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The likely end of Rane as we know it, with inMusic acquisition

Not all independent music gear makers last. And so we’ve learned this week that Rane, the Seattle area-based company founded way back in 1981, will see new ownership with a buyout by giant inMusic (of Numark, M-Audio, Akai, and related). That means, if nothing else, a transformed landscape for DJ mixers. At one end, you’ve got the big conglomerates – Japan’s Pioneer DJ, America’s inMusic. At the other, boutique makers are staking out increasingly specialized, low-quantity product. This sheds still more light on the significance of the new mixer from Richie Hawtin and Xone creator Andy Rigby-Jones. With Rane out, …

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Arturia’s iSpark is a Link-connected iOS drum machine

We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).

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Akai MPC Touch is an MPC with a multi-touch screen

MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.

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Akai Launches New MPD Pad Series, with More Controls

Akai is a name synonymous with pad controls, via their MPC. But the MPD line of controllers hasn’t gotten a lot of attention lately – until now. Today, the company unveils a big update to the MPD line. The numbers are parallel to the MPD18, MPD26, and MPD32, but these are really new pad controllers. They remain inexpensive but add additional hands-on controls and features, as well as a redesign of the pad sensing that Akai says is “ultra-sensitive.” Sounds a bit like something condom packaging would say, but Akai’s flagship MPC Revolution has terrific pads, so I’ll forgive the …

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This Video Demonstrates How Akai’s New Keyboard Controls Everything

It’s a horse race. Two keyboards – one from Native Instruments, one from AKAI – really want to be the interface between you and every plug-in you own. And we’re getting closer to find out if either deserves your attention. You’ve heard this story before. Sure, you have powerful software on your computer screen. But when you want physical control of those instruments beyond just playing keys, you’re left either manually mapping controls or reaching for your mouse or trackpad. So, over the years various solutions have tried to solve this automagically. There was Automap, seen in Propellerhead Reason and …

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This is the Latest Music Gear, in Pictures: Musikmesse Photo Essay

Some people have to go to trade shows that cover nothing but various types of floor tiles. We’re fortunate that we get to go to one about musical instruments. Benjamin Weiss, seasoned German journalist and now product designer, as well, lets us see through his eyes at the show. I have to say, to anyone who has been to California’s NAMM show but not Musikmesse, the entire feeling is different. Space is spread out and oddly quiet; meetings include leisurely meals of Bratwurst and beer in the sunshine. Whereas the nerdiest sound technologies at NAMM are often relegated to hidden …

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Akai’s Midimix is a $99 USB Mixer Controller With One Key Feature

Akai’s new US$99.99 Midimix is built on a simple idea – so much so that you could easily miss it. But one button makes it much more useful than its nearest rivals. First, the obvious: yes, it’s a MIDI controller with a mixer layout. So, there are eight line faders and a master fader, 3 knobs per channel (for EQ), and dedicated mute (switchable to solo) and record arm buttons, plus bank controls. That’s it – no extra functions, no confusing mappings. And then there’s one very obvious but clever button: SEND ALL. Hit SEND ALL, and you fire off …

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Akai artist Needlz set up this MPC+computer rig with Renaissance ... in a hotel room (to get out of the house). No, no standalone MPC hardware at the moment, but 1.8's software features might help you forget that.

MPC 1.8 Update Expands How You Play; Inside Look with the Developers

“MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. But to die-hard MPC users, “MPC” means a way of working. So, workflow is vitally important. And MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. That makes any software updates a big deal. You’d be forgiven for assuming …

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Akai Analog Drum Machine, Revision 2 – And a Four-Voice Wolf Synth?

It seems Akai is staying in the analog synth business. Following the Rhythm Wolf – introduced quietly at Messe (literally, it couldn’t make sound), and then getting a mixed review here on CDM – they have both a second drum machine and a four-voice synth. Availability has leaked as July – which means again, we may not know how these actually sound until they ship. Let’s look at what we know. (Bookmark this page, as I will simply update information here as it comes in.) First up, the Tom Cat. It’s definitely a second take on the Rhythm Wolf – …

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How Akai Advance Could Best NI’s Komplete Kontrol in Smart Keyboards

Smart keyboard controllers that integrate with software have been something various makers have tried frequently over the years, with various degrees of success. Propellerhead helped lead the way with Automap in Reason, which could cleverly link on-screen controls to devices. But by the time this was translated to multiple pieces of software, the resulting “automatic” features could be harder to use on than off. I tried at various points Novation’s ReMOTE, M-Audio’s Axiom Pro, and Cakewalk’s A-PRO keyboards, and found them all to be perfectly nice hardware – once I gave up and turned the automatic stuff off and just …

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