gustavomystery

Watch Ableton Push Tame Elektrons Live, Hear Music from Uruguay

Gustavo Bravetti is indeed a man of mystery. The Uruguay-born artist is a live virtuoso of dance music, pulling out all the stops. And in his latest feat, he tackles a trio of Elektron black boxes. Fortunately, it’s not all mysterious. The Ableton Push-controlled, Max for Live-based tool that gives him these octopus-like powers over the gear will soon be coming to you. First, let’s watch. Even if this isn’t your own musical idiom, you have to concede it’s a nice rig, nicely played. And it’s a pleasure to premiere here on CDM: The secret sauce is something called Performer. …

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yak

Duet for Singer and Jet Plane: A Soviet Airliner as Instrument

Watch as a Yakovlev Yak-42 jetliner* was transformed last month into a giant percussion instrument, allowing a unique duet between vocalist (our friend Jekka) and machines. As part of last month’s Polytech Festival in Moscow, the performance is one of a number of international collaborations taking place around the museum’s art programs. A small army of teenagers got to participate in getting the whole thing working – learning about sound, sensing, and physical computing in the process. The last time we caught up with the Playtronica collective, they were engaging kids in science and electronics through the power of vegetables. …

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landostunts

Lando’s New EP Is Giving Drum Machines Their Soul Back

Writing about music feels stupid sometimes, even to me. It’s a cop-out to say that, but it’s true. So I hope you first hit play; the magic of music journalism today is that you can actually hear the music (something that I don’t miss about print is its inability to do that). And yet… I am somewhat obligated here to announce Lando’s new “Stunts” EP, due July 20, and tell you details like the fact that it’s on the Ultramajic label run by Jimmy Edgar. Jimmy and Lando, aka Antaeus “Lando” Roy, are each in-again-out-on-the-road-again artists through Berlin but also …

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Novation’s Launchpad Grid, Now in Color, for Ableton or iPad

Novation’s Launchpad has seen slimmer and smaller versions. And upcoming is a Pro version with pressure/velocity and MIDI in and out. But if you just want the grid, you can now get the base model with RGB color. It’s officially called the Launchpad mk2. No availability or pricing yet (damn you, unstable Euro), but you can sign-up for notification. The update has the same basic design as the original, but updated with styling from its Pro sibling, and RGB color behind the pads for more visual feedback. Here’s the obligatory video of the new model, which gets a very cute …

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bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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The Snap-Together Studio: What littleBits Can Do Now

For all the power you might imagine of various tools, sometimes it’s combining simple devices that yields the greatest results. Our friend Chris Stack is no stranger to deep synths and powerful modulars. But he’s been doing inspiring things with the littleBits line of snap-together modules made with KORG – particularly now that they’re paired with modules for MIDI and CV. You might have seen some of these videos on (cough) other sites, while I was getting behind in my workload, but Chris has kept making more in the interim. He writes: “I was able to hook LittleBits into my …

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Akai’s Midimix is a $99 USB Mixer Controller With One Key Feature

Akai’s new US$99.99 Midimix is built on a simple idea – so much so that you could easily miss it. But one button makes it much more useful than its nearest rivals. First, the obvious: yes, it’s a MIDI controller with a mixer layout. So, there are eight line faders and a master fader, 3 knobs per channel (for EQ), and dedicated mute (switchable to solo) and record arm buttons, plus bank controls. That’s it – no extra functions, no confusing mappings. And then there’s one very obvious but clever button: SEND ALL. Hit SEND ALL, and you fire off …

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MakingMusic8

Get Inspired with Excerpts of Ableton’s Making Music Book

Following our interview with author Dennis DeSantis, we can start your weekend with some sage advice from his book Making Music. While published by Ableton, this isn’t an Ableton book. It lies as the boundary of software and music, at the contact points of creativity in the tool. For a CDM exclusive excerpt, I wanted to highlight two chapters. One deals with the question of how to overcome default settings – this cries out as almost a public service announcement for people making 120 bpm 4/4 tunes because that’s what pops up when you start a new project in Live …

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MakingMusic6

Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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