rachelarmstrong

The Future of Music in Skin and Molecules, Now in Berlin

The music technology industry continues to pump out things with knobs, and things that sound like the 1970s – sometimes, literally so. And we love them for it. But if you feel dizzy after all this tumbling backwards in time, let us take you on a ride back into the future. It’s the reason we’re in Berlin and not Anaheim this week, and I think you’ll enjoy it. A lot. CDM joins again with CTM Festival to explore the possibilities for music’s future in an intensive laboratory of creation, featuring speakers, on-the-spot hacking and experimentation, and finally a live performance …

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playthebuilding_big

An Entire Building in Stockholm Just Became a Game Board

Not satisfied with producing hundreds of records and working with a litany of famous names, sound artist / composer / musician Håkan Lidbo several times a year embarks on some novel experiment in sound and interactivity. In the latest, he’s worked with smart lightbulbs from Philips to transform an entire building in Stockholm into your very own personal game board. They’re calling it the world’s biggest Master Mind game, and who are we to argue? The idea is, windows become pixels, and you play online to try to guess the color code of your opponent, in a game of wits.

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lippokkirn3

Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …

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Eerie Resonance: Listen as a Synth Accompanies Singing Architecture

Dancing about architecture? How about singing about architecture – or architecture that sings? Burnley England’s Singing Ringing Tree is an abstract sculpture that resonates with the wind. Rising above the grassy hills of Burnley, England, it seems to live at some strange intersection between future and past – a sci-fi Stonehenge. And the project, the 2006 work of British architecture firm Tonkin Liu, makes lovely otherworldly sounds. John Keston, sound designer and the writer of audio invention recipe blog Audiocookbook, has been making a set of “duets,” coupling more conventional electronic synthesis with the wind-blown ambiences of the SRT construction. …

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Displacing sound is one of the illusions that figures into their work. Here, a field recording from another environment will later find its way into the Kraftwerk interior.

Exploring Sound in the Vertical, as Three Brothers Make New Sonic Architectures

Korinsky – Atelier für vertikale Flächen /// documentary from Korinsky on Vimeo. We imagine we see where we are. We even describe our eyes as being open as awareness. But perhaps that’s because we are so deeply connected to sound as to take that connection for granted. Perceptive research has revealed in profound relief that we hear where we are, too. And artists are beginning to take that knowledge and fuse it with art making. To quote The Outer Limits, “We will control the vertical. We can roll the image, make it flutter. We can change the focus to a …

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Music and Architecture: Corpus Sets Spaces into Resonance, in an Eerie Hum

Imagine an architectural music in which the surfaces, materials, and forms of a space speak directly. In Corpus, resonant frequencies make that happen. The architecture sings. French duo Art of Failure, Nicolas Maigret & Nicolas Montgermont, regularly explore media at the point of failure in their audiovisual work. They use the metaphor of glass, visible only as it accumulates flaws (dust and scratches). For Corpus, they make architectural spaces sonic by finding resonant frequencies. The results are eerie, as forms emit long, plaintive drones. They’ve also done a beautiful job of documenting the results, with videos that are essays on …

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pianola

Playing the City: An Eindhoven Pianola Makes Urban Landscape into Music

Digital or analog, the essence of recording and production is the act of representing. One thing becomes another; one medium stores information about another. That representation can also be physical, tangible, and visible. In a sculptural pianola, Akko Goldenbeld turns the Dutch city of Eindhoven into a pianola roll, so that the landscape of buildings and streets acts as a physical musical score. I think it raises some questions about whether translating the one into the other obscures the experience of a city rather than clarifies it, but that would discount the act of watching it: with the visual connected …

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Good Watching: Synth Interviews, British Synth Artists, Musical Pioneers from Detroit to Berlin

Pour some port, find a comfy spot on the couch, and fire up the YouTubes. A surprisingly-rich raft of terrific documentary video for synth and electronic music enthusiasts has been making the rounds. In our queue: Analog Suicide interviews a legendary vintage synth spot in Berlin, an hourlong documentary features not only Richie Hawtin but a range of techno pioneers, as well as other shorts from T-Mobile (yes, the phone company), and the BBC scores more history of the British side of the synth revolution in music. Sit down and get ready, because here we go. From Detroit to Berlin …

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The Most From Your Workspace: The 5 Best Trash Audio Music Making Environments

Atom TM cut back on the gear and wires, opting instead for decoration. The result: warmer visual inspiration, and even a warmer sound. Operating systems aside, the most important “platform” for your music may be the work environment you create for yourself to produce. Seeing that physical environment for someone else can be an inspiration, and certainly a window into their personality. So, as I look through the workspaces submitted by readers, I asked the terrific blog TRASH_AUDIO to select a few of the favorites from their series, “Workspace and Environment.” Rather than ask the usual, bland music journalistic questions …

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David Byrne on Venue, Architecture, and Music, But What’s Next?

David Byrne discusses at TED the influence of architecture and venue on musical activity. (I saw him give an extended version of the same talk, with discussion, at New York’s Center for Architecture.) It’s a question that’s especially relevant to electronic music, I think, as digital music has been a big confused about its venue, sometimes living in unfriendly dance clubs, and sometimes being homeless. The natural question, the one Byrne doesn’t ask, is what venues might be next? What if artists took an active role in creating the architecture in which they perform? I have plenty I could say …

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