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	<title>Comments on: About Peter Kirn</title>
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	<link>http://createdigitalmusic.com</link>
	<description>Making music with technology</description>
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		<title>By: the lokey massive &#187; Blog Archive &#187; -=WARPER PARTY=- Lokey Selektions this Wednesday, nov 14</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-315288</link>
		<dc:creator>the lokey massive &#187; Blog Archive &#187; -=WARPER PARTY=- Lokey Selektions this Wednesday, nov 14</dc:creator>
		<pubDate>Thu, 15 Nov 2007 23:17:33 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-315288</guid>
		<description>[...] Ill be dropping a late night 12:20 am set at the Warper Party in brooklyn this wednesday, all of you nyc locals should come out and check my new setup. Should be a blast, Peter Kirn from Create Digital Music will be doing visuals, Moldover is back in town and dropping his controllerist stylings, and a host of others. New venue with lots of floor space, so come out to shake your booty! See you all there&#8230; [...]</description>
		<content:encoded><![CDATA[<p>[...] Ill be dropping a late night 12:20 am set at the Warper Party in brooklyn this wednesday, all of you nyc locals should come out and check my new setup. Should be a blast, Peter Kirn from Create Digital Music will be doing visuals, Moldover is back in town and dropping his controllerist stylings, and a host of others. New venue with lots of floor space, so come out to shake your booty! See you all there&#8230; [...]</p>
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		<title>By: POLYPINK &#187; Blog Archive &#187; Apple Soundtrack Pro 2 : reviewed by Peter Kirn</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-260708</link>
		<dc:creator>POLYPINK &#187; Blog Archive &#187; Apple Soundtrack Pro 2 : reviewed by Peter Kirn</dc:creator>
		<pubDate>Sun, 09 Sep 2007 03:33:03 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-260708</guid>
		<description>[...] Soundtrack Pro 2 à¸ˆà¸²à¸à¸„à¹ˆà¸²à¸¢ Apple à¹€à¸›à¹‡à¸™ application à¸—à¸µà¹ˆà¸œà¸¡à¹ƒà¸«à¹‰à¸„à¸§à¸²à¸¡à¸ªà¸™à¹ƒà¸ˆà¸žà¸­à¸ªà¸¡à¸„à¸§à¸£ à¹€à¸žà¸£à¸²à¸°à¸•à¸±à¸§à¸¡à¸±à¸™à¹€à¸­à¸‡à¸–à¸¹à¸à¸§à¸²à¸‡à¹„à¸§à¹‰à¸ªà¸³à¸«à¸£à¸±à¸šà¸‡à¸²à¸™à¸”à¹‰à¸²à¸™ Audio Post-Production à¹‚à¸”à¸¢à¹€à¸‰à¸žà¸²à¸° à¸œà¸¡à¹€à¸„à¸¢à¸¡à¸µà¹‚à¸­à¸à¸²à¸ªà¹„à¸”à¹‰à¸¥à¸­à¸‡à¹ƒà¸Šà¹‰à¹€à¸¡à¸·à¹ˆà¸­à¸„à¸£à¸±à¹‰à¸‡à¸—à¸µà¹ˆ Soundtrack 1.0 à¸­à¸­à¸à¸¡à¸²à¸ªà¸¹à¹ˆà¸•à¸¥à¸²à¸”à¹ƒà¸™à¸„à¸£à¸±à¹‰à¸‡à¹à¸£à¸ à¹ƒà¸™à¸•à¸­à¸™à¸™à¸±à¹‰à¸™à¸œà¸¡à¸¢à¸±à¸‡à¸¡à¸­à¸‡à¸§à¹ˆà¸²à¹€à¸›à¹‡à¸™ application à¸—à¸µà¹ˆà¸¡à¸µà¸à¸²à¸£à¸—à¸³à¸‡à¸²à¸™à¸”à¸¹à¸£à¸§à¸¡à¹†à¹à¸¥à¹‰à¸§à¸„à¸¥à¹‰à¸²à¸¢à¸à¸±à¸šà¸•à¸­à¸™à¸—à¸µà¹ˆà¸œà¸¡à¹ƒà¸Šà¹‰ ACID (Sony) à¸«à¸±à¸”à¸—à¸³à¸‡à¸²à¸™à¸”à¹‰à¸²à¸™ post à¹à¸•à¹ˆà¸à¹‡à¹„à¸”à¹‰à¸¥à¸­à¸‡à¹ƒà¸Šà¹‰à¹à¸„à¹ˆà¸Šà¹ˆà¸§à¸‡à¸ªà¸±à¹‰à¸™à¹† à¸«à¸¥à¸±à¸‡à¸ˆà¸²à¸à¸™à¸±à¹‰à¸™à¸à¹‡à¹„à¸¡à¹ˆà¸¡à¸µà¹‚à¸­à¸à¸²à¸ªà¹„à¸”à¹‰à¹ƒà¸Šà¹‰à¸­à¸µà¸à¹€à¸¥à¸¢ à¹„à¸”à¹‰à¹à¸•à¹ˆà¸•à¸´à¸”à¸•à¸²à¸¡à¸‚à¹ˆà¸²à¸§à¸—à¸µà¹ˆ Apple à¹€à¸•à¸´à¸¡à¸„à¸³à¸§à¹ˆà¸² Pro à¸¥à¸‡à¹„à¸›à¸—à¹‰à¸²à¸¢à¸Šà¸·à¹ˆà¸­ Soundtrack à¸ˆà¸™à¸¡à¸²à¸¥à¹ˆà¸²à¸ªà¸¸à¸”à¹€à¸›à¹‡à¸™ Soundtrack Pro 2 à¸—à¸µà¹ˆà¸ˆà¸° bundle à¸£à¸§à¸¡à¸¡à¸²à¸à¸±à¸š Final Cut Studio 2à¹„à¸¡à¹ˆà¸à¸µà¹ˆà¸§à¸±à¸™à¸¡à¸²à¸™à¸µà¹‰à¸œà¸¡à¹€à¸‚à¹‰à¸²à¹„à¸›à¸”à¸¹à¹€à¸§à¸› CreateDigitalMusic.com à¸à¹‡à¹€à¸«à¹‡à¸™à¸§à¹ˆà¸²à¸„à¸¸à¸“ Peter Kirn à¹„à¸”à¹‰à¹€à¸‚à¸µà¸¢à¸™ SoundTrack Pro 2 à¸¥à¸‡à¹ƒà¸™ MacWorld à¸à¹‡à¹€à¸¥à¸¢à¸¥à¸­à¸‡ print à¸­à¸­à¸à¸¡à¸²à¸­à¹ˆà¸²à¸™à¸”à¸¹ à¹à¸¥à¹‰à¸§à¹„à¸”à¹‰à¸ªà¸£à¸¸à¸›à¹ƒà¸ˆà¸„à¸§à¸²à¸¡à¸„à¸£à¹ˆà¸²à¸§à¹†à¸¡à¸²à¸šà¸­à¸à¹€à¸¥à¹ˆà¸²à¸•à¹ˆà¸­à¹†à¸à¸±à¸™à¸ªà¸³à¸«à¸£à¸±à¸šà¸„à¸™à¸—à¸µà¹ˆà¸ªà¸™à¹ƒà¸ˆà¸ˆà¸°à¸¥à¸­à¸‡à¸„à¸£à¸±à¸š [...]</description>
		<content:encoded><![CDATA[<p>[...] Soundtrack Pro 2 à¸ˆà¸²à¸à¸„à¹ˆà¸²à¸¢ Apple à¹€à¸›à¹‡à¸™ application à¸—à¸µà¹ˆà¸œà¸¡à¹ƒà¸«à¹‰à¸„à¸§à¸²à¸¡à¸ªà¸™à¹ƒà¸ˆà¸žà¸­à¸ªà¸¡à¸„à¸§à¸£ à¹€à¸žà¸£à¸²à¸°à¸•à¸±à¸§à¸¡à¸±à¸™à¹€à¸­à¸‡à¸–à¸¹à¸à¸§à¸²à¸‡à¹„à¸§à¹‰à¸ªà¸³à¸«à¸£à¸±à¸šà¸‡à¸²à¸™à¸”à¹‰à¸²à¸™ Audio Post-Production à¹‚à¸”à¸¢à¹€à¸‰à¸žà¸²à¸° à¸œà¸¡à¹€à¸„à¸¢à¸¡à¸µà¹‚à¸­à¸à¸²à¸ªà¹„à¸”à¹‰à¸¥à¸­à¸‡à¹ƒà¸Šà¹‰à¹€à¸¡à¸·à¹ˆà¸­à¸„à¸£à¸±à¹‰à¸‡à¸—à¸µà¹ˆ Soundtrack 1.0 à¸­à¸­à¸à¸¡à¸²à¸ªà¸¹à¹ˆà¸•à¸¥à¸²à¸”à¹ƒà¸™à¸„à¸£à¸±à¹‰à¸‡à¹à¸£à¸ à¹ƒà¸™à¸•à¸­à¸™à¸™à¸±à¹‰à¸™à¸œà¸¡à¸¢à¸±à¸‡à¸¡à¸­à¸‡à¸§à¹ˆà¸²à¹€à¸›à¹‡à¸™ application à¸—à¸µà¹ˆà¸¡à¸µà¸à¸²à¸£à¸—à¸³à¸‡à¸²à¸™à¸”à¸¹à¸£à¸§à¸¡à¹†à¹à¸¥à¹‰à¸§à¸„à¸¥à¹‰à¸²à¸¢à¸à¸±à¸šà¸•à¸­à¸™à¸—à¸µà¹ˆà¸œà¸¡à¹ƒà¸Šà¹‰ ACID (Sony) à¸«à¸±à¸”à¸—à¸³à¸‡à¸²à¸™à¸”à¹‰à¸²à¸™ post à¹à¸•à¹ˆà¸à¹‡à¹„à¸”à¹‰à¸¥à¸­à¸‡à¹ƒà¸Šà¹‰à¹à¸„à¹ˆà¸Šà¹ˆà¸§à¸‡à¸ªà¸±à¹‰à¸™à¹† à¸«à¸¥à¸±à¸‡à¸ˆà¸²à¸à¸™à¸±à¹‰à¸™à¸à¹‡à¹„à¸¡à¹ˆà¸¡à¸µà¹‚à¸­à¸à¸²à¸ªà¹„à¸”à¹‰à¹ƒà¸Šà¹‰à¸­à¸µà¸à¹€à¸¥à¸¢ à¹„à¸”à¹‰à¹à¸•à¹ˆà¸•à¸´à¸”à¸•à¸²à¸¡à¸‚à¹ˆà¸²à¸§à¸—à¸µà¹ˆ Apple à¹€à¸•à¸´à¸¡à¸„à¸³à¸§à¹ˆà¸² Pro à¸¥à¸‡à¹„à¸›à¸—à¹‰à¸²à¸¢à¸Šà¸·à¹ˆà¸­ Soundtrack à¸ˆà¸™à¸¡à¸²à¸¥à¹ˆà¸²à¸ªà¸¸à¸”à¹€à¸›à¹‡à¸™ Soundtrack Pro 2 à¸—à¸µà¹ˆà¸ˆà¸° bundle à¸£à¸§à¸¡à¸¡à¸²à¸à¸±à¸š Final Cut Studio 2à¹„à¸¡à¹ˆà¸à¸µà¹ˆà¸§à¸±à¸™à¸¡à¸²à¸™à¸µà¹‰à¸œà¸¡à¹€à¸‚à¹‰à¸²à¹„à¸›à¸”à¸¹à¹€à¸§à¸› CreateDigitalMusic.com à¸à¹‡à¹€à¸«à¹‡à¸™à¸§à¹ˆà¸²à¸„à¸¸à¸“ Peter Kirn à¹„à¸”à¹‰à¹€à¸‚à¸µà¸¢à¸™ SoundTrack Pro 2 à¸¥à¸‡à¹ƒà¸™ MacWorld à¸à¹‡à¹€à¸¥à¸¢à¸¥à¸­à¸‡ print à¸­à¸­à¸à¸¡à¸²à¸­à¹ˆà¸²à¸™à¸”à¸¹ à¹à¸¥à¹‰à¸§à¹„à¸”à¹‰à¸ªà¸£à¸¸à¸›à¹ƒà¸ˆà¸„à¸§à¸²à¸¡à¸„à¸£à¹ˆà¸²à¸§à¹†à¸¡à¸²à¸šà¸­à¸à¹€à¸¥à¹ˆà¸²à¸•à¹ˆà¸­à¹†à¸à¸±à¸™à¸ªà¸³à¸«à¸£à¸±à¸šà¸„à¸™à¸—à¸µà¹ˆà¸ªà¸™à¹ƒà¸ˆà¸ˆà¸°à¸¥à¸­à¸‡à¸„à¸£à¸±à¸š [...]</p>
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		<title>By: The Splice Blog &#187; Blog Archive &#187; Extra! Extra! Read all about it!</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-238162</link>
		<dc:creator>The Splice Blog &#187; Blog Archive &#187; Extra! Extra! Read all about it!</dc:creator>
		<pubDate>Tue, 07 Aug 2007 21:21:13 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-238162</guid>
		<description>[...] If you&#8217;ve ever been curious about how the new Splice came to be, you&#8217;re certainly not alone. Peter Kirn over at createdigitalmusic.com wrote that Splice Music 2.0 Could be First Web 2.0 Music App - which you can Digg, if you&#8217;re so inclined - and then got in touch with us to do an interview with our own CTO, Bram de Jong. You can read it here: How Splicemusic.com Has Taken Real Audio Processing to the Web. It&#8217;s really a great conversation about the site and I would highly recommend it. Thanks, Peter!! [...]</description>
		<content:encoded><![CDATA[<p>[...] If you&#8217;ve ever been curious about how the new Splice came to be, you&#8217;re certainly not alone. Peter Kirn over at createdigitalmusic.com wrote that Splice Music 2.0 Could be First Web 2.0 Music App &#8211; which you can Digg, if you&#8217;re so inclined &#8211; and then got in touch with us to do an interview with our own CTO, Bram de Jong. You can read it here: How Splicemusic.com Has Taken Real Audio Processing to the Web. It&#8217;s really a great conversation about the site and I would highly recommend it. Thanks, Peter!! [...]</p>
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		<title>By: Off Center &#187; Time becomes a loop</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-222798</link>
		<dc:creator>Off Center &#187; Time becomes a loop</dc:creator>
		<pubDate>Fri, 13 Jul 2007 16:42:53 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-222798</guid>
		<description>[...] For lack of a better way to describe it, this is just too awesome and geeky to pass up. Peter Kirn writes: For those not in the know, Steve Reich is one of the major so-called &quot;minimalist&quot; composers of the 20th Century; some of his early works of the 1960s focused on compositions made from tape loops falling out of sync or &quot;out of phase&quot; with one another. This includes the seminal works &quot;It&#039;s Gonna Rain&quot; and &quot;Come Out.&quot; For those not in the know, Lieutenant Worf is the son of Mogh, and serves as Chief Security Officer on the Starship Enterprise NCC-1701-D. [...]</description>
		<content:encoded><![CDATA[<p>[...] For lack of a better way to describe it, this is just too awesome and geeky to pass up. Peter Kirn writes: For those not in the know, Steve Reich is one of the major so-called &#8220;minimalist&#8221; composers of the 20th Century; some of his early works of the 1960s focused on compositions made from tape loops falling out of sync or &#8220;out of phase&#8221; with one another. This includes the seminal works &#8220;It&#8217;s Gonna Rain&#8221; and &#8220;Come Out.&#8221; For those not in the know, Lieutenant Worf is the son of Mogh, and serves as Chief Security Officer on the Starship Enterprise NCC-1701-D. [...]</p>
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		<title>By: Indieguitarist &#187; Blog Archive &#187; Symphony Mobile by Apogee Electronics</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-106944</link>
		<dc:creator>Indieguitarist &#187; Blog Archive &#187; Symphony Mobile by Apogee Electronics</dc:creator>
		<pubDate>Mon, 22 Jan 2007 16:06:49 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-106944</guid>
		<description>[...] There is an interesting article posted by the Editor-in-Chief and Publisher (Peter Kirn) titled &#8220;NAMM: Apple + Apogee Use ExpressCard to Take Pro Studio Audio Mobile&#8220;. Here he talks about a new product from Apogee called The Symphony Mobile System. [...]</description>
		<content:encoded><![CDATA[<p>[...] There is an interesting article posted by the Editor-in-Chief and Publisher (Peter Kirn) titled &#8220;NAMM: Apple + Apogee Use ExpressCard to Take Pro Studio Audio Mobile&#8220;. Here he talks about a new product from Apogee called The Symphony Mobile System. [...]</p>
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		<title>By: LCBTech &#187; Learning : Going Digital : Digital Music-iPod &#38; iTunes</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-22119</link>
		<dc:creator>LCBTech &#187; Learning : Going Digital : Digital Music-iPod &#38; iTunes</dc:creator>
		<pubDate>Tue, 08 Aug 2006 01:16:38 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-22119</guid>
		<description>[...] Create Digital Music About Peter KirnPETER KIRN is a composer, media artist/VJ, and writer, and the creator and editor of Create Digital Music. He s the author of Real World Digital Audio from Peachpit Press, a comprehensive book on [...]</description>
		<content:encoded><![CDATA[<p>[...] Create Digital Music About Peter KirnPETER KIRN is a composer, media artist/VJ, and writer, and the creator and editor of Create Digital Music. He s the author of Real World Digital Audio from Peachpit Press, a comprehensive book on [...]</p>
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		<title>By: Audio Macintosh &#187; CDM Tip: How to Force Universal Mac Apps to Run PowerPC Plug-ins</title>
		<link>http://createdigitalmusic.com/staff/peter/#comment-17484</link>
		<dc:creator>Audio Macintosh &#187; CDM Tip: How to Force Universal Mac Apps to Run PowerPC Plug-ins</dc:creator>
		<pubDate>Fri, 14 Jul 2006 21:23:23 +0000</pubDate>
		<guid isPermaLink="false">http://createdigitalmusic.com/?page_id=1276#comment-17484</guid>
		<description>[...] Peter Kirn of CDM shares a good tip with Mactel users.   So, you decided to spring for that Intel Mac. And now youÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ve got a plug-in that refuses to run, because itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s PowerPC-only, not a Universal Binary for Intel. Sorry, but only plug-ins that have been updated as Universal Binaries will run in a Universal audio host. Fortunately, thereÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s away around it, and itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s even fully documented by Apple:  Intel-based Macs: Forcing a Universal application to run with Rosetta [Apple Support Doc]  ThatÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s it. You force your audio application to run under Rosetta, as a PowerPC-native application. During the period when I had a MacBook Pro for testing, I was surprised to discover audio applications are usable. Performance is degraded ÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬? your Core Duo suddenly feels like a 400 MHz G4 (apologies to Titanium owners) ÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬? but they run. My advice: render any of those old plug-ins as audio, then reload; in Ableton Live, for instance, temporarily force the software to run in Rosetta, bounce the track with the plug-in you need, then re-load Universal and play the audio. Not the most elegant solution, but itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ll get you by.   Source: CDM  &#124; [...]</description>
		<content:encoded><![CDATA[<p>[...] Peter Kirn of CDM shares a good tip with Mactel users.   So, you decided to spring for that Intel Mac. And now youÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ve got a plug-in that refuses to run, because itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s PowerPC-only, not a Universal Binary for Intel. Sorry, but only plug-ins that have been updated as Universal Binaries will run in a Universal audio host. Fortunately, thereÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s away around it, and itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s even fully documented by Apple:  Intel-based Macs: Forcing a Universal application to run with Rosetta [Apple Support Doc]  ThatÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s it. You force your audio application to run under Rosetta, as a PowerPC-native application. During the period when I had a MacBook Pro for testing, I was surprised to discover audio applications are usable. Performance is degraded ÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬? your Core Duo suddenly feels like a 400 MHz G4 (apologies to Titanium owners) ÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬? but they run. My advice: render any of those old plug-ins as audio, then reload; in Ableton Live, for instance, temporarily force the software to run in Rosetta, bounce the track with the plug-in you need, then re-load Universal and play the audio. Not the most elegant solution, but itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ll get you by.   Source: CDM  | [...]</p>
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