Dave Smith Mopho SE: Sensationally Sensible 44-key Monosynth

Monophonic analog synths are all the rage these days. Unfortunately, so too are tiny keyboards or few octaves. The Mopho is what you’ve been asking for. It has 44 keys, semi-weighted, with not only velocity but aftertouch, too. That means you don’t need to relegate your monosynth to tiny basslines and carry another controller. You also get a metal enclosure, now with artwork screen-printed on directly, plus the soft-touch knobs from the Prophet 12. And one killer feature, for people who hate yellow, or fear school buses or bees: it’s a tasteful gray color, not the shade of a canary.

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Expressive NDVR Keyboard: New Hardware, Polyphonic Aftertouch Done Right?

The centuries-old piano keeps fighting back every time someone tries to improve it. Case in point: polyphonic aftertouch. The cause for something new was straightforward enough. On a normal piano, you lose expressive possibilities once you play a note. Because of the necessity of the way hammers work, your fingers are left holding down keys and doing, well, nothing. The piano continues to do beautiful things with the sound – resonating and such – but you’re no longer involved. after you depress a key, keep pressing down to add additional expressive input. (Various historical devices have used everything from keys …

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Ableton Push: Integrated, Touch-Sensitive Hardware Control for Live [Details]

Now, Ableton is doing its own hardware. Sure, Ableton’s logo was on the Akai APC40 and Novation Launchpad, and yes, “engineering by Akai” is stamped on the Push. But make no mistake: this is really the first Ableton hardware, and it shows. Push is a grid controller with extra keys and encoders for navigating features. It shows the influence of devices like the monome (and divides up that grid like the Pages and 7up patches from the community). But it also includes controller features that are specifically integrated with Live, recalling custom controllers used by Monolake. Ableton pitches this as …

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