Triple Sun – Sprint from Martin Blažíček on Vimeo. From Bratislava, the duo Triple Sun are making spontaneous, ethereal music with a combination of modular and computational tools. Against a flickering black-and-white film, this video last year is one of my favorites. We’re inviting Triple Sun this week to Berlin along with Jonáš Gruska as part of a live program, so I want to take a second chance to explore what they’re doing.
It’s a marvelous time to be a musician. You can imagine a musical instrument, a compositional invention, and then realize that idea in short order. So I was glad to get the chance to emcee an evening of discussion with Reaktor experts, including the folks who built the tool, last month in the software’s hometown Berlin. That discussion ultimately was partly about Reaktor, but partly about the act of instrument building itself – meaning there were insights for anyone interested in working with electronics or software to dream up new musical tools.
From oil refineries to electromagnetic fields to bats, meet an artist from Slovakia discovering beautiful new sounds. Interview – and CDM events in Berlin.
Techno has become folk art, popular music idiom. Yet it’s still often viewed through the machines that first made it. What if you could give it some sort of physical, mechanical form? That’s what Graham Dunning has done with Mechanical Techno. And in a new video (produced by Michael Forrest), he shows how it’s done.
It’s clear right away that Kiran Gandhi is an “always-on artist.” We’re sitting down with the drummer/singer/electronic musician/businesswoman at Ableton’s Loop conference, and as she reflects on the acoustics of the outdoor tent where we’re recording, she sings an impromptu recording into her phone. There’s even a lyric reminding her to write about tents. The tone is set for our whole conversation: as Kiran longs for a higher-fidelity phone microphone, technology alone can’t keep pace with her spontaneity.
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.
Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …
Okay, OK Go fans – now there’s synth hardware as quirky and charming as the band’s Internet-viral synth-pop. We got our hands on a very limited edition KORG volca sample made especially for OK Go. This is the battery-powered sample unit with grungy digital sound playback and loads of knobs for manipulating sound, plus the usual touch strip step sequencer for making patterns. It’s fun to play, a unique collectors’ item even if you just want an extra sample playback instrument around. And the built-in samples can be terrific, as you can hear in our playlist.
Bridging the worlds of bass music and video games, Pixelord is a Siberian-born artist transplanted to Moscow. In a new video from Novation, he takes the English manufacturer on a tour of his sources of inspiration in the Russian capital. This is of course by no means a complete tour of Moscow or its scene – that’s like having one person show you around The Netherlands for nine minutes. (Actually, literally like that.) But you do get a nice little taste of Alexey Devyanin’s personality, in the midst of a new album he’s working on.
Fans of northern sounds and nordic mythology, cock your ear for another label discovery. Nordanvind is the vinyl imprint of Swedish artist Fjäder. We profile the artist, the label, and then talk to Fjäder herself. Let’s first let her put us in an evocatively occult mood: In the eye of the storm Mithya spears Logos Shattering with a smile Suddenly I see all my faces I have seen the end of all things I slept a dreamless slumber… I have seen the end of all things I have seen the world reborn and crumble I have seen the end of …