berlin-atonal-2014-high-res-©-camille-blake-94

Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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Krake, Killekill, and the Growing Appetite for Experimental Electronic Music [Listen, Pictures]

Summertime may conjure images of Ibiza and middle-of-the-road festivals in Europe and America, “summer jams” and the musical equivalent of the beach book. And there’s nothing wrong with that; anyone who would deny people the pleasure of listening and dancing to music they love is kind of a jerk. But this stereotype can also obscure a simple fact: music at the edges, music falling under the broad umbrella of “experimental” is actually becoming remarkably popular. What’s beautiful about “big tent” experimentalism is that it can encompass a broad range of music. Musicians playing clubs no longer fear angular sounds and …

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