pilotproduction

With the Minimoog reissue, there are now two Moogs

At the moment when synthesizers are getting more economical, Moog are firmly establishing what the synth as luxury item looks like – and it’s this. The Minimoog model D is an exact recreation of the iconic original monosynth, starting production of that machine for the first time in three decades, down to even tiny details of circuits. And it’ll cost you – US$3499, limited run in America only.

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bam_cam01_V01

BAM is OTO Machines’ musical, retro reverb box

Reverb: it’s something everyone needs. And yet in hardware, you almost always see the same couple of boxes. It seems about time for a new player. And OTO Machines, known for their BISCUIT 8-bit effect box and filter, might have just the candidate. BAM, coming soon, emulates the reverbs of the 70s and 80s. And in the demo, it sounds amazing.

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clapping

Free Clapping Music App Teaches You Steve Reich – And Rhythm

Before there was Rock Band and Guitar Hero, there was Steve Reich’s 1972 Clapping Music. And like all etudes, it’s a game. Now an iPhone app makes it an actual game.

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The 100m is probably a more appropriate model for whatever is coming from Roland next, but check out the stunning industrial design on the original System 100. This might inspire a custom Eurorack cabinet with keyboard, or two. Photo (CC-BY Notreshuggie.

The Last Time Roland Did Modular: The System 100

With widespread reports that Roland will soon have a new modular product, it’s worth remembering: Roland has done modular before. That legacy carried the name System-100. The original 100 semi-modular lineup of the late 70s, and the Synthesizer-101, might actually be more relevant today than it was when it first shipped. The clever concept here was to put a full-featured monosynth with a keyboard at the center, then add modules around it. That seems to make loads of sense to me, as it creates a playable instrument that can nonetheless be patched for more creative sound design options. The full …

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redrectangle

This 1971 Dancing Rectangle from Poland Predicts Modern Techno, AV

Sonic history in electronic music may be made with technology, but it’s also the output of someone’s brain. As such, it’s natural that liberated creativity can produce all kinds of possibilities. And it should be no surprise that history sometimes comes in cycles. Or… make that rectangles. Speaking of Poland, this short animation, crafted in 1971, features spooky sounds that would be at home on any modern dark techno floor. Entitled “Prostokąt dynamiczny” – literally, “dynamic rectangle” – the animation is by experimental filmmaker Józef Robakowski, with music by the incredible Eugeniusz Rudnik. We saw Rudnik yesterday in our piece …

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yamaha

Antiques Roadshow? Yamaha to Celebrate Its Synth Legacy with Vintage Gear

Hey – don’t forget Yamaha. For all the buzz about Roland and KORG (and American makers like Moog), the titan Japanese maker surely deserves its own enormous claim to synthesizer history. This is the company that made one the most influential polyphonic synths of all time (the CS-80), and introduced the world to FM synthesis (DX series) and physical modeling (VP series). You can still make DX and VP sounds that seem like they fell out of the future. And Yamaha are no newcomer, either. This year will mark the 40th anniversary since the firm first entered the synth market …

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arpodyssey

This Crazy Polish Video Sums Up Why We Want a KORG ARP Odyssey

Analog synthesizers are superior because of their pristine, high-fidelit — Oh, f*** it, who are we kidding? We want to wail on an ARP Odyssey with ridiculous modulation that turns it into a groovy, angry space alien, and then film it on VHS interspersed with some car chase, just because. Someone in Krakow, Poland agrees, and the video above is what happened. I’m going to defend the ARP Odyssey remake. Reader reactions clearly show this is a favorite. And the video reveals why: the Odyssey captures some of the ridiculously, wonderfully diverse noises of the ARP 2600 in a keyboard. …

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Zillion is a Generative Step Sequencer from Future-Retro with Loads of Possibilities, Performance Tools

Machines give us something that would have amazed musicians from centuries past: they let us make melodies without playing them directly. Now, there are three ways of doing that. One, there are tools that take what you play and turn them into sequences. Two, there are interfaces for making melodies with touch, sliders and knobs. And then there’s a third category: boxes that can actually generate new melodies, all under your control. You control the parameters of the sequence, but the content is algorithmically produced. Future-Retro’s Zillion does just about anything you would ever dream of in that third category. …

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synapsemag

I Love the 70s: Complete Issues of Synapse Mag, A Look at Electronic Music’s Past

“Everything old is new again” certainly could be no more true than in electronic music, in which futuristic possibility is constantly expanded by our history, a tradition in finding alien, new sounds. So it’s a great pleasure to go back and read articles from electronic music’s past. They just might open a window to its future. They certainly seem oddly more relevant as they age, in many cases. Keyboard (then Contemporary Keyboard) and Electronic Musician seem lacking in good archives, but at least you can explore the wonderful Synapse Magazine in its entirety, courtesy another synth legend – Cynthia at …

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