Elektron’s machines are so beloved, they’re almost an electronic instrumental category all their own. But much of that love is focused on the hardware workflow. The challenge lately has been how to make the latest generation of Elektron hardware fit better with other gear – and specifically, the computer. Some of those improvements are coming from Elektron. But some, too, come from third-party developers. And that’s the case with a useful Mac app.
The funny thing about Ableton Link is that it doesn’t require Ableton Live. It isn’t even an app. It’s a sync technology, one that allows software to jam together, wirelessly, without any one clock having to be the source or “master.” But as of today, if you do use Ableton Live, that wireless magic is built-in – and requires almost no configuration.
Apple is also releasing today a 2.1 upgrade to GarageBand for iOS. The mobile sibling of GarageBand and Logic on desktop doesn’t get a whole lot of attention, but it’s a reminder that music creation remains central to Apple – even the Apple that sells the world’s favorite phone, not just the Apple that sells the Mac. GarageBand 2.1 includes some features you may or may not care about. But there’s reason to take notice.
Technology has done a strange thing to musicians: it’s turned us all into, well, loners. It didn’t used to be this way. Musicians on instruments ranging from folk ensembles to symphony orchestras are able to join up and keep time with one another. So why not do the same with tech? Ableton’s new Link technology promises to allow musicians to jam easily. But it isn’t just for Ableton Live. Today, iOS support is officially launching, allowing you to jam with supported apps even without a desktop/laptop computer involved.
IRCAM is Paris’ legendary research center. It’s the place where the original Max was born, and it’s still a hub for some of the brightest minds in sound in the world. IRCAMAX 2 is a new set of effects and instruments for Max for Live. And it does some amazing stuff – though maybe the best way to demonstrate that is not to explain, but to let you listen. They’ve made not just demos but some beautiful music, via artist Najo:
It doesn’t have screens. There are no giant wheels or touchstrips. There’s no complex software integration, or built-in mixer, or pads for remixing. But what the DJ4 is is what you might be missing in other DJ controllers. It’s got the controls you need in a tiny, tiny footprint that won’t have you hunting for new luggage or scrambling around a venue to find a bigger table because your gear won’t fit in the booth. (Ahem, yes, you know who you are, giant controllers.) And unlike the increasingly branded, computer-tied world of DJ controllers, this one also works with anything …
You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.
It’s clear right away that Kiran Gandhi is an “always-on artist.” We’re sitting down with the drummer/singer/electronic musician/businesswoman at Ableton’s Loop conference, and as she reflects on the acoustics of the outdoor tent where we’re recording, she sings an impromptu recording into her phone. There’s even a lyric reminding her to write about tents. The tone is set for our whole conversation: as Kiran longs for a higher-fidelity phone microphone, technology alone can’t keep pace with her spontaneity.
Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …
Music software can make you feel good. Music software can also make you feel almost guilty. And sometimes that makes you feel good. David Abravanel takes the updated Live 9.5 Instant Haus device (in Max Essentials) for a test drive, in combination with Simpler’s new slicer mode. Somehow, no one has done a video on this yet – maybe because they don’t want you to see how easy is to make breaks. With Instant Haus’ new pattern options for breakbeat-style sequencing, it’s crazy easy. That’s also a chance to show off the extra-gritty new modeled-analog filters. And if you’re thinking …