gustavopatch

Watch this free monster patch for Elektron machines, in action

This one’s too good to wait. Gustavo Bravetti, the Uruguay-born producer and DJ, is already something of a maximalist. He’s the sort of person who can rock alternative controllers live on a mainstage in front of massive festival crowds – the powerful counter-example to the notion that such high-pressure gigs have to be press-play. And now, he’s been hard at work on a powerful tool for expanding the possibilities of performance on Elektron’s hardware, all using Push for control. I could ramble on, but the best way to follow this is to watch the extensive tutorial video he’s just posted:

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Michal at work.

Conversations in live techno from the Polish underground

Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.

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pushvspush

Push 2 hardware now works in Bitwig – including on Linux

There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.

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yourcontenthere

You can now access the Push 2 display from Max

Ableton’s Push 2 has a big, beautiful, color display. But what goes on that display is limited to what Ableton has built in – or, rather, it was, until now. London-based producer/hacker sigabort has already built a Max object that lets you access the display directly as a high-res, color texture. Max boffins, this means you can even use Jitter objects directly. And for those who have no idea what the previous sentence just meant, think of it this way: Max patches will now be able to create their own full-color visual outputs, for practical or entertainment purposes. (Max for …

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kaan

Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …

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pushvspush

What Push 2 will do for you – even if you don’t own Push 2

Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?

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push2 32

Ableton Push 2 Hands-on Review

The new Ableton Push is here. From a distance, it looks like the same rectangular grid with some color screens. But using it person is an entirely different experience. We’ve gotten to spend an extended time with the new Push, so we can let you know what that’s like. Here’s the simplest way to put it: Ableton has kept the same basic layout and form factor of the original, yet somehow made every single detail better. From hardware refinement to software integration and functionality, everything feels like 2.0. Ableton repeated that they’ve completely re-engineered Push themselves. But even if they …

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push2_1

The ten most important things Ableton just revealed

Ableton isn’t a company with product news every other month, preferring to wait for more occasional, big announcements. Well, last night brought a big slew of big announcements. Walking distance from legendary Berlin clubs Berghain, Tresor, Watergate, and Kater Blau, a select auditorium of attendees to Loop were treated to a string of news, keynote style. You’ve probably already heard about new Push 2 hardware and Ableton Live 9.5, but there were a number of revelations to go along with those headlines. You might even soon be trading in your Push for kids or jamming wirelessly with friends – really.

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j74

A grid of anything, as Launchpad tool lets you play in new ways

From frets to keys to finger holes, musical instruments in every culture have provided ways to easily access musical ideas quickly. But these are physical, acoustic instruments, so any solution they find is more or less restricted to a single set of choices. Digital hardware can do what digital software can: it can be a blank slate for new ideas. The monome and Tenori-On grid instruments, each in their own way, demonstrated that a radically simple grid can generate a surprising range of possibilities. The monome’s claim to fame, above its other applications, was the way a companion Max patch …

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battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

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