Creating digital music is all about the business of mucking about with sounds. But somehow, the actual sounds themselves have been tangled up in immense grids and spreadsheets and mixers and things called piano rolls and so on. Blocs Wave is the latest attempt to use mobile apps to get back to basics. Here, whether you’re on an iPhone in your hand or the enormous iPad Pro, the sounds are at the center. Touch your way through the waveforms to make music – whether using soundpacks or adding your own.
Want to go from four on the floor to, sort of four thousand all over the place? Yotaro Shuto is a Japanese electronic musician who performs in DUB-Russell, and he’s decided to turn his monster Max performance patch beat machine into a product. That’s meant taking it to Kickstarter.
Modstep is … an app that does a lot of sequencing things on iOS. Step sequencing and sequence recording with … a lot of stuff. And then those things all connect together, and there are templates for… Okay, it’s hard to explain. Those of us in the business have gotten used to the “it does a whole bunch of stuff” quality of DAWs. But now, new organisms are crawling out of the sea and walking on land, and they don’t have a genus and species yet. Fortunately, a new Modstep video does it absolutely perfectly, so let’s watch that.
Elektron’s machines are so beloved, they’re almost an electronic instrumental category all their own. But much of that love is focused on the hardware workflow. The challenge lately has been how to make the latest generation of Elektron hardware fit better with other gear – and specifically, the computer. Some of those improvements are coming from Elektron. But some, too, come from third-party developers. And that’s the case with a useful Mac app.
Apple is also releasing today a 2.1 upgrade to GarageBand for iOS. The mobile sibling of GarageBand and Logic on desktop doesn’t get a whole lot of attention, but it’s a reminder that music creation remains central to Apple – even the Apple that sells the world’s favorite phone, not just the Apple that sells the Mac. GarageBand 2.1 includes some features you may or may not care about. But there’s reason to take notice.
Apple has apparently been paying attention to the way musicians use their iPhones. If you’re like me, you’ve occasionally used Voice Memos for a quick musical idea or impromptu field recording. Apple is now turning that into an app, called Music Memos.
Link is a marvel – even if you never touch Ableton Live. Grab some iOS gadgets, put them on the same wireless network, and you get rock-solid sync that responds dynamically to any tempo change on any device. But, come on. Love you iPad as you may, you don’t want to play only with apps. Maybe you want a Elektron box or an AIRA TR-8 or an ElecTribe syncing along. A new app, LINK TO MIDI, does just that one thing, easily. You still get dynamic peer-to-peer sync with all your other apps. But by adding LINK TO MIDI, you …
Technology has done a strange thing to musicians: it’s turned us all into, well, loners. It didn’t used to be this way. Musicians on instruments ranging from folk ensembles to symphony orchestras are able to join up and keep time with one another. So why not do the same with tech? Ableton’s new Link technology promises to allow musicians to jam easily. But it isn’t just for Ableton Live. Today, iOS support is officially launching, allowing you to jam with supported apps even without a desktop/laptop computer involved.
Tablets and laptops, cars and trucks, iPads and MacBooks and Surface and things that have “Pro” at the end of them and don’t… enough. Let’s ask a simpler question. What would be a music app that would make you want an iPad Pro? Well, the first potential answer is djay Pro. It’s a new version of a disruptive DJ app, for starters – that will be of interest to anyone with an iPad. But it also includes a design that’s tailored to the new powers Apple has added to the iPad Pro. And whether you want either Apple’s tablet or …
Working with samples is great fun, but there’s a certain sameness to approach. Load a sample. Play back a sample. Slice a sample. FLESH takes a unique angle: it analyzes sound samples and mangles them into new animals. And it’s the latest from Tim Exile, a one-man live performer of madness himself (Warp, Planet Mu), and one of Reaktor’s greatest patching virtuosos on Earth. His first two instruments, THE FINGER and THE MOUTH, were already weird and wonderful tools for performance, but FLESH could be the deepest one yet. (Yes, that’s just Flesh, not The Flesh. So it could be, …