Is Beyonce Tone Deaf? Is Leaked Board Mix Real? Is Auto-Tune That Powerful? (No)

Updated, for all time:

Readers are nearly 100% for judging this one. It was a fake. And the site with a really stupid name (hellohomo??) admits that it was faux.

Howard Stern Hoaxed! Beyoncé "Outtakes" Are Fake, Creator Admits [E! Online]

Wow, that may be the last time CDM links to E!

Lesson learned: yes, the Internet has the power to spread rumors at new speeds. It can also debunk them even faster. That’s something to pass along to the “get off my lawn!” crowd.

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Fight the Microsoft Songsmith Cheese with Samples, Styles

Okay, so you’ve seen the painful demo video for Microsoft Research’s Songsmith software – it was intended to me tongue-in-cheek, I think, but the self-parody didn’t quite work. But the idea of auto-accompaniment software that interprets your recorded singing remains impressive. And I’ve gotten some tips that it is possible to make Songsmith sound good. Naturally, the biggest variable will be the quality of your own singing. But to make the software side of the equation more interesting, it is possible to extend the tool.

Garritan, maker of the samples in the tool, has two add-ons. There’s an orchestral pack with the usuals, and Garritan’s sampled orchestras do sound very, very good. Better yet, there are some analog synths to add, including some bass, J-60, Jupiter, and other action. These don’t come with styles, but they do give you some new sounds. Whether you use them for more evil and cheese is up to you. US$9.99 each.

Band-in-a-Box maker PG Music also has Style PAKs that are compatible with Songsmith, too. The key with these is adjusting variables in the accompaniment, and tweaking chord progressions.

I can’t say I’m entirely sold yet because I’ve never been a fan of auto-accompaniment – though, okay, I did pass some enjoyable hours messing around with electronic organ and Casio keyboard presets as a youngster, so I take that back.

Here’s my challenge to you, if you are a Windows user and give Songsmith a try. Go. Make something really great. Maybe it takes this in a new direction — sample Hatebeak’s heavy metal parrot screeches. Maybe you just happen to be a brilliant singer. Report back. The world’s ears thank you in advance.

Image: roadsidepictures.

Breaking News: If you were David Lee Roth, and you decided to use Songsmith, you would sound something like this. (Thanks, Neal Johnson! Actually, what’s a word that means not so much “thanks” but “please, never, ever send anything like this again, for the love of all that is good?”)

Warning: The following link may cause permanent hearing loss, after you gouge out your ears.

Runnin’ With The Songsmith [Metafilter Music]

Google AdSense Fails on Relevancy, Control, Policy, and Google Says Nothing

It’s not just gay marriage that’s at issue. A Google flap should have people thinking about the future of advertising. Photo: Eric Bartholomew aka Uber Tuber; also on MySpace.

It’s a nearly unanimously-held belief: the future of digital content will depend, at least in part, on revenue from ads. This site is supported by ads. Musicians and digital producers will be looking to ads to support what they’re doing – sometimes in the form of direct ad revenue, sometimes in support for sites and communities they use (Facebook, YouTube, MySpace, and so on). Ads are very often what makes the Internet free.

But if ad-supported models are going to work, the system that delivers the ads has to work. This week, I believe Google failed to deliver the solution it promises its publishers. They violated their own policies, violated the principle of their service, violated the trust of their publishers, and then failed to respond to an issue that was deeply time-sensitive.

When Third-Party Ads Attack

Before I’m misunderstood, let’s consider advertising policy, which is not the same as editorial policy. In print publishing, whether a small-town weekly newspaper or The New York Times, ad sales relationships have been directly between a publisher and an advertiser. Running an ad does not mean an endorsement of the advertiser or their message or product. In fact, newspapers frequently run “op ed”-style ads that directly conflict with editorial policy, though not without being criticized by some for doing so. The Times runs a regular full-page ad from energy giant Exxon/Mobil, for instance.

In online publishing, we very frequently hand over those relationships to a third party. We expect, in return, that our interests as a publisher will be served by the third party.

This week, Google AdSense bombarded an enormous number of partner sites, Create Digital Music included, with banners opposing same-sex marriage in California, a right that had been protected in that state. Bizarrely, many music tech sites were targeted. The ads were offensive to many publishers; whatever your feelings about marriage and homosexuality, these were effectively ads in favor of discrimination. One ad run on this site was also factually inaccurate, suggesting that California protections for gay marriage can be equated to a mandate to teach about same-sex relationships in schools; various California officials have said that’s not true. Even if you want to debate the issue, that means the ads were claiming something that was false, which is not as debatable.

But tempting as it may be to focus on the political issue and the ads themselves, the ads are not the problem. The problem is that Google failed its publishers, failed the trust we place in Google, and then failed to talk about what it had done. It’s a failure of really historic proportions, and one that really merits a close examination and open debate if ad-supported content has any future at all. The fact that Proposition 8 passed and passed by a very narrow margin, is likely to turn up the political heat on that debate. Advertising was widely credited for the passage of the proposition, making us as publishers unwitting partners in the passage of a proposition many of us would have opposed. But let’s not lose sight of the fact that, Proposition 8 aside, the fault is Google’s for delivering well below the expectations of publishers.

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Refresh: Asides

Evening Bits: Music-Playing Cats and Conceptual Designs, Bathroom Distribution

Cat power. First of today’s evening diversions: Analog Industries discovers Nora the piano-playing cat. We don’t want to put Nora up on the main site, though, lest she scare the infinitely more talented Hatebeak the parrot.

Conceptual albums. The folks at BornRich.org have a beautiful music tablet PC design up. (Thanks, Gizmodo.) Only problem: it’s basically a Windows tablet PC with a prettier body; the real magic in portable music tablets would come from smarter software. See also their computer in a drum case, which might allow drummers to sneak Ableton Live onstage.

The Long Tail and the Toilet. Lastly, if you’re looking for a new way to distribute your music and gain audiences, and you’re a totally obscure indie band with a name like “Nine Inch Nails” (who?) why not distribute your music taped to USB keys in urinals? In Portugal? (Damn you, Reznor, you stole ANOTHER of my ideas?) Just make sure you tell the RIAA first. Oh, and make sure not to leave your Logic Pro dongle by mistake. I do love the fake site NIN points to. “ZERO TOLERANCE. ZERO FEAR.” happens to be the new slogan of the new CDM forum moderators.

Adorable Animals with Synthesizers

Play this track:

 

Play this track:

 

I love controversy. But after a week in which US politicians were talking about World War III (or was that IV) and somehow CDM’s great comment threads wound up on the topics of whether hardware or software was better (discussion = not allowed on this site), and whether starving children would be able to eat affordably-priced laptops, I decided it was time for an experiment. Could I write an entry with total appeal and zero controversy?

I present, as mind candy for the weekend: adorable animals with synthesizers.


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