hyve

Sneak peek of HYVE, a 60-note touch synthesizer

Touchplates are so in this year. Yes, it’s a testament to the legacy of synthesizer pioneer Don Buchla: electronic musicians evidently long for something new. And the latest is a glimpse of something found in our news tip inbox. It’s called “HYVE” and it’s a hybrid synthesizer, combining a number of ideas about pitch arrangement into a single touch-plate layout. There’s a keyboard. There’s a hexagonal pitch array. And there’s a heck of a lot of polyphony. And… well, it’s best to just watch the video:

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futureretro

Future Retro are working on this touchplate keyboard

If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news. Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard. Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.)

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Multi-Touch with Your Current Keyboard, And How Expressive, Crowd-Funded Keys Stack Up

Augmenting keyboards with additional expression is a tradition that goes back nearly a century. Inventors have tried keys that bend and wiggle, add-ons from pulleys to ribbons, wheels and pressure sensors, and more – anything to extend the piano and organ beyond their on/off playing methods. But now, the Web has accelerated the ability to communicate and develop these ideas. Crowd-funded invention is becoming widespread. And that means we’ve actually seen several polyphonic touch expression schemes this year. Rather than just presenting papers at conferences, instrumental experimenters are going to musicians and trying to fund real products. American-born, London-based composer, …

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A fully-functioning QuNexus prototype. It may look like the pads on the QuNeo, but Keith McMillen tells us new sensor tech should be more friendly to keyboard technique. And the fact that this is real hardware is important - Kickstarter has recently revised its rules. A look at the new hardware - and actually delivering on Kickstarter - as CDM talks to Keith McMillen.

QuNexus is Touch-Sensitive, Tilt Mini-Keyboard with CV, MIDI, OSC, as McMillen Returns to Kickstarter [Q+A]

Can a compact controller not only shrink the conventional music keyboard, but transform it, too? The layout on the just-announced QuNexus is something familiar to keyboard players. But the QuNexus assumes some new ways of playing, with keys that sense pressure and an instrument that you can tilt. Following in the footsteps (fingertaps?) of Keith McMillen’s QuNeo, the QuNexus is built around a custom-engineered set of pressure-detecting, touch-sensitive pads. But whereas previous hardware used USB for MIDI and high-resolution OSC (OpenSoundControl), the QuNexus adds Control Voltage for modular and vintage lovers, too. The QuNexus returns to Kickstarter for crowd-funding production, …

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EVO2-004

Endeavour’s Evo, Touch-Sensitive Keyboard, Reimagined, Now From EUR499 [Gallery, Videos]

Endeavour’s evo keyboard closely resembles a conventional music keyboard controller. But its piano-style keys and high-performance internals are custom engineered from the ground up for additional expression. High-speed connections mean lower latency than is possible with MIDI, and touch- and pressure-sensitive keys allow additional ways of adding to a performance, all in an aluminum case hand-built in Germany. I was impressed playing the keyboard at Musikmesse earlier this year, but cost put this innovative instrument out of reach of many would-be experimenters. Now, as the product matures, pricing is coming down to Earth. A 24-key version – perhaps just fine, …

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evo0

Evo, Keyboard with Added Dimension of Touch-Sensing Keys, Evolves

Endeavour’s Evo Series One, which we looked at in the fall, does something different with the conventional keyboard: it adds a touch-sensitive surface to the top of the keys, allowing you to run your fingers up and down the keys for added expression. I got a chance to try the Evo today, and I’m impressed. The first feeling is strange: the keys have an action more like an electric keyboard (Rhodes, etc.), and the keys are atypically tall. But as you begin to play, it makes sense: this isn’t a piano for playing Liszt; it’s a unique, hybrid interface. The …

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