thesky

Call for participants: a Hacklab to change perspectives, in Belgium

In the past weeks, I’ve had the good fortune to talk to astronauts and aeronautical engineers, to artists in residence in space centers (with ESA) and aboard “vomet comet” airplane microgravity experiments (in Russia). A common theme has emerged. Just as images from space once transformed our perception, the next frontier is sound. From spatial sound to works responding to spaceflight, drones, and aeronautics, there’s a chance to change the way we hear and imagine. And so, after we start February at Berlin’s CTM Festival imagining future rituals, we’ll move later in the month to Leuven, Belgium to explore the heard place. You’re …

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Building instruments, making future rituals in Berlin (open call)

Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …

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Silk is a giant string instrument that makes Bitcoin into music

::vtol:: silk from ::vtol:: on Vimeo. Welcome to the Internet of Sounds. The latest from our friend vtol, aka prolific Moscow-based sound artist Dmitry Morozov, is an installation of tall, spindly metal towers strung with wire. Standing at two meters, motorized fingers pull on diagonal strings – five of them, for the dollar, Yuan, Euro, Canadian dollar, and Ruble. The tune, though, is all about data. As Bitcoin and Litecoin cryptocurrencies fluctuate in value against the more traditional currencies, the imagined monetary values generate new melodies and rhythms. Recalling both the controversial recent silk road and its historical analog, these …

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A new ROLI instrument wants to make expressive control mainstream

We are all slaves to the piano. Two or three centuries after the instrument rose to dominance, and well over a half century after it became intertwined with the synthesizer (hello Minimoog!), it’s still something of a challenge to work out some alternative. And I love the piano. One of my great frustrations with some advocates of expressive new interfaces is their disregard for my favorite instrument. But let’s look at it this way: we’ve got beef. Beef is fantastic. We still really ought to have some chicken, some duck, and some vegan options. The formula for solving this in …

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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midiharp

MIDI Makes an Augmented Harp Performance Like None You’ve Heard

The harp: it’s big. It’s temperamental. It’s pretty much associated with an established set of music. And when you hear “MIDI harp,” you’re typically in store for something kind of cheesy involving laser beams. Not this time, though: this is an actual harp, augmented with MIDI into a pretty wacky one-off one-person instrument. Time for Throwback Thursday, because I hadn’t seen this before even though it’s rather old. But, maybe unearthing it in this fashion will inspire Arnaud Roy to make something new (or share what he’s been up to lately). The project is the “HarpJamX” – a conventional acoustic …

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Angry Bees! Swarms and Flocks of Sound in a New iPad Synth

Now, your iPad can go from sweet-sounding pads to hordes of angry bees and back again, all by modeling physical behaviors of flocking. It’s called the Photophore, and it’s a “flock synthesis” instrument. You may have seen synths that produce lush sounds by combining oscillators – the eight-oscillator Swarmatron springs to mind. Well, this synth puts the “swarm” in “Swarmatron.” With up to one hundred oscillators per patch, it uses physical modeling to transform sound by simulating flocking behaviors. I’ve seen experiments that have done things like this with flocking algorithms and particle systems, but this must be the first …

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The Arcane Arts of Experimental Instrument Design: 3DMIN [Videos, Gallery]

From the dawn of civilization, musicians could always be counted on as the ones inventing the truly weird technologies to make noise. Here – bang on this. Blow into this. It’ll make some sound; it’ll be noisy; it’ll get everyone’s attention. And so, the art of such designs continues. New instrument design explorations have gone hand in hand with electronic music research from the moment electronics (and, eventually, digital technology) were capable of real-time performance. But if 3DMIN follows in the footsteps of those programs, it also seeks to intertwine questions about other fields and disciplines. And tonight in Berlin, …

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ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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Beyond Traditional Instruments, a Status Report from the SoundLab

There’s nothing more personal than creative expression. And so experimenting with how you make music is more than just novelty: it’s a way to understand the fundamentals of how we relate to machines. And thinking outside the normal avenues means the ability to reach new people, as SoundLab is doing with audiences with learning disabilities. Ashley Elsdon joins us to give us the latest of how the project is going. A little while ago, CDM kindly posted a piece on our SoundLab project, which aims to help people with learning disabilities make music and collaborate in music creation. That was …

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