at writing headlines, actually. I’m also mostly terrible at writing reviews. So let me just say that if you haven’t heard Horse Lords, the Baltimore-based indie band, since their 2010 founding, you deserve to. And they make a great argument for why alternative tunings really do matter in music.
Can you whistle? Can you hum? Sing? Dance? Let’s assume for a moment that the problem isn’t your musicality, because you have something to express. The point of technology and music skill is really to express that inner musicality. For a beautiful demonstration of that, watch one guy roam the streets of Berlin’s Kreuzberg neighborhood with one piece of gear – and make an amazing song just from looping.
We’ve reached the mature age of music apps. You’re likely to use fewer of them, and the landscape is saturated with the most popular ideas. It’s also clear that iPad, not Android, is the viable tablet platform. But the few apps that are left standing as serious music tools are better than ever. They’re easier to integrate with your computer and standalone hardware, and they feel more like instruments and less like toys. They walk some line between making music production more accessible to beginners, and offering refreshing simplicity to people who are mixing them with other gear. And Skram, …
File under artists who inspire us: Lee Gamble is for us the embodiment of thoughtful, adventurous sound making. CDM’s Zuzana Friday talks to him about his latest project, UIQ – one that brings rich discourse and dimension to music. -Ed. You could say that Lee Gamble has a degree in making abstract music – using samples, snippets, and elements of styles ranging from jungle to techno. The master producer ‘sound wizard’ contributed to PAN Records’ discography with a number of releases combining his musical roots and sound phantasmagorias.
Richard Devine’s Vimeo account is something special. It’s certainly partly theater – there’s something entirely alien about seeing a nest of gear, tangled in cables and blinking, as if modules have achieved sentience and starting interconnecting themselves. But behind that facade of nerdy chaos is some real thought about how to make sounds by creating unexpected combinations of signal processors. It’s something I’ve been discussing with a lot of people lately – this interplay between stability and instability, automaton and entropy.
Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.
Behringer continues to leak out teaser videos about its upcoming analog synth – and with the rest of the industry out on summer vacation, they’ve got pretty much everyone’s full attention. There’s a few things you can learn from their latest video – not least that I was dead wrong, and this is a polysynth, not a monosynth. (Oops.)
Don’t like clicks or beeps or other sounds when using a metronome? Try some haptic feedback instead, with this free utility.
Time to start singing about how we’re the operator with our pocket calculator again. The ZONT Synthesizer is an upcoming handheld instrument. And it’s what one designer imagines for the synths of the future. Apart from being tiny, you can change its function by snapping cartridges in and out – Game Boy style. And whereas we think of synths now as big, clunky boxes with wires coming out of them, the ZONT can either plug into a desktop dock for connectivity or connect wirelessly. We’ve had a chat with its designer to see what’s in store.
Tresor has left a rich legacy to electronic music – one that has defined a lot of what “techno” means – and not least of all through the Tresor Records imprint. So as follow up to our preview of the Tresor 25 festival, we’ve partnered with Beatport to share a set of 25 tracks that trace a small slice of that deep catalog. It includes some old classics, the younger generation carrying that torch, and gems like Objeckt’s terrific continuous mix Kern, Vol. 3 (with still more music, so… kind of more than 25 tracks, actually).