With so much to talk about in recent days about Prince’s legacy, it’s possible to overlook just what a deep impact he had on production and sound design. Working with Roger Linn’s classic boxes, the LinnDrum and LM-1, the artist left an indelible mark on the sound of pop. And you don’t have to slavishly copy those contributions: by learning how they’re put together, you can understand what went into them and follow your own sound. Just that sort of education in sound design – something for fans and students – is embodied in a free download for Ableton Live …
In the age of the algorithm and overabundant streams, the mix might be more important than ever. Mixes can give us insights into tastemakers’ and producers’ imagination; they can be intimate and human at a time when so much of our music stream is faceless. But then, with so many mixes out there, who curates the curators? Meet a new feature on CDM, finding mixes across various genres. To kick off the series, CDM’s Zuzana Friday gives us her seasonal picks. The mixtape may have gone digital, but it’s no less relevant. -Ed.
You have to love German. In English, I can string together whole paragraphs that try and fail to capture the potential of electronic sound. In German, we get to call an event Technosphärenklänge – a word whose utterance is a timbral adventure in itself. And in an event with that name promising to be a landmark for the electronic music sphere, CTM Festival is bringing together pioneering machines and pioneering humans. It’s a convergence of the worlds of mathematics and music that has never happened in this combination on one stage before – and we’ll take you there.
raster-noton is already a beloved imprint for those who care about out-there sounds. But if you thought you’d heard every click and oscillation that name could bring, you probably haven’t heard Kyoka – the Japanese-born artist who always manages to wander out into new territory. And even before we had a chance to get the least bit tired of her last outing, she’s fresh from a trip to Stockholm’s EMS with something altogether different. CDM’s Zuzana Friday invites Kyoka over to charm and wow us all over again.
SX are the embodiment of just how dynamic DIY music can be. The Belgian duo, now in their second outing, make music that’s unmistakably pop, but with plenty of raw power humming under the hood. And Benjamin and Stefanie are fully invested in their collaboration in every last detail of production, from studio to music video to live. I wanted to talk to them primarily about how that creative process came together.
Call it music for Internets. Brian Eno has a new album coming, and you can listen to 21 minutes of gently undulating sonic seas, a weary plodding deep melody bobbing atop it, in the stream of “The Ship.”
Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.
Twirling timbres of Tiptop titillate, tantalizingly… a modular synth maker has made its own music label, and to kick things off, CDM gets the premiere of a hypnotic music video. First, the music video, made for the compilation’s opening track by Matt Lange. It’s the work of director Nicola De Luca, and I have to admire its simplicity: an entrancing rotating blossom, sculpted in video in a series of horizontal delays and three-dimensional transformations. Description: The video is a metamorphosis of forms that investigates kinetic connections between the motions of rotation and material decontextualization of objects. It takes inspiration from …
Now, following a century of recording and broadcast, where does musical performance go next? That challenges not just space or culture, but reimagining the place of time itself in the performance. Berlin is a fitting place to contemplate time. Once home to Albert Einstein, it helped incubate modern general relativity. At its southwest is Mendelsohn’s Einsteinturm; it has the Kaiser Wilhelm Society in its DNA. Adlershof, a short S-Bahn ride away, is home to the enormous BESSY II synchotron photon radiation source (particle accelerator.)
There’s no oscillator quite like your voice. And sometimes the simplest techniques can yield elaborate textures. Lesley Flanigan has built a body of work out of an elemental approach to electronics, and her new release Hedera is to me the most beautiful yet, transporting us somewhere truly sublime. The source, in addition to singing, includes feedback, a broken cassette player – but evolves into mists of sound and space, shifting from the delicate to the raw.