Werkstatt_03

Mods Make The Moog’s Werkstatt Synth More Educational, More Fun

It began as an exclusive for a limited-edition workshop. But it’s turned into more. Moog’s Werkstatt synth is a lovely little analog synthesizer in its own right. But, driven by its educational mission, it’s also become a means of learning electronics. This is a synth you want to hot-rod.

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Will Your Next Controller Be 3D Printed? Meet Adafruit’s Open Source Grid

The original monome project did more than just create a novel piece of hardware for music. It established a design language for what essential digital interfaces might be, in the deceptively simple form of its light up grid of buttons. It’s not so interesting to just copy that hardware, then. More compelling are efforts to extract the elements of the design in ways that can be turned into new things. Adafruit has been slowly building up a nice set of building blocks clearly inspired by monome. Trellis is a system for making the grids component work – lighting the buttons …

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From Song to 3D Model to Augmented App: Visualizing Oneohtrix Point Never

One reason to use code, and the constellation of open source creative coding libraries, is the ability to express ideas across media. HoloDecks is a beautiful experiment in doing just that. The work translates invisible sound to three-dimensional form, and combines visualization in the physical and virtual domains. HoloDecks goes through multiple phases of expression, built entirely in the multi-platform, free and open source OpenFrameworks. Analysis of the song. First, there is a spectral analysis of the selected tune – in this example, it’s “Zebra,” by Oneohtrix Point Never. Virtual three-dimensional visualization. Next, the spectral data is plotted in a …

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"Ghost Box": Imagine Anything, Realized with 3D Printing, Projection, Interaction, Illusion [Interview]

It looks like an arcade cabinet. But inside, 16th-century illusion meets 21st-century projection and fabrication techniques to produce a booth that can let users imagine new products. It’s the power to transform special effect into real creation. Chicago-based creative studio Leviathan, teaming up with music foundry Waveplant, produced the project. Moving from an early art experiment to a commercial application, they combined a number of ingredients into a box for dreaming up custom designs. The elements: Projection mapping with a moving object (a technique we’ve seen with growing frequency) The “Pepper’s Ghost” effect – sometimes dubbed a “hologram” by folks …

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“Ghost Box”: Imagine Anything, Realized with 3D Printing, Projection, Interaction, Illusion [Interview]

It looks like an arcade cabinet. But inside, 16th-century illusion meets 21st-century projection and fabrication techniques to produce a booth that can let users imagine new products. It’s the power to transform special effect into real creation. Chicago-based creative studio Leviathan, teaming up with music foundry Waveplant, produced the project. Moving from an early art experiment to a commercial application, they combined a number of ingredients into a box for dreaming up custom designs. The elements: Projection mapping with a moving object (a technique we’ve seen with growing frequency) The “Pepper’s Ghost” effect – sometimes dubbed a “hologram” by folks …

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pMic is a 3D-Printed A-B Stereo Mic You Can Make Yourself; Hear It

Now, the next time you want a stereo microphone, you can hit print. Well, okay – that’s not entirely correct. But a combination of last-century DIY (circuits for making the mic) with this-century DIY (3D printing for making a convenient housing) means a custom microphone you can build that’s exactly suited to your needs. And, oh yeah – it’s both cheap and fun. Frank Piesik shares this project via Google+ and his blog. The plans are open-sourced and available on GitHub, so you can try making your own if you like; you’ll just need a 3D printer or 3D printing …

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Cascading Topologies of Data, in 3D Surface and Projection Mapping

Yota Devices / Scenarios from onionlab on Vimeo. Beyond the tired repetition of look-alike work, collaborations between areas like architecture and visual design really can light up our cities in new ways. I spent some time today touring the Fab Lab Barcelona, a multi-disciplinary fabrication studio peopled by experts in architecture and design. What’s special about this space to me is not only the well-stocked array of tools, but a commitment to applying technology to new contexts. The campaign just wrapped up yesterday on a crowd-funded sensor board that will provide intelligent environmental data from around the world, called Smart …

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Biostagog: Fluid Cellular Architecture Combines Mapping, Responsive Interaction [Gallery]

BIOSTAGOG from Platige Image on Vimeo. When futurists dream of fluid architecture, more digital image than brick and mortar, this is one element of what they mean. From Warsaw, Poland comes a project combining algorithmic design, 3D-printed surfaces, and interactive motion turned into projection-mapped image. Yep, that ticks all the buzzword boxes. But the upshot really does signify something transformative here in all these trends: it shows an architectural surface imagined on computers that takes on new shapes and responds to its environment. So, while some of these particular interactions are familiar – apparently, no one gets tired of waving …

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Fabric and Architectural Form Begin to Fuse [3D Printing]

Articulated Fabric from Francis Bitonti Studio on Vimeo. Architects regularly theorize about 3D printing and a move to architecture that’s more fluid and flexible. But just what would that look like? This report today gives us a glimpse. The designer: Michael Schmidt, NYC The architect/3D research studio: Francis Bitonti, Brooklyn For Dita Von Teese, burlesque star, who’s able to wear 3D-printed garments fabulously, more power to her / see below… The 3D printer: Shapeways Via Designboom Description:

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Tech for Guitarists: What’s New, What’s Changing in Digital Guitar Tools [NAMM Report]

Who says guitar technology isn’t advancing? Joe Gore is a guitarist who’s unafraid of the bleeding edge, so he was a natural to report back to us from the hallowed halls of new musical instruments, NAMM. He takes a look at what’s new and what’s evolving through a guitarist’s eyes. And this stuff is interesting, indeed, with effects and controllers that might inspire gear desires in instrumentalists of all stripes, not just guitarists. We guitarists tend to be a technologically conservative bunch, yet there was no shortage of forward-looking products at NAMM 2013. Not that everyone was looking in the …

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