ipolysix1

Classic KORG Polysix, Reimagined for iPad, Becomes All-in-One Workstation

In designing for Apple’s mobiles, KORG has again turned to equipment from their past. Having reinterpreted the ElecTribe and MS-20, their newest target is the versatile, classic Polysix. The 1981 original brought programmable polyphony to keyboard lovers, with analog oscillators, memory storage, six-voice polyphony, and various effects and modulation. For iOS, Korg models that sound (having done so already with the desktop Legacy Collection), and mimics the front-panel. But even more so than on the DS-20 rendition (iMS-20), they pack in modern features that make this a production tool as much as a synthesizer. That should be welcome news for …

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Yep, this is about to get as awesome as you think it is. Time for some Belgian bots banging beats.

Shiny Robot-Jamming Gear Pr0n, Cassette Labels: The Future Is What It Used To Be [Awesome Video]

Disappointed our electronic music present didn’t turn out the way it was supposed to when it was still the future? Sad you didn’t get shiny, knob-laden synths, robot masks, blindingly-colorful lens flares, funky-crisp electro jams, and beloved music distributed on cassette? Well, you could sit around getting all wistful, or you could simply make that future happen. Belgian synth collective Chrome BrulĂ©e chose action over nostalgia, constructing the universe seen in glossy Roland and Sequential ads from Keyboard Magazine, circa 1983. And the music video they’ve produced is just the teaser: stay tuned for music on, of course, cassette tape. …

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clapbox

Vintage Clap Trap Synth, Now a Unitasker iOS App; I Love the 80s

Here’s an iOS app antidote to those desktop plug-ins that do everything, to elaborate virtual synths with eighteen separate modulation envelopes. It’s an app that just … makes clap sounds. And it brings your iPhone or iPad boldly into the 1980s. The handclap sound you hear in so much electronic music, particularly that originating from the 1980s, is none other than the Simmons Clap Trap. And soundware boutique / developer Puremagnetik, the folks who have built a reputation sampling classic instruments for the likes of Ableton, has emulated that tool on iOS. It’s certainly … specific. But that could make …

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pwr2mca

Remembering Adam Yauch, and the Videos You Probably Haven’t Seen That Should Make You Smile

By popular reader demand, CDM remembers Adam Yauch this week, teaming up with our friends at Network Awesome, who dig deep into the archives for some video gems. Peace, Adam, indeed. Try http://networkawesome.com/2012-5-11 if the video above isn’t loading for you. It’s not hard to understand the impact of the loss of Adam Yauch, aka MCA, founding Beastie Boy. With the passing of music idols comes a sense of the passage of time, all the more so when they’re barely into middle age. But MCA, to a swath of music fans, is more than a distant idol. He, and the …

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c64

Jack Tramiel’s Commodore 64, Atari ST in Music, Remembered, as Vision Lives On [Obituary, Gallery]

(CC-BY) Axel Tregoning. (CC-BY) Marcin Wichary. Jack Tramiel, who died this week, had as deep an impact on computer music for the everyday musician as just about any computing industry pioneer. While Jobs, Woz, Moore, Grove, and Gates get a lot of the attention, Tramiel’s legacy was in making computing affordable and accessible. As such, he was indispensable to the computing revolution, and his computers were early forebears of the digital music-making Renaissance. In an extraordinary microcosm of the 20th Century, Polish-born Tramiel escaped Auschwitz, served in the US army, and built the roots of the most successful desktop computer …

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CREATED: Call it VHSwave — Jacob 2-2, Stephen Farris and Music That Looks Back Through Time

Futuristic technologies, now found … in the past. Maybe that explains the sound of a lot of new music, says CDM contributor Matt Earp. Photo (CC-BY-NC-SA) ReallyBoring. What happens as music peers through the gauze of memory? Our contributor Matt Earp asks that question with the second installment of the new series, CREATED, a column that examines new and undiscovered music and feeds our headphones through the week. There’s a production technique in a lot of today’s post-FlyLo, beat-driven instrumental hip-hop that’s pretty darn pervasive when you start listening out for it. It’s that woozy, wobbling 80s synth sound – …

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casio_dj

Casio’s New Synth Keyboards: Workstation Keyboards for Synth Rockers, DJs, Organists?

From top: “DJ,” “performance” versions of the new Casio synth, though the functionality of each is fairly close. Photos from Casio, and yes, it’s time to get better photos. What if a workstation arrangement keyboard were designed for DJs and synth rockers instead of, uh, whoever normally buys workstation arranger keyboards? Casio has taken the wraps off their new keyboards, and they appear to be affordable, all-in-one electronic beasts. Oh, except one of them has an organ. And an arpeggiator and step sequencer. So you can certainly step-sequence your drawbar organ, if you like. There are also some retro-Casio CZ …

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linndrum_lm1

Drum Machine Legacy: Linn LM-1, as Marketed in 1982

Amidst renewed conversation about what drum machines should be – see heated comments – it’s enlightening to revisit the drum machine as marketed in 1982. This vintage Linn Electronics LM-1 “Drum Computer” ad captures a moment in the birth of the modern drum machine. Some of what’s desirable then remains desirable today. Others – “Real Drum Sounds” – are amusingly far less novel, looking back from far deeper into the digital age. Real time programming, mixing functions, and friendly design, though, remain important – and you can thank designer Roger Linn and his LM-1 for the profound influence they’ve had …

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sp1200_back

SP-12, SP-1200 Sample Collection, Free Samples, and Some Tips for Vintage Digital Sampling

Call it future shock. Love of retro gear is more than nostalgia; sometimes it takes time to appreciate what technology means. And so, today, classic digital samplers and drum machines like the E-mu SP-1200 and SP-12 can inspire even greater passion than they did when new. Today, producers can feel love not only for retro analog, but retro digital. With plenty of 12-bit digital dirt, the original SP samplers sound gritty, warm, and unique. And one of my favorite samplists, Hugo of Gold Baby Productions, does a nice job of capturing that personality – enough for me to take note …

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Tron, Redux Redux: Trailer with Daft Punk Music, New Reaktor-Reason-Live Score

In a Hollywood overrun with remakes, a new Tron has quite a daunting challenge. The original film may be a cult hit for its 80s arcade cool, but it also was a seminal moment in the evolution of computer animation, at the nexus of obsessive-compulsive optical effects that came before and digital effects that came after. (Google Perlin Noise, if you must.) But where the bits of the effects look uneven or dated alongside the brilliant, it’s nearly impossible to top the genius of Wendy Carlos’ score. Her deft blend of choirs, orchestras, organs, and rich electronics wasn’t just forward …

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