If you’re on the East Coast of the USA and want to share some of your musical (and visual) projects with us, we have a number of opportunities.

Submit now! [Was briefly broken; now working!]

• Internet Week — Evening with MAKE Magazine: Thursday June 5, 6:30-9:30pm. We’ve already programmed part of this, but there should be a couple of spots left for unique DIY music/visual hardware and software projects. Part of a week-long celebration of the Internet in NYC.


• Hackers on Planet Earth Conference: Friday, July 18. This legendary assemblage of hackers at NY’s Pennsylvania Hotel is one of the world’s great geekfests. Tech author Steven Levy is keynoting. We’re throwing a big music and live visuals party, combining forces with some of the local 8-bit community.
• Handmade Music with Etsy + Make: We’re re-inaugurating our regular series with Make Magazine and Etsy.com. Dates TBD but we hope to bring this back as a regular event in Brooklyn.
• Mystery Event in Boston! If you’re in the Boston area, stay tuned. (Providence, New Haven, you’ll want to make the trip.)

Here’s what we’re looking for: DIY music software, hardware projects, 8-bit, custom gaming and gaming interfaces for music, live visuals, hacked solutions, visualizations and sonifications of Internet data (would seem especially appropriate during Internet week), interactive projects, physical computing, oddities, custom cases, weird stuff … the usual.

For HOPE, I’m particularly interested in keeping with the hacking theme, including open source projects, Linux audio, and unusual projects built with computers. With all the cool stuff happening in DIY electronics and hardware, software often falls by the wayside. And with all of these, I’d love to see more audiovisual projects.

Deadline: Right Now

Sign up here if you’re interested in doing these. I thought about setting a deadline, but honestly, with Make it’s first-come, first-serve, and with everything else, I’d rather know sooner than later, so if you’ve got something in-process, don’t be shy!

A Google Docs live form is embedded in this story below right on createdigitalmusic.com; if you’re reading via RSS, you’ll need to click through to the site to view it properly.

Alternatively, use the direct link

Feel free to forward the call!

To really work with music software as an instrument, you have to focus on a set of tools and get deep into what they can do. Today, we’re launching the first of a limited series of minisites that lets us do that. It’s called Kore @CDM, devoted to NI’s Kore and Komplete lines. We’ve built a special blog which will feature regular tips on how to work with this set of tools, basic and advanced tutorials, and downloadable content, all free and open. (The contents of the site will be Creative Commons-licensed, so you’re free to share and modify what we do, with credit to the authors.)

Kore Minisite @CDM, http://kore.noisepages.com

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Subscribe to Kore Minisite by Email

Why choose this product now?  I’ve felt really strongly, even having been critical of Kore’s first release, that Kore 2 has the potential to live up to its promise of creating a "meta-instrument" for working with sound and effects. Combined with the rest of the Komplete family, including Reaktor’s open-ended patching environment and the scriptable sampler Kontakt, NI has some deep tools — not perfect, not for everyone, but tools that matter to us. We want to really get into how to use them, and to develop a set of techniques and tools for others, both for sound design and live performance, in combination with hosts like Ableton Live. And this means not just doing stuff "by the book," but really seeing how far we can push these tools, sonically and in playability.

Kicking things off is Eoin Rossney, who talks about how to create feedback loops intentionally in Kore for special effects. It’s something mentioned in the manual, but there haven’t been instructions on how to accomplish it until now. Eoin takes that challenge on, and produces some really oddball sounds just by routing effects into themselves. Have a listen to the samples — just be sure to turn your speakers’ volume down first.

How to Route Feedback Loops in Kore - On Purpose [Kore @CDM]

Peter Dines, a Reaktor whiz and author of the Reaktor Tips blog, will also be writing and screencasting for us soon. Both Eoin and Peter have been CDM regulars, so it’s great to have them onboard.

Why we’re partnering with NI: So that we can provide as much content as we can for free, we’ve gotten sponsorship from Native Instruments to produce the site. But that doesn’t mean we want to make an "advertorial." NI has been generous enough to give us full control over the contents, and the goal isn’t a review, or an ad — it’s as much actual knowledge of these tools as we can provide. And, hey, it’s basically our job to demonstrate that by doing as good a job as we can and listening to your feedback. I’m happy to answer questions about why we’re doing things this way and what it means; we can talk in comments or contact the site.

Most of all, though, I hope you’ll check out the site. If you don’t own Kore or the other tools, we’ll still have sound and video samples and will include instructions for trying out projects in the demo, if you just want to kick the tires a bit. And definitely let us know what you think as we roll out more stories, because we want this to be as useful to you as possible.

Oh, yeah, and if you’re wondering about what the "noisepages.com" thing is about, you’ll be hearing more soon. Suffice to say the Kore site isn’t all we’re working on.

Bonus points to anyone else who had the "opportunity" to see the movie Deep Kore Core.

If you want new ideas about design and interaction, ask a musician. Before the Wii remote, the iPhone, Microsoft’s Surface, and Minority Report, musicians were trying oddball ideas for music performance. That hasn’t slowed down, either, from the futuristic and space-y to down-and-dirty acoustic techniques. We’ve got quite a gamut coming up for our madcap, sound and noise-packed hour of competition happening this Saturday at NASA’s Ames Research center during Yuri’s Night, and we’d love to share them with everyone online.

For starters, here’s the rundown of the projects with links to project sites and artists, and all the judges:

Futuristic Music Design Challenge: Meet the Competitors, Judges

Join the event on Facebook

The projects: the Bubblegum Sequencer (previously on CDM), The Box custom hardware with colored lights + Reaktor ensemble, the surface-temperature tangible interface table Weather Report (previously on CDM), the strange polygonal Kromatron wireless instrumental interface, the Thimbletron gloves-as-samplers with lab coated performers project (previously on CDM), the bicycle wheel and analog tape Looping Pedal (previously on CDM), the computer-powered musical saw WaveSaw, the 28-string just-intoned microtonal casmolyra, the turntablist custom software ammoBox and the GrooveStep DS pattern maker (previously on CDM).

I’m also pleased to announce…

The judges:

• Roger Linn, father of the modern drum machine (in my opinion, anyway) and creator of the MPC60 for Akai, plus recent creations — and he plays the mandolin
• Liz Enthusiasm, lead singer of Freezepop (check out their albums or just play a Harmonix game) and evidently an expert on Dr. Pepper
• (Matt) Ganucheau, a mastermind of Yuri’s Night’s music and art, a composer and sound designer (and teacher of sound design for games), an electronic musician, and creator of the NSFW "foreplay robot" Moaning Lisa
• … and yours truly as emcee

Speaking of Roger Linn, Tom at Music Thing just posted an auction on the pre-Akai prototype.

Hopefully we’ll get to do some quick interviews with the judges, as well, for Planet CDM. Stay tuned on yuricdm.com.

Hello from Ground Control: this week, I’ll be coming to you live from CDM’s micro-blog for Yuri’s Night Bay Area, ground zero for the global space rave celebrating human exploration of the cosmos. CDM’s challenge: to bring all the goodness up close and personal to you, from California to wherever you are on Planet Earth.

Watch the minisite now, during the event, and in the couple of weeks following at:

http://yuricdm.com

or subscribe to the yuricdm.com RSS feed.

Yuri’s Night needs special nerdster love for a number of key reasons — a huge lineup of music, art, and science, plus a special CDM event and booth:

• Music: The likes of Amon Tobin, Tycho, Christopher Willits, and many others … and our friend Ganucheau, too
• Motion: Interactive installations and visualists everywhere, including our man Joshua with his incredible Wii-powered SuperDraw, built with Processing
• Space and Science and Games: Here’s where I get especially excited — it’s an event on the airfield at Ames Research Center, not typically a place non-NASA employees can go, and we actually get to play there and listen some of the world’s top scientists. And Will Wright (creator of SimCity, Sims, and the upcoming Spore with its generative music) will be there, too, just in case your geek circuits weren’t overloaded yet.
• CDM @ the Hangar: We’re running a special Futuristic Music Design Challenge competition, and we’ll have the CDM booth for much of the evening where various musical / visual makers will be showing off their inventions (with more of our friends elsewhere at the event). So stop by and say hi.

How nerdster-chic is this: a global convergence of the exploration of space exploration, ecological savvy, technological innovation, and musical-motional performance, in honor of Russian Cosmonaut Yuri Gagarin launching the first-ever human flight into space? Described as “Cinco de Mayo” for space, Yuri’s Night is a 35-nation cosmorave. It was big last year. It’s going to be much bigger this year.

What’s all this space stuff got to do with music and motion? Everything: music and visual performance are a big part of this party, as Sun Ra-loving, space-inspired, Space Age technologist artists push creative tech. (Amon Tobin is headlining, Will Wright is keynote speaker.) Winter Music what? I want my space fiesta.

Attention, Cosmonauts

CDM is involved, and you can be, too, wherever you are in the world:

First and foremost, thank you. In just over three years of CDM — and roughly five thousand stories on Create Digital Music and Create Digital Motion — you have blown me away. You’ve shared countless news tips, ideas, discussion, projects, art and music, and helped create a unique spot on the Web. That success allows us to deliver hundreds of thousands of views each month, and more importantly, has helped CDM be recognized beyond even musicians and visualists as a leading resource for creative technology. That’s really your success: the ideas you’ve given us, and your work in spreading this stuff to everyone else.

Three years is often the point where people experience some fatigue, but we’re feeling quite the opposite. We want to do more than we’ve done in the past. But we need your help.

CDM Costs, and a New Ad Policy

Running CDM costs money. At the beginning of 2007, after a horrible period of site outages that nearly caused me to shut down CDM permanently, we made the move to a dedicated server, because in hosting, you tend to get what you pay for. That server, bandwidth, and other direct costs of the site have cost me thousands of dollars — nearly all of which I’ve paid out of pocket. More importantly, CDM requires an enormous investment of time, much of it behind the scenes administering the site — and to do what we want to do on CDM, it’s going to take more time.

We are tuning our advertising and affiliate models, and we have some other income ideas we’re developing. But we also know we want our ad model to be different, because it needs to fit CDM. We’ve decided that, beyond Google Ads, any direct ads we take on CDM will be considered an endorsement. That means we need to believe in — and personally use — anything we advertise. We want to remain content-driven rather than ad-driven. If you think you would like to partner with us, do contact us, as we have some affordable schemes for providing ads that are useful to readers — just be aware we do things a little differently. We are serious about advertising — but we’re serious about keeping it in the spirit of the site, as we move forward.

And doing things differently means we can’t continue to survive without some reader support.

Real Reader-Supported Content

I want to do better than simply asking for your support, though. I want to make a promise: support CDM, and we’ll turn that support into content. We want to do more on CDM than we’ve done in the past. We want 2008 to be a breakthrough year for the site, and we’ve got a lot of ideas. We will absolutely make it clear that CDM is publishing some reader-supported stories, and we’d love to hear what you’d like that to be. Got ideas for the kind of videos or articles you’d want to see? Let us know in comments here, or on the CDM Forums.

Donating just a few dollars will make a difference.

I also have ten copies of my book Real World Digital Audio, a near-600-page guide to making music on computers, which I can ship to the first ten people to donate over US$50 (which is actually the book’s list price). If you want the book, don’t forget your address and specify an amount of $50.00 or greater.

I know a lot of you are on a tight budget as we are. But we really do appreciate your support — and with your help, CDM can be an even better free online resource in the future.

Pay what you can, pay what you want. Thanks for your support, and thanks for reading.

CDM World Tour: catch up with Mike and Liz in Chicago, and Peter and Jaymis in Perth and Brisbane (Australia)!

Dorkbot Chicago

Any CDM-ers in the Chicagoland area are most warmly invited to this months Dorkbot at Deadtech, 3321 W. Fullerton Ave., on Wednesday at 8pm for food, drink, and brain-swelling information regarding micro-sampling and alternative musical controllers like QWERTY keyboards, game joysticks, and bicycles.

This week’s presenters will be Liz McLean-Knight and Michael Una, contributors to CDM.

See you there!

ByteMe, Perth; CDM Me, Brisbane

Australia is CDM’s second home, land of crazy creative contributors and designers, and birthplace of the CDM logo and graphic identity. And now I get to go there.

First up is an epic visualist festival in Perth, 11/30 - 12/9. (Jaymis and I arrive 12/2.)

ByteMe Festival

Okay, odds are, you aren’t anywhere near Perth, as it’s supposedly the most isolated city on the face of the Earth. But on the off chance that you are in/near Perth, you’ll definitely want to come out for this one. Visualists like Artificial Eyes and Jean Poole, not to mention festival organizers VJZoo, join a convergence of visual artists from game development to experimental film and motion graphics and special effects. I’m on a panel Wednesday night, but mostly Jaymis and I will be hanging around covering the festival and chatting with cool people. And we get to see whether our first in-person meetup creates a geek matter-antimatter temporal singularity.

12/10 - 12/14 we return to Brisbane, and odds are far likelier that you live there. There’s talk of doing some kind of music event in Brisbane. If you’re interested in helping us organize even a casual meet-up, Brisbanites, let me know. -PK