marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

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apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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cubebatteries

This Could be the Perfect Busking, Mobile Amp and PA: Roland’s CUBE Street EX

Ever wished for something, but figured it was more or less impossible? At the end of a Roland briefing yesterday, a rep pulled out the CUBE Street EX amp almost unceremoniously. And then he showed me what it could do: It produces “50 watts” of power.* It runs on eight AA NiMH batteries – for five hours. It weighs just 7.4 kg (that’s just over 16 pounds). It connects whatever you want – two XLRs, four independent channels, for any combination of instrument, vocal, laptop. It’s angled, so you can use it as a stage monitor. It has a mounting …

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A Guitar Amp That Doubles as Home Speaker System: AMPLIFi, with Bluetooth and iOS Integration

Line 6 made a name for themselves by making amps that used digital models to change their sound. AMPLIFi is their latest notion in amps. Instead of just being something guitarists would use in the studio and stage, for the first time it’s an amp system you might want to bring into the home. AMPLIFi is an amp, first and foremost. And like other Line 6 products, it uses digital models to change tones and effects. But while it can be loud like a traditional guitar amp (in 75- or 150-Watt versions), inside is a full-spectrum, five-speaker system. That means …

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Logic Pro X Brings iPad Control, New Features and Refinement [Gallery, Details, CDM Hands-on]

It’s been four years since we saw a significant update to Apple’s flagship music production suite. But the wait today is over. Logic Pro X is here, along with MainStage 3 and a new, free companion iPad app called Logic Remote. First, if for some reason you’re a loyal Logic user who has been dreading this upgrade, you can officially relax. As I suspected in 2011, this isn’t the sort of radical departure from previous versions of Logic some had feared. With the exception of the long-discontinued WaveBurner and Soundtrack Pro, you’ll be hard pressed to find any “legacy” feature …

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dewanatron

Pictures at an Exhibition: Essential New Gear and Reflections from NAMM

Dewanatron’s Brian and Leon were on-hand with their unique inventions. Photos by Marsha Vdovin for CDM. For the lover of musical instruments and technology, southern California’s NAMM show is a giant toy shop. It’s work for many of its attendees, of course, but we know many of our readers dream of the objects that will make their next creations. And sure, inspiring lust is not our aim; on the contrary, there is some love that goes into these things. In the ideal, that’s the relationship of creator and consumer. These are things not to be bought and discarded, but kept …

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mobilein

Line 6 Turns Your iPhone into a POD – and Makes High-Quality Digital In for iOS, Free App

It’s small, but I think it’ll be pretty huge. We’ve seen plenty of guitar audio interface adapters out there. Here’s the dirty little secret: they’re pretty awful. Because they connect to the audio jack of the iPhone or iPad, there are issues with impedance matching and noise / signal-to-noise. (Read: they don’t sound great. I’ve tried them, and since they all use the same in/out jack, they all sound more or less the same.) The Mobile In from Line 6 has three things going for it. First, it works with Line 6’s POD effects and guitar amp modeling, which is …

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gr55

For the Digital Guitarist, a Roland Synth, Processor, and MIDI in One Box

I remember seeing Roland’s guitar-to-computer connectivity for the first time. It seemed almost magical. Guitarists could pick up their main instrument and enter lines into notation software, or replace the sound of an instrument with a synthesized one, or track into a sequencer. It didn’t distract from their musicianship, because it showcased that skill. It was remarkable partly because it was so intuitive: why shouldn’t a guitarist benefit from the same flexibility I’d enjoyed as a keyboardist? The GR-55 is now Roland’s tenth-generation guitar synth. There’s a particular reason to pay attention to this iteration: it’s both a synth and …

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Ableton Amp: Amplifier Add-on for Live Goes Minimal, Dirty, Integrated

Dirty and minimal – that’s how I’d describe first impressions of Amp, the just-announced Ableton amp modeling add-on for Live, available a la carte or free with Live Suite. It appears at first glance to be just what you’d expect: it’s a radically simplified user interface for modeling amplifiers (“Amp”) and cabinets (“Cabinet”). (Hey, shouldn’t that have been Amp and Cab, or does that make people think of wine and taxis?) Or, as Ableton’s press release puts it, the aim is to “get good dirt, fast.” What you get in the add-on: Live-styled, minimal UIs, emphasizing essential parameters Inserts you …

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iOS Arrivals: A Serious Mobile Studio for Producers, AmpliTube for Guitarists

With previews and teasers, it’s sometimes easy to miss when useful new tools actually become available to you. Two tools this week became available, each potentially high on the utility end of the spectrum. There’s no shortage of variety in iOS music creation apps, but when people really want to get down to music making, many of them want to focus on one tool, not twenty. (That’s not universal – ask Richard Devine‘s screaming VST plug-in folder – but you ought to at least be able to make such a choice.) It’s therefore little surprise that there’s been a lot …

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