femalepressure

On women’s day, imagining a new future in sound

Let’s be clear: there should be no excuse for the press in our sphere, including this outlet, to treat International Women’s Day as a chance simply to talk about women in music. That obligation is year-round and daily, or we simply aren’t doing our jobs. But that’s not the origin of Women’s Day, anyway. The history, rather, is one rooted in organizing for change. (Like so much modern grassroots advocacy, indeed, it comes from the labor movement just after the turn of the last century.) It’s about people working finding fair opportunities for their work. Focusing energies around an annual …

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mint

Meet the new faces of DJing in this unique video series

In the age of five- and six-figure commercialism, empty and sugary big-stage shows, “DJ” has for some become the butt of a joke, a self-caricature. But DJs are essential to music lovers – now more than ever, with a deep catalog of records past and an astounding volume of new work produced daily, with the DJs shaping tastes and tone in clubs and beyond. Even if you never step into a club, these are the people shaping the way your audience hears. And so it’s refreshing to see the work of Mint Berlin, a booking agency augmented by parties and …

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consentissexy

Let’s talk consent: how to make nightlife safe from harassment

Eletronic music as a medium is now interwoven with nightlife culture, even in a lot of the experimental end of the spectrum. So that means for those of us who care about the medium, it’s time to face a reality about night venues: a lot of people, particularly women, don’t feel comfortable and safe. Talk to regular clubgoers, and you’ll hear an unnerving number of tales about harassment. We’re not talking people just getting a little aggressive – we’re talking being groped repeatedly on the dance floor.

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femalepressure

female:pressure seeks crowds to change the place of women in electronic music

Ed.: We’ve seen plenty of headlines about the role of gender equality in arts and technology. But what makes female:pressure unique, as their name implies, is that the organization is working to use the power of crowds to effect real change. CDM looks to its assistant editor and editorial intern Zuzana Friday to tell us more. -PK Founded in 1998 by Electric Indigo, female:pressure is a network of artists, DJs, musicians, journalists, booking agents, and other professionals in electronic music and digital arts. In those years, the organization has served some important roles: Highlighting the inequalities that dominates the electronic …

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Listen to This: Mute Speaker’s Jong Wuk Charity Album, Available on Liquid Noise

Enough gear. Let’s get some music to hear. From the UK to Cambodia, Rob O’Hara is making beautifully-crafted music we never want to miss. So a new record is absolutely time for attention – and time to bring in our friend and regular columnist Matt Earp, aka Kid Kameleon, to give a listen. I’ve written about Rob O’Hara before for CDM, about this time last year – he’s mega-talented and makes excellent, no-frills hip-hop head-nodders under the name Mute Speaker. All his tunes just kick and punch and spin in all the right ways. You can grab most of his …

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Multitude, Amazing Gated Delay for Mac, Now On Sale, Benefits Ukrainian People

So much of the world of tool-making for musicians remains the work of impassioned individual developers, making a labor of love. Sinevibes is a perfect example of this kind of fine-crafted software, combining ingenious interface ideas with rich, musical sonic invention. As Ukraine erupted into chaos in recent weeks, I watched the updates from Kiev-based Sinevibes developer Artemiy Pavlov on social media, hearing the word from inside the city and his perspective – analytical and emotional – on what it meant. Yet, remarkably, I also watched a series of developer updates to his plug-ins. Artemiy was glued both to the …

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GB Packers’ Aaron Rodgers and 13-Year Old Kelly Make Music Together

What unites the Green Bay Packers, Spina bifida, Maschine drum machines, miniBrute, a Milwaukee charity, and a 13-year-old girl? Well, this video. It’s easy to forget that music technology isn’t just about making a handful of superstars. Music making can be an essential part of expression for just about anyone, whether music is their primary professional vocation or not. And the tools we have now are part of being able to express ideas – not only in the way traditional music can, but with the same tools kids grow up hearing on records. It’s obvious, it’s essential … and yet …

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Free Mark Eats Sequencer, A Beautiful Example of What Pattern Making Can Be [monome]

If we’re living in a golden age of resurgent synthesizers, we’re also in the midst of a renaissance in step sequencers. Faced with the challenge of making machines make musical sense, the lowly step sequencer – a kind of relic from the days of more primitive hardware – is getting renewed. The latest example is Mark Eats Sequencer, a labor of love for the monome platform. And just as we’ve seen with Tomash Ghzegovskyy and Traktor or Julien Fayard and his MTRX-8, this is not so much about reinventing the sequencer so much as getting as much mileage as possible …

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Swedish dance music maker Hakan Lidbo keeps producing musical ideas that are thought-provoking and outright mad. And danceable, too. Photo: Bengt Alm.

57 Producers Make One House Track: Hakan Lidbo’s World Record Record, Meaningful Dance Music

You’ll sometimes hear people complain that there are too many producers in the world. Fine. Let’s have them collaborate on finishing tracks, en masse. With that many cooks in the kitchen, though, you’ll want one master chef in charge of the result. So it’s good news that Swedish production guru Håkan Lidbo takes the helm of a record-attempting crowd-produced record. Producers: 57 (including Mr. Lidbo). The goal: set a Guinness Book Of Records world record. Oh, and make sure you can still dance to the result. Beating the number of samples is out of the question. We already heard Johannes …

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Switched On Bees.

King Britt’s The Bee and the Stamen Premieres on CDM Next Week; Ask Questions, Watch Live Preview

KING BRITT 10:10 REHEARSAL x DATA GARDEN from King Britt on Vimeo. King Britt’s next album is one that explores a sonic future – and now it has its own future, too. At a time when music may seem disposable, this is a limited release that will literally blossom when discarded, with seed paper that you can plant. CDM is exclusively hosting the streaming debut of The Bee and the Stamen next week, which calls for a brief preview here to kick off discussion of the intersection of nature and electronic sound. (See the rehearsal vid, complete with monome, Maschine, …

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