It makes some people cringe each December as much as the appearance of WHAM! and Paul McCartney (oh, “Wonderful Christmastime”). It’s the end of year lists in electronic music. I have no particular problem with them, except that they’re limited in what they tell us. We get surveys that allow people to learn what the most popular music is by determining which music they … already think is the most popular. It’s like the musical equivalent of the Myers-Briggs test, or reading a horoscope. Sure, it’s entertaining, but the secret is, you’re basically just looking in a mirror and confirming …
patten has gone from CD-R releases to Warp, remaining anonymous all the while. But these secretive artists told us about where they find inspiration.
Triple Sun – Sprint from Martin Blažíček on Vimeo. From Bratislava, the duo Triple Sun are making spontaneous, ethereal music with a combination of modular and computational tools. Against a flickering black-and-white film, this video last year is one of my favorites. We’re inviting Triple Sun this week to Berlin along with Jonáš Gruska as part of a live program, so I want to take a second chance to explore what they’re doing.
It’s a marvelous time to be a musician. You can imagine a musical instrument, a compositional invention, and then realize that idea in short order. So I was glad to get the chance to emcee an evening of discussion with Reaktor experts, including the folks who built the tool, last month in the software’s hometown Berlin. That discussion ultimately was partly about Reaktor, but partly about the act of instrument building itself – meaning there were insights for anyone interested in working with electronics or software to dream up new musical tools.
From oil refineries to electromagnetic fields to bats, meet an artist from Slovakia discovering beautiful new sounds. Interview – and CDM events in Berlin.
When a workshop becomes a
Techno has become folk art, popular music idiom. Yet it’s still often viewed through the machines that first made it. What if you could give it some sort of physical, mechanical form? That’s what Graham Dunning has done with Mechanical Techno. And in a new video (produced by Michael Forrest), he shows how it’s done.
It’s clear right away that Kiran Gandhi is an “always-on artist.” We’re sitting down with the drummer/singer/electronic musician/businesswoman at Ableton’s Loop conference, and as she reflects on the acoustics of the outdoor tent where we’re recording, she sings an impromptu recording into her phone. There’s even a lyric reminding her to write about tents. The tone is set for our whole conversation: as Kiran longs for a higher-fidelity phone microphone, technology alone can’t keep pace with her spontaneity.
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.
Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …