anode_25

MeeBlip at five: better, and at a new lower price

Five years ago this month, CDM unveiled the MeeBlip project. It was a chance to put our love of synthesizers into a physical form we could share. And we had no idea where it would take us. Five years later, we’ve sold thousands of the musical instruments, all engineered by their creator James Grahame in Calgary, and all fully open source. In that time, we’ve also worked hard to make the MeeBlip constantly better, and easier for more people to get their hands on and use. Today, we celebrate five years, and what we think is our best MeeBlip yet. …

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meeblip_albino

What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …

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This is MeeBlip anode limited edition: White Case, More Direct Control

MeeBlip anode is in a new limited edition with a white case and more hands-on control – only 250 will be made. Details, plus a jam with two anodes from Berlin’s legendary Schneidersladen.

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meeblipstep

How to Sequence on a Budget with the Arturia BeatStep and MeeBlip anode

It’s no step backward. Standalone hardware is now smaller, lighter, more affordable, more capable, and easier to use than before. So why not help focus on a live gig or creating musical ideas by getting away from the computer now and then? This video from Meta Micro Labs shows how easy it is to plug in and get going – even if you’ve never worked this way before. And it stars the MeeBlip anode, our own humble monosynth (co-produced with CDM), featuring our gritty bass sound with analog filter. The timing is right, as we’ve just put anode on sale …

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anoderhythm

Here’s a Track Made From Just Teenage Engineering PO-12 and MeeBlip, And Another with MeeBlip Vocals

Not just less is more. More from less. Call it the sub-$200 studio. Our friend Tomash Ghz has made a track with sounds produced using only the Teenage Engineering PO-12 and the MeeBlip anode. Listen: And, very cool, have a go at the project files via Splice: https://splice.com/ghz_tomash/tomash-ghz—teslacoil For the record, that’s US$59 for the Teenage drum machine, and US$139.95 list for the MeeBlip. (In fact, MeeBlip is on sale now for a very limited time for US$119.95 with free US/Canadian shipping or discounted international shipping.)

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Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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poundforpound

Watch How Much Hardware You Can Jam With On a Budget

Who said electronic musical bliss required deep pockets? We’ve seen a steady flow of budget-minded gear over the last few years. What makes this equipment special isn’t just that it’s cheaper. It also has personality and produces distinctive sounds, loads of hands-on control, and fits compactly into carry-on luggage, meaning it’s a no-brainer on the road and in small live performance spaces. That’s encouraging more people to play live. MeeBlip owner Zachary Hollback sent over a video that sums up why this can be fun. This isn’t necessarily about inventing new kinds of music: it really is, in the mode …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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anodewood

Reviews Weigh in on Our MeeBlip anode Synth; Here’s What They Said

MeeBlip anode, our ready-to-play bass synth with an analog filter, is now shipping and in dealers worldwide. We knew we wanted to make something that was accessible to those new to hardware synths, but had enough personality to surprise advanced users, too – even in a small box, for US$139.95 list. And we also now know what the critics think. It’s always easy to explain what you wanted a creation to be. It’s a different, if exciting, experience when you read someone else’s take on what resulted. But that makes me all the more pleased to share a round-up of …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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