liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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madeleine-bloom-studio-s

Get smarter in Ableton Live with a treasure trove of tutorials and tools

If you’re using Ableton Live, you simply need to know about Sonic Bloom. It’s like a spa-slash-university for your Live-using self: you’ll come out refreshed, smarter, and even a bit better looking. Creator Madeleine Bloom has been busy. The site, at the age of three this month, now has five hundred tips, tutorials, and informational articles on Ableton Live. (And, occasionally, you’ll pick up an Oblique Strategy, or two – like fill every beat.) There are some ninety freebies, too – from Live Packs to skins and colors to keep your Live set looking spiffy. For instance, just this week, …

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b2fm4l

Take Ableton sets Back to the Future with a time machine effect

It’s the future – this time, for real. Yes, today, the 21st of October 2015, is the destination “future” in the Back to the Future movies. (Photoshopping created some false alarms on other dates.) And that’s time to look back. Ha, remember 1985? An arcane format called “MIDI” was king. (Kids, ask your parents.) The big synthesizers came from Roland, KORG, Moog, and Yamaha. The most sought-after computer was from a company called Apple. People made electro and dance music hits using mono, analog synthesizers and and digital pads and samples and deep basslines, sought after the creations of the …

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touchableoverview

5 years on, still the best way to control Ableton from iOS

touchAble remains the deepest touch controller for Ableton Live – or anything else – on iOS. And now it’s on a bargain sale, withs some new features, too.

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volcahack

Hacking filter FM makes the volca bass sound amazing

Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.

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Glitchy pop and psycho-surreal videos from Hungary’s RUMEX

So, now that summer is over (northern hemisphere), was yours, well, f***ed up? RUMEX understands. Don’t miss the surreal, now award-winning video from this young, now-as-yet-unknown Hungarian artist.

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nativekontrolddc

Get dedicated hands-on control of your Ableton Live set with DDC

So, we all know we’d like to get our hands on software music making with something other than the mouse. Now — how? How do you actually make that physical knob or button do something useful on screen, and at the right moment? There’s the brute-force method, manually applying MIDI learn. There are fancy dynamic ways of assigning controls. But the former is inflexible and requires extra work, and the latter means that you typically can’t “lock” every control where you need it. (That is, the automatic methods sometimes “outsmart” you to the point of not allowing you to do …

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j74

A grid of anything, as Launchpad tool lets you play in new ways

From frets to keys to finger holes, musical instruments in every culture have provided ways to easily access musical ideas quickly. But these are physical, acoustic instruments, so any solution they find is more or less restricted to a single set of choices. Digital hardware can do what digital software can: it can be a blank slate for new ideas. The monome and Tenori-On grid instruments, each in their own way, demonstrated that a radically simple grid can generate a surprising range of possibilities. The monome’s claim to fame, above its other applications, was the way a companion Max patch …

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6

Control MIDI and Ableton from your iPhone, Android for handheld music

Put control over Ableton Live in the palm of your hand – and control MIDI gadgets even without the aid of a computer. That’s the vision of LK (the former Livkontrol), out today for both iOS and Android handhelds. This isn’t the first pocket controller. But it might be the first pocket controller to become truly invaluable. That’s because there’s robust support for more than just sliding some faders on your phone or working with wifi. Features, all borrowed from the tablet LK: Wireless connections, but also USB connection USB to MIDI interface support, so you can use this as …

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battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

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