Synthtopia goes out on a limb and says iPhone 3.0 kicks ass for music.

Well … sort of. The thing that makes the iPhone special for music is that it has Core Audio and can run C/C++ code. Google’s Android, by comparison, currently has a limited set of APIs and, as near as I can tell, no easy way to get a real synthesis or effects library going. That’s allowed the likes of Pure Data and ChucK to run serious real-time synthesis and audio processing, in the guise of consumer-friendly apps. Think this doesn’t matter to non-CDM readers? Tell that to the zillions of people who bought Ocarina for the iPhone as a toy. This is, mark my words, a very big deal. It just isn’t any more of a big deal in iPhone 3.0.

The other improvements still have the caveats that the iPhone has always had. The iPhone still has a closed ecosystem that’s dependent on iTunes, plus restrictions on hardware and software that keep it from being, well, as open as your Mac or Windows computer is, or even many mobile devices. Now, what you do with those limitations is up to you. I believe in dissent and disagreement on the Web, and I think the iPhone has no shortage of cheerleaders. I’m not a fan of Apple’s model. That’s my bias, and I’m upfront about it, I think.

But my opinions aside, let’s talk specifics.

The good

• Peer-to-peer connectivity for multiplayer music + visuals: iPhone and iPod touch can now connect to each other wirelessly over Wi-Fi, as well as auto-discover each other via Bluetooth. Think sync, data exchange, and multiplayer music and visual apps — something, incidentally, promised in early prototypes of Tenori-On and then dropped.
• iPod Library Access: Long overdue, you can now finally get at music files on your device, as the Android could at launch.
• Hardware control, audio recording: The iPhone can now access hardware connected to its dock. That was possible before, but with weird workarounds and non-documented APIs. Now it’s official, which should open the floodgates for accessories like iPod-connected audio recorders. Very good news.

The coolest things I imagine will come out of this, and unmistakably good news a result — I think you’ll get more-powerful, more-connected music apps (controller apps like Mrmr and brilliant musical toys like those from Smule). And I think your iPod is more likely to be useful as a recorder.

For a definite example of the bright side of all of this, Smule, with Dr. Ge Wang (CCRMA) showing off how geeky music tech can have mainstream appeal:
Smule at iPhone Software 3.0 Announcement

Tech always involves tradeoffs, though, so let’s be frank about some of the caveats.

The mixed and the not-news

• Sync is still iTunes-only: Access to your library of your own music is a good start. But it’s only available to apps. What still isn’t available: any kind of sync API for getting your own files to and from the device. That’s a huge deal-killer for music apps, which have had to invent their own hacked solutions, and it means that Apple’s iTunes monopoly is so important, Apple is willing to keep their 2009 device from having mid-90s PDA features – seriously?
• Peripherals suffer from reinventhewheelitis: Here’s another question, not only for Apple but the entire mobile industry: what happened to standards for connecting hardware? On a computer, the ability to connect hardware and communicate to it is not news. On mobile devices, you’d think someone had invented some new technology – because they probably have, because hardware connections get reinvented each time there’s a new device. Apple has a fantastic record of championing standards like DVI, USB, FireWire, SCSI, and many others. It’s too bad mobile devices don’t have standards. And on that note …
• Hardware is still stuck with “Made for iPod”: Dreaming of a MIDI connector for your iPhone/iPod? My guess is, dream on. Apple requires proprietary licensing just to have the privilege of making hardware for the thing. Weirdly, that means you can’t even use the headphones you want with the new iPod shuffle. Now, I’m aware more people want to buy dockable speakers than MIDI connectors – I get it, seriously. But what this means is, practically, people doing oddball things will continue to jailbreak their device, and jailbroken iPods will be cooler than factory models. On Hack a Day, someone in comments points to Arduino running with iPhones. Nice.
• Apple can still block your app. And sometimes they do it for no apparent reason, not only as with a powerful, free multitouch tool the reviews folks didn’t understand, but also with Cycorder, a wonderful video recording app whose crime seems to be being better than Apple’s. (Oops.)

Now, don’t get me wrong: I think the iPhone and iPod touch have wonderful potential. The problem is, there are some disclaimers attached. And they’re not there to protect you from driver instability or damage to your mobile carrier — they’re there because they can be there, for control. These devices are a leap backward from ordinary computers so that they protect us from things from which we previously didn’t know we needed protection. Things like, you know, unauthorized headphones (the horror!) or transferring our own files to our own device (no, stop!) or installing an application (hey, there are children listening!).

And, practically speaking, the upshot of all of this is that some things — like unusual hardware accessories — may turn out to be mere pipe dreams. And because progress isn’t progress, I do feel obligated to point these things out, and wonder if there isn’t another way.

I hope that Google’s Android goes a different path; some things about that device are very promising, though generally, I think it’s too soon to tell — not only for Android or iPhone, but smart mobile devices in general.

That said, know what a jailbroken Mac is called? Your Mac.

Just sayin’.

Speaking of Rain Recording, Rain is about the only vendor I’ve found that offers a 2-port FireWire ExpressCard known to work well with audio interfaces. Now, your mileage may vary depending on the chipset in your laptop, but based on what I’ve been hearing, this looks like a good option. I’ve also seen a cheap (US$30) card floating around some random Internet vendors; it’s so cheap, I’m probably going to buy one just to see if it works. I’ll report back.

2 Port FireWire Express Card (formerly ADS Tech PYRO1394a) [Rain Recording]

I get nothing out of this, for the record; Rain actually hopes you’ll get this card with one of their laptops, but I’m just as curious to hear how it works on other machines. Of course, this would be a nice add-on not only for PCs, but also potentially for MacBook Pro users wanting dedicated FW400 ports and the TI controller – theoretically, at least. Let us know what happens if you take the plunge.

If you’ve had experience with different chipsets and ExpressCard slots on Mac or PC, we’d love to hear it. And I hope to offer my own tests soon.

Updated: The StarTech EC13942 also shares the TI chipset and is available from a number of vendors if that’s a vendor you prefer. It’s the only one endorsed by PreSonus aside from this former ADS Tech card that Rain sells — and may give you better results with other, non-PreSonus hardware, based on reports I’ve read. See PreSonus’ official word on the matter:

Presonus Hardware Compatibility: Approved Chipsets [PDF]

Blue Mic’s new Icicle and subsequent discussion of alternatives like CEntrance’s MicPort Pro has generated some interest and chatter. Matej Isak sends over a review he did of the MicPort Pro:

CEntrance MicPort Pro review [Mono & Stereo]

CEntrance links to some other good reviews online on their product page. Highlights:

• Craig Anderton writes a detailed review for Harmony Central and in March did a short round-up of “fun stuff to plug into your USB bus.”
• Steve Fortner at Keyboard is quite fond of the thing.
• MusicTech gives it a perfect score, even though I’m always suspicious of perfect scores and, well, scores in general.
• Chris Breen likes it at Macworld, as does Joshua Topolsky for Engadget

So, there’s a round-up of people I know and like. I’m still sticking to a dedicated interface, at least until someone makes one of these that doubles as a standalone mic pre. (CEntrance, you listening? I’d even add a little bulk for that, honestly.) Interestingly, one commenter points out that while I didn’t like the lack of a headphone jack for direct monitoring, some people might prefer to listen through the host, so that keeps Blue’s offering in the running.

Certainly, to anyone who thought an XLR-to-USB mic pre wouldn’t appeal to anyone, this proves otherwise.

I’ve personally always been happy carrying around any one of a number of portable USB/FireWire audio interfaces. But as readers pointed out following Blue’s announcement of the Icicle yesterday, various solutions have offered direct mic – to – USB hardware with preamps for connecting a single mic to a single USB port. And several tech blogs picked up on the Icicle announcement, so clearly there’s a need for someone.

The major oversight of the Blue Icicle is that (as near as I can tell) it doesn’t have a headphone jack. Result: the only way to monitor the microphone would be through your computer, which adds latency. And I’m a little hesitant on what the quality of the pre is, as well.

The Icicle isn’t your only option. Readers point to the Mic Mate Pro from MXL, and I’ve heard very positive stories about CEntrance’s MicPortPro. The MicPortPro gets high marks on audio fidelity, both anecdotally from those we’ve heard from and in reviews from Keyboard, TapeOp, and the like. Ronald Stewart writes to say he uses it with his Indamixx, the UMPC-based, tiny portable PC, so I imagine it’s an interesting option for those who like obsessive degrees of portability.

Most importantly, the MicPortPro corrects a number of the weaker points of the Icicle. It has the headphone jack for zero-latency monitoring. It’s made of aluminum, and seems to be pretty solid in build. It supports 24-bit/96kHz recording. ASIO drivers are available on PC (still not sure about that on the Icicle). And it has nice, dedicated knobs for gain. There’s even a software driver for aggregating more than one MicPortPro. It’s roughly twice the cost of the Icicle, but if I were in the market for such a thing, the MicPortPro looks like it wins on just about every single point.

My one gripe: it’s nice to have the unit bus-powered, but why not add the ability to put in batteries so it can double as a standalone mic pre when you aren’t using your computer?

Ultimately, a dedicated mic pre and/or dedicated audio interface seems more functional to me for most folks. But I’m pleasantly surprised to see the MicPortPro is able to make this category make a bit of sense for those who want it. The bottom line seems to be for some people, portability is everything, even just to supplement gear you’ve already got.

CEntrance Product Page

Thanks to everyone who sent in feedback. As always, keep it coming. Even the grumbling – I may grumble back, but grumble away. You’re among friends.

Ever wished you could take any mic you wanted and plug it directly into your computer? With Apple nixing FireWire and the whole size issue, it’s not quite practical to expect an XLR jack on your computer. You could use a USB mic, but they’re useless in other situations. Blue Microphones has a new product called the Icicle, which is a small, pen-sized gadget that has XLR on one end, USB on the other end, and a preamp and a converter in the middle.

Price: US$59.99. No drivers required.

I actually have a couple of questions about this on the PC – will Blue have ASIO drivers? Is this less useful without the nice Mac feature of being able to aggregate interfaces? The primary question, of course, is how it all sounds. Recording engineer Tom McCauley has endorsed the product and is involved in the launch event, but the proof is in the product.

It certainly could fill a key gap, though, especially if Blue has nailed the quality. Specs from Blue:

• Studio quality microphone preamp
• 48V phantom power
• Fully balanced low noise front end
• Analog gain control
• Plug and Play driverless operation
• 44.1 kHz, 16-bit CD quality converter
• Mac or PC operation

It’s not the first time we’ve seen something like this. IK Multimedia’s StealthPlug is a similar concept, for instance, with 1/4” guitar/bass jacks in place of XLR mic connections. And we’ve seen a few USB-XLR cables with audio interfaces, like Lightsnake’s, though I can’t think of any that have caught on. Blue is doing a huge push behind this, so this could be The One.

It’s certainly a prime stocking stuffer target. Just make sure no one tries to eat it.

Certainly, the venerable audio interface isn’t at any risk. Dedicated interfaces give you more I/O options and other functionality, not to mention output. In fact, I use dedicated interfaces so much for input and output alike, I actually can’t see myself making much use of the Icicle. Once you’ve got an interface plugged in, you probably have an XLR jack. On the other hand, somewhere there’s someone with a MacBook Air who wants to just lug in a mic and record beatboxing in a hotel room, I’m sure.

So what do you think? Would you use something like this? In what situations?

Blue Microphones

Brian Kane sends along this whimsical proposal for iPhone/iPod Touch users reading tab. "It’s a portable practice device, also suitable for performance," says Kane of his concept. It’s like a harmonica holster, but for your tab. Attach this to yourself, pull up tab of a song, and fake your way through any tune you like. (Brian also suggested "Practice anywhere; get laid quicker." I’ll leave that to you to determine.)

No, you can’t buy this yet. But never say never. It’s certainly not the strangest idea for an Apple accessory I’ve ever seen.

Study for musical assistive device [at Brian's blog.slashboing.com]

If you haven’t spent every last penny you own on the latest playourwiibox, your strength hasn’t been taken away from coma-inducing leftovers and you’re in the mood for some jaw-dropping music tech bargains, well just read on dear CDMers because we have the best sales to help you start your new year of music-making off right.

Note: most items listed are either clearance or limited time only deals. CDM makes no promises about the availability of said bargains.

Wusik.com
THE ULTIMATE WUSIKSTATION VSTi GROUP BUY! – $50

Voxengo
Holiday Sale – 15-25% off selected products!

Synapse Audio
Holiday Sale – 50% off Orion Platinum & Synth Pack

Audiomidi.com
Quantum Leap Hardcore Bass – $145
Waldorf Edition – $79
z3ta+ – $100
Vapor – $46
Wizooverb Bundle – $130
Komplete 4 – $995
Minimonsta/Guru Combo – 350

Musiciansfriend:
Kinetic – $30

Sweetwater:
Guitar Combos – $70

Computers And Music
Kantos – $175
Finale Guitar – $65
Amplitube 2 – $150
Ampeg SVX – $235
Amplitube Live – $49

Platinum Records:
Vestax CDX-16 – $200

Scitscat:
Sonik Synth 2 – $219
Trigger Finger – 180

JRR Shop:
Bass Station VSTi – $50
Steinberg Warp VST – $50
Gigapulse – $200
Minimonsta – $125
Gigastudio 3 Solo – $79
Tracktion 2 – $99
Live 5/Trigger Finger Combo – $400
Moog Modular – $180
Arturia Vintage Collection – $600
Beatburner – $50
Oddity – $90
Creamware Noah Bundle – $999
FXpansion BFD Sonar Upgrade W/ Free 8-Bit Kit – $266

If you’ve got a deal that fell through the cracks, post it bellow so that we can catch it. Just remember to make your order before you do. Otherwise we may just buy it out from underneath you…

ATA

EditorsKeys shortcut keyboards use stickers overlaid on your existing keyboard rather than requiring you to replace your keyboard. That has some definitely advantages: I’m not letting go of my beloved Microsoft keyboard, and the custom “shortcut” keyboards sold for programs like Logic and Pro Tools are often absurdly expensive. The EditorsKeys sticker sets cost under US$20, and right now they’re 20% off.

EditorsKeys Shortcut Keyboards

EditorsKeys tells us they’ve now unveiled a new set for Logic Pro, the first to be semi-transparent, so you can move the stickers to different keys if you’ve remapped your shortcuts.

Logic Pro Keyboard

Other sets include Pro Tools, Reason, Cubase, and SONAR, all updated for the latest releases, plus graphics software like Avid, Vegas, Final Cut, Photoshop, Premiere, and After Effects.

Now all I want is a keyboard with tiny LEDs that can change shortcuts depending on the active software. (And yes, I know a prototyped attempt to do just that evidently failed. Maybe later.) In the meantime, these are the most affordable solution.

The iDJ, Numark’s original iPod DJ mixer, got plenty of buzz from iPod lovers — and plenty of haters here on CDM. And why not? It’s not about snobbery: the iDJ just sucked the joy out of DJing, thanks to the lack of scratching, pitch control, and having to go out and buy two iPods. If you’re a newcomer, you just won’t have as much fun with the iDJ. And as for the wedding DJs this seemed aimed at, why shouldn’t you have smooth, beat-matched crossfades at your wedding? (See my review for Playlist.com.)

So, I’m sure some of you rolled your eyes when you heard about Numark’s iDJ2. But wait a second here . . . now you can scratch? And you only need one iPod, since you can play two songs off of it at once? And Numark added not only pitch control but loop cross-fading? And you can use any USB hard drive (including players like my iRiver H320) or even a MemoryStick? All these new features are possible because the iDJ2 treats these devices as USB mass storage, rather than taking simple audio output from the built-in playback on the iPod. That’s a huge step forward from the iDJ, which was basically a glorified iPod dock with a cheap mixer thrown in.

Numark even earned a little street cred by adding FLAC and OGG support, two high-quality compressed formats now available from some indie online labels and music stores. I’ve been listening to the Autechre reissues in FLAC from Bleep, and I have to say, this format sounds really great.

In fact, looking at the specs of Numark’s iDJ2, it’s almost as though . . . get ready for this . . . they listened to feedback from their customers and product reviews. That alone should warrant giving this a second shot.

So, while there are still lots of questions about how this works, and more importantly, how much it will cost, I’m looking forward to checking out the iDJ2. I can even imagine using this in a laptop music setup as a portable scratcher, loaded with samples on USB drives, for those of us who are already carrying too much gear to add a turntable. I’m also hoping the device will transmit MIDI to a laptop, like the NuVJ also introduced at Messe, though I’m less optimistic about that. (I’ll let you know; it might also connect via USB.)

Yes, I’m sure this will still be offensive to real turntablists, and more power to you. But as an upgrade for the CD-based DJ, it does look promising.

The iDJ2 wasn’t the only iPod product Numark unveiled at Messe. The iCDX is a strange combination of a CD scratch unit with an iPod device. Like the iDJ2, it treats the iPod (or other hard drive) as a USB storage device. This one has a real scratch wheel, and connects via USB; Numark tantalizingly notes that it works as a standard Human Interface Device, meaning some of our more experimental and adventurous readers can do crazy things like connect the iCDX to Max/MSP or Pd. And while the iDJ2 has only large plastic discs for simulating scratching, the iCDX appears to have a more serious scratch ring.

What’s your take? Is it possible Numark devised an iPod product we might actually want?

Numark iDJ2

When is a digital cable better than a digital guitar? When it actually solves a problem guitarists have. We’re still not sure what’s so great about Gibson’s Digital Guitar, even after hearing it played at NAMM but we immediately grasped the utility of IK Multimedia’s new StealthPlug. It’s a compact audio interface built into a cable that makes it dead simple to plug a guitar into a computer and take advantage of software-based amp and effects modeling.

One side of the StealthPlug has a standard 1/4″ jack, while the other has a USB plug. It also includes volume adjustment buttons, an indication LED, and a 1/8 stereo output for headphones, powered speakers, or an amp. Ed: note that the headphone amp makes this a great practice amp — or an in-ear monitor feed. -PK

The StealthPlug includes AmpliTube Live and LE, with guitar amp and effects models based on modern and vintage classics. It is expected to ship first quarter for a price yet-to-be determined.

Previously:

CES: Bringing Guitarists Kicking and Screaming into the Digital Revolution

Gibson’s Digital Les Paul Guitar: Innovation or Reinvention?