Moogfest, By Day, Will Feature Historic Gathering of Futurists, Music’s Top Inventive Minds

New York? Berlin? London? San Francisco? Lately, it’s looking like Asheville, North Carolina is the place to be. In case you missed the aptly-named Mountain Oasis and its gathering of big-name electronic artists and inventors, you don’t have to wait even until next fall. Asheville will next host Moogfest, April 23-27. Nighttime programming falls to Paxahau, the team behind Detroit’s Movement, already one of the biggest electronic tickets of the year worldwide. (AC Entertainment, the Bonnaroo-producing Knoxville team, have taken over Mountain Oasis. Rather than splitting the energy, the results seem to have more than doubled it.) We should learn …

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Synth Geeks in the Hills: Legends and Legendary Machines at Asheville’s Mountain Oasis [Gallery, Videos]

Mountain Oasis, indeed. Asheville, North Carolina, that land of impassioned musicians and Moog manufacture, is unusually blessed in musical riches, especially of the electrified variety. And where once Moog gathered informal performances from synth fans, a recent split in festivals has spawned not one but two blockbuster events, turning this southeastern US hamlet into a kind of mecca for musicians of all stripes. These multiply rather than dividing the events. So, now there’s Moogfest, which this year will happen in spring. And then there’s Mountain Oasis, which took place last month. Both are overflowing with spectacular headliners, in the form …

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Moog Says Goodbye to Little Phatty with Lush Video, as Company, Synths Grow

What an extraordinary time of transformation it’s been in music instruments – one which has coincided unintentionally with the development of this site. When the Little Phatty first hit the market in 2006, it really was a very different era. While Moog Music had already shipped the Voyager and brought back Bob Moog’s name to their products, the market was dominated by digital instruments and in particular big workstations. Now, a whole lot of keyboards follow the path established by the Little Phatty: provide affordable instruments for musicians, use analog circuitry, embrace the monosynth, adopt one-to-one control of parameters. It’s …

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Plans to Move Moog Archives to Cornell Ignite Controversy, Concern for Bob Moog Foundation

This story has been updated based on an FAQ and official response to CDM from the Cornell University Library, responding to some of the concerns. The not-for-profit Bob Moog Foundation has been working since the synth pioneer’s death to restore and make accessible his archives, undertaking preservation efforts, mounting exhibitions, and recently acquiring a space to house them. They were therefore surprised last week, they said, to learn these archives were instead being donated to Cornell University, Moog’s alma mater. The announcement has quickly inspired an outcry from the music technology community, with critics arguing the move would cripple years …

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Inside Strange Sounds, Gear, Made in America: Richard Devine, Make Noise [Videos]

The lust for new sounds can take many forms. It leads some to reduce, forcing themselves to stick to minimal choices to channel their creativity. It leads some to reuse and recycle, repurposing old gear. But it leads some into a quest for arcane racks of gear, spaghetti tangles of wires and flashing screens alike, a buzzing laboratory of choices and possibilities. For this chapter in the story, we take a peek at the modular obsessed and toy-packed studios, with Richard Devine, Make Noise, and friends. The southeastern USA is a pretty summery place now, the day before the Fourth …

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A Dirtier Moog: Inside Moog’s New Sub Phatty Synth; Gallery, Behind-the-Scenes Interview

Forget clean: we want things dirtier. What can you do with a two-oscillator synth to retain the classic design, but give creative sound makers a twist? This is looking like yet another week of new analog synths, as California celebates the biggest American music trade show, NAMM. Moog this week unveiled the Sub Phatty analog synth as their answer to the question. It’s still a very Moog approach to what a synth should be, but adds an aggressive edge thanks to the addition of the new Multidrive circuit, a filter-stage distortion and overdrive. We saw the guts of the Sub …

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