We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).
The mighty NAMM show, a mind-bogglingly crowded gathering of basically anyone with anything to do with the sale of musical instruments, brought with it its usual slew of new music tech. Now, you could wade through all the videos from that show, until your brain is numbed by trying to make out rushed, rehearsed product spiels. And you’ll find that some are … well, less important than others. We’ve instead separated the wheat from the chaff to bring you our favorite videos of our favorite new stuff. Grab the popcorn.
The funny thing about Ableton Link is that it doesn’t require Ableton Live. It isn’t even an app. It’s a sync technology, one that allows software to jam together, wirelessly, without any one clock having to be the source or “master.” But as of today, if you do use Ableton Live, that wireless magic is built-in – and requires almost no configuration.
Well, f*** minimalism, apparently. We’ve seen monophonic/duophonic synths. We’ve seen new analog keyboards. What we haven’t seen is analog keyboards that seemed to be designed when an inventory of pads and knobs exploded – in your face. And that’s what the new Arturia MatrixBrute is. It looks like a fake Photoshop mockup you’d see on a forum, perhaps. But it’s real. All real. Close your eyes for a second and let your retinas recover, and let’s sort out what is actually even happening here.
There are plenty of hardware step sequencers out there. But now Arturia has a compact entry friendly to keyboardists. This isn’t about dialing up melodies with knobs. It assumes you actually know how to find melodies on some keys. Clearly building on the success of the BeatStep Pro sequencer hardware, Arturia’s Keystep is a keyboard with both step sequencer and arpeggiator modes. And Arturia has given CDM an exclusive first peek, to share with you.
For a lot of us, hands-on sequencing control is a boon to playing, even alongside a computer. So then there’s the question of which sequencer. The reason Arturia’s BeatStep Pro got so interesting this year is that it’s a right-down-the-middle option: not too expensive, not too complicated, and not too weird, but very capable of driving the essential stuff you’d want to sequence. Bassline, some drums, maybe a lead – in whatever genre you happen to use – it’s covered. So, that was all good enough. But what’s been impressive as the year has gone on is that Arturia haven’t …
Jamming: the idea is to make music by connecting directly to gestures so you make something spontaneous. And if music technology is jam session friendly, this finally means you can do it together – not just alone.
You know the drill. There’s a new operating system from Apple. It breaks some music software. If you don’t like things breaking, you should wait a bit. Then once you’ve verified the stuff you need is compatible, go for it – it’s probably better than the last OS once the wrinkles are ironed out. This post occurs with each new OS, a bit like some sites do Holiday Shopping Guides, or April Fools’ jokes. I could almost turn it into a Mad Libs post. But here are the specifics.
Blessed be MIDI, again, for making us independent. Frankfurt am Main-based untergeekDE decided he didn’t want to go to a Mac or Windows PC just to edit settings on his Arturia BeatStep. MIDI (System Exclusive messages)m to the rescue. Actually, even calling this a ‘hack’ isn’t really fair: this is exactly how this is supposed to work. Edit the settings you want on the hardware using anything you like, in this case taking advantage of TB MIDI Stuff. That handy app is practically reason enough to get an iPad, even a compatible used one. In the process, untergeek even changed …
“It was acceptable in the 80s…” The standard MIDI DIN cable – that’s the big honkin’ connector you use on most of your MIDI gear – has become the bane of music hardware makers. The problem is, as gear has gotten smaller, the standard DIN connector hasn’t. And that’s a big problem, literally. To add a MIDI port to a device, you need to not only have enough clearance for the connector itself, but the whole around the port and the physical assembly that contains it. Speaking as a hardware maker, that takes up space you can’t even see from …