Ableton Live 9.7 is right now in public beta – just days after the latest 9.6 release went final. Most of the functionality announced so far is related to Push and beat making; 9.7 brings features that let you play, record, and slice more easily from Ableton’s hardware. But that shouldn’t mean you should despair if you’re not a Push user; as with each Push release so far, there are parallel improvements in the software itself.
Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us it’s won over. So, why not give it a handsome home?
In the march to fancy dedicated controllers and standalone hardware, something was lost – what if you just want a whole bunch of faders (and maybe some encoders with them)? German boutique maker Faderfox (the clue is in the name) seems to understand our craving. And they even appreciate our fantasy to show up at a gig, superspy style, with a metal briefcase. Wish granted: the Faderfox UC44, 16 faders and eight push encoders in a box.
Puremagnetik are one of the most experienced sound library houses around, with a resumé that includes collaborations with Ableton early in the history of Live. And evidently they want you to get to know them better, as they have a gigabyte of free sounds on offer showing their work. Included is both soundware and Device Racks for messing about – so this isn’t just a loops library. You get: Modular loops (building blocks for pieces to get you started) Various Effects Racks Film Score sounds Waveframe, which emulates the Ensoniq Fizmo’s Transwave Synthesis (think morphing wavetables) Vintage Chips, with lots …
Ableton Live 9.6.2 is here. Apart from a slew of bug fixes and some improvements to how the Link connection indicator works, there are a lot of improvements to Push, via software and firmware – even down to details like making the potentiometers more jitter free. That’s all well and good. But the important thing is that some of these small details could really change the way you work with Push for the better. The big one: you can now copy and paste clips to any slot on the Push, just by touching the pads. It’s a little thing, but …
We have the technology. We have the capability to play live sets on mainstages. And for a brilliant example of that, look no further than the frenetic, exquisitely hyperactive acid performances of Skinnerbox. Their set at Fusion Festival from this weekend demonstrates that you can command massive mobs of dance lovers outdoors with live sets, too. And maybe you thought such things were confined to chin-scratching handfuls of nerds.
Isotonik’s £22 PrEditor is the powerful mapping functionality Ableton forgot. It lets you customize the mappings of a variety of controllers to your music software, opening up custom controller arrangements and tailored interactions to support the way you play. And the latest version does still more. Hackers and patchers will love this – whatever tool they use. If you use Reaktor, that environment is available – doubly useful now because of Reaktor’s beautiful Blocks modular environment. (There are quite a few things I prefer in Reaktor, so being able to map its controls to my Push means I may completely …
YouTube is a mystery – completely arbitrary videos getting down votes for no reason, arbitrarily angry comments, spam, conspiracy theories… well, one artist has decided, if you can’t beat ’em, join ’em. Artist Arkaei has made a very respectable live looper performance using Ableton Live and Push 2. And rather than wait, he’s delivered it with its own angry comments. Call it con-troll-erism. (Uff, let me really apologize for that.)
Okay, obvious disclaimer. Please do not prank call Ableton tech support. They’re busy, hard-working people. But … this is hilarious (as is the fact that it’s labeled as a tech support call “from Berghain”). A custom-built Launchpad and Live hacked to run inside Linux? Going with the flow and working the audience when a glitching Live set randomly launches clips? At least this scenario sounds like a plausible one involving a regular CDM reader. Listen:
Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.