Bolsa Bass: Critter and Guitari Bass, in Trippy-Cute Animation

Bass makes boys and girls happy, like sugar-y cereals and adorable cute animations. So, it seems only natural to round up the kids, pour yourself a bowl of Honey Smacks, and sit on the beanbag in front of the television set to watch the goodness of the boutique Critter & Guitari Bolsa Bass in an adorable psychedelic cell animation. We’ve got the animation, the photos, the sounds, and the specs all here. The basic notion here: six synthesis modes switch between different sounds, while a sequencer (with MIDI in, out, and sync for integration with hardware and software) handles all …

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Mixing Video Over an Audio Mixer, Video to Sound and Back Again, and Music From Alexander Zolotov

My favorite posts don’t easily fit on either Create Digital Music or Create Digital Motion. This one mixes, literally, the meaning of the two. And it results, in the video at top, in some eerily-lovely music. (Album below.) PixiVisor is software for desktop (Mac, Windows, Linux) and mobile (iOS, Android) that transforms images to sound and back again. Producing sound from images is an idea in a variety of tools. But PixiVisor is unique in that it goes the other way, too: sound can be turned back into the originally imagery as a video. In the demo video here from …

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Animation: Watch Moog Sub Phatty, Flying Lotus in Psychedelic, Fluid Color

The best music videos don’t just flow well with the pacing and feeling of music. They enhance it. And that’s certainly the case with the work of regular FlyLo collaborator and Adult Swim animator Adam ‘lilfuchs’ Fuchs of Atlanta, Georgia. Add in Moog, and things get seriously trippy for lovers of synthesizers. The resulting short, “Such a Square,” features Flying Lotus-produced sounds, made on a prototype of Moog’s new Sub Phatty synth. The liquid-smooth animation takes us on a psychedelic journey via Bob Moog’s mind, tracing circuitry and patch cords in acid-glowing washes of electric color. It feels like a …

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Music Video: Untold’s Overdrive (Hemlock) Brings Dirty Techno, Clean Animation

2012 may be without a clear landmark album (at least so my producer friends keep complaining), but the singles scene (ahem) has been terrific. Perhaps that suggests a musical landscape in which electronic artists prefer exploration to tightly-controlled packages. Whatever is going on, techno is dirty and grungy again. Just ask the UK’s Untold. Last week, Mixmag hosted a video premiere for his track “Overdrive,” with animator Iain Acton. Their story and comments: WATCH UNTOLD ‘OVERDRIVE’ VIDEO EXCLUSIVE [Mixmag] Talking about music, as the saying goes, is tough stuff. I love what Untold is doing, a sense of the enduring …

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New Matthew Dear Pops Ears; Morgan Beringer Video Melts Retinas

Texas-born, Detroit-raised, New York-based artist Matthew Dear has a new EP, to be followed by a full-length in 2012. It’s worth mentioning now for two reasons: one, the driving, “chugging” rhythms of the single, “Headcage,” will pop into your head and stay there, led by Dear’s vocal ability to croon and groove simultaneously. Second, the opening of this video may well make your mind go squish. The work of London-based director Morgan Beringer, seen previously milking monochrome textures out of another Matthew Dear collab, the film makes it look like some very colorful part of the Earth’s crust turned a …

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Utterly Brilliant Fan-Made Jonathan Coulton Music Video, with Lilypond Notation Cameo

Shop Vac from Jarret Heather on Vimeo. Jonathan Coulton is nothing if not a hero for the age of Internet music. The Brooklyn-based troubadour inspires worldwide adoration from fans, not least in the form of music videos made spontaneously for his songs. “Shop Vac” by Jarrett Heather is easily one of the cleverest music videos put out this year, standing shoulder-to-shoulder with professional, higher-budget, commissioned videos. (And in a year full of clever gimmicks, that’s saying a lot.) It also does more than just show off visual flash: it’s got some actual wit. More info from the creator: A kinetic …

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iPhones, Pencils: Hand-Drawn Music Interactions, Tokyo Subway Mobile Jam

Musicians have long made pictures to represent musical ideas, share those ideas, and allow others to participate. Before computers, we created scores. Now, we can create interfaces, too. Of course, just because you’re using a digital interface doesn’t mean the pencil as prototyping tool has to go anywhere. It’s the quickest way to sketch out an idea. And if your hand is steady, it just might become a lovely, personal interface. OtoBlock by Tsubasa Naruse is a hand-drawn music sequencer. The basic interface is nothing new, dropping blocks into sequence to make sounds, but the charm is the rough edges …

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iPhone Day: Star6 Demonstrates Elegance of Mobile UI, Live Mobile Music with Style

The novelty of the iPhone or [your favorite device here] may fade. But part of what matters in mobile design is thinking about how to create interfaces and uses that can scale to the size of your palm. That can mean embracing radical simplicity, and reducing an interactive, digital musical object down to its essential noise-making functions. In acoustic instrument design, that means economizing sound production in a form. In the digital world, it means finding the interactive role you’d want to bring with you onstage, in the length roughly equivalent your fingertips to your wrist. I’m a few weeks …

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Exquisite Music Video Paints Sound, Rhodes, Moog in Light Paint

In the Pocket (Rhodes and Moog Light Paint) from Ethan Goldhammer on Vimeo. Fantastic, hip, soulful keys couple with brilliant stop-motion editing, as a Moog and Rhodes keyboard are splashed with light painting, in this new music video from Ethan Goldhammer. (See his blog for more.) It’s the perfect example of how a much-seen technique can retain its novelty when used creatively, especially as the sound itself seems to dance in light-up oscilloscope patterns. Background: Original music by Ethan Goldhammer and S. Burke. Time Lapse footage shot in August 2008 on Block Island, RI. Stop motion and light paint September …

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Music Video Favorites: Birdy Nam Nam’s Wonderful Animated World

BIRDY NAM NAM – THE PARACHUTE ENDING from Steve Scott on Vimeo. This is the music video you’ve always dreamed of getting when your track gets a music video. It’s been round the Web a few months ago, but I only discovered it today via the lovely 8-bit punk Anamanaguchi (see our interview), on their Twitter feed. It’s like what you worked out when bored in grade school Chemistry class with your best friend who planned to become a comic book artist for a career, scrawled in the margins of your notebook. There’s an evil Egyptian alien sarcophagus shooting what …

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