renoisekeyzone

Renoise 2.7 Arrives; Q+A on Free Puremagnetik Sounds; Hacks to Come?

Renoise 2.7 is now available, following some eight weeks of testing by the community. The update, which the developers describe as “back to the beats” in reference to focusing in this release cycle on musical workflow, delivers plenty of features that make the modern tracker more modern. I wrote about them back in March, with some detailed Q&A from the developers – including tips on where to get started: Renoise 2.7 Adds Sample and Slice Savvy; Tips and Inside Info from the Developers The short version: better automation, sample slicing, and sample keyzones, plus improved DSP and audio routing and …

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Data+Music: Echo Nest and 7Digital on Discovery, Ping, and Social Music’s Future

Photo (CC-BY-ND) verityatthedisco. Remember the music industry? We used to talk about radio play and record deals. Now, we’re talking developers, APIs, and analytics. Of course, the test, now as then, is whether there’s actually substance for music listeners and artists. On Friday, we looked at Apple’s Ping and how, via TuneCore, artists who aren’t Lady Gaga can get their own pages. We also saw some vigorous discussion of TuneCore, which helps you get your music into “big bucket” sites like Amazon and iTunes, and SoundCloud, who together offer integrated sharing and distribution. The Echo Nest is an unusual animal …

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Free SoundCloud Sampling with Creative Commons Search, Player; Q+A

Creative Commons button. Photo (CC-BY-SA) Andy Melton. Finding samples and remix-able music — or advertising the availability of tracks you want to release for that purpose — has just gotten a lot easier. As part of a raft of improvements to the SoundCloud service – including some nice non-CC enhancements to search and tag browsing – the service has boosted integration with free licenses. You can now search for CC content, and the license is visible directly in the player, going beyond what even services like Flickr and Vimeo have done. You can add SoundCloud to CC-focused sites like ccMixter …

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Renoise 2.6 Could Set New Bar for Control, Customization, Openness

Renoise, the tracker-style music production host, has gotten a massive injection of customizability, scriptability, and hackability. If all you want to do is plug in some controller hardware and have more tangible control of music making, that scriptability can be nicely hidden away. But if you are ready to hack on your music app, this is some enormous news. For that reason, Renoise 2.6 is being called even by its makers the “Renoise Geek Edition.” But if this hackability catches on, it could mean a music tool that’s more fun to use for everyone – not just scripting geeks. 2.6 …

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Apple Opens Access to iTunes Library on iOS? DJ Apps to Follow, Flare Ships First

Developers for iPhone, iPod touch, and now the iPad have long complained about lack of access to the iTunes library, the file store and metadata for uploaded files. While version 3.0 of the OS provided limited playback capabilities (play/pause/stop), it was a far cry from what you’d need to build a DJ or other music app that made use of a user’s content. You couldn’t, for instance, adjust volume control, cueing, no mixing, or scratching. Update/clarification: I may have exaggerated how much access is available. Obviously, Flare is working, as you can see, but the question of the exact mechanism …

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Don’t Mean A Thing: Swinger Adds Swing to Anything

Photo (CC) John Manoogian III. Wish you could make any track swing? Tristan Jehan, grad of the MIT Hyperinstruments Group and c0-founder of The Echo Nest, made that happen at San Francisco’s Music Hack Day. The Python code uses the Echo Nest’s sound-processing magic, available to the world via open Web APIs, in order to analyze tracks and re-synthesize them in swing form. The results are — well, somewhat terrifying, though in a cool way. Paul Lamere of Music Machinery points this our way and has a ton of examples on his terrific, sound geek-friendly blog. (The post must have …

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Tweak and Tweet: Make and Share Synth Sounds with Twitter

Tweet A Sound: getting started tutorial from Andrew Spitz on Vimeo. You probably think of social networking and messaging as being about text, about saying things like “Wow, this tuna salad sandwich I’m having for lunch is delicious!” But the next Tweet you get on Twitter could be a synthesis preset. Say what? Working in Max/MSP, Andrew Spitz has developed a tool called Tweet a Sound. It uses Twitter as a communications platform for “social sound design.” Instead of just saying, “Wow, I be makin’ phat basslines,” you can actually share the sound. Whip up a sound using typical FM …

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Drop.io: Dead-Simple, Quick Music File Sharing Workflows, Now Real-time

Quick – you’ve got a music file that someone (a collaborator, a client, a friend) needs to hear. How do you send it to them? It seems countless Web entrepreneurs have new ways for sharing media – there are online Flash-based music editing applications, social networks, elaborate MySpace and Facebook killers. We’ve been impressed with some, like the rich player and commenting and fans on Soundcloud or the ability to create artist/band pages that really work on Bandcamp. (The latter, I do really want to spend more time with.) But sometimes, these services are overkill. This week, I had to …

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Can Rhythmic Analysis Demonstrate the Use of Robotic Beats?

Photo (CC) Nigel Appleton. News may filter through Boing Boing, Slashdot, and Reddit – and certainly, this story already has. But oddly, I learned of this item when I happened to meet up with the blog item’s author in Somerville, Massachusetts. He has digital analysis he believes may prove that a track was recorded to a click track. Paul Lamere is a developer at Echo Nest, a brainy think-tank of music geeks developing new ways of processing musical metadata in the cloud. Whereas services like Last.fm focus mainly on content and community, Echo Nest’s API wants to make the computers …

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What’s New From Ableton in Videos: Live, APC, Max for Live; Thoughts on Share

Assuming you haven’t already hit Ableton overload with all the news announced this week, Ableton has posted a set of videos that do a pretty nice job of demonstrating the features. I’ve assembled them into a playlist here. (Stumbled on these videos thanks to Synthtopia.) There are four videos in the playlist, covering Live 8, APC, Max for Live, and Share. In particular, one video shows how the Share collaboration feature will work, with the ability to easily upload sets and share them either publicly or privately. (There’s a long introduction, but skip halfway through and it starts to talk …

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