Hexonator Resonator Makes Any Sound into Harmonies, Sequences

Resonators are a breed that could use some new life. Let’s not even talk about Ableton Live – use one of the presets in the built-in effect in that software, and any producers are likely to perk up their ears – and turn up their nose. But that’s why it’s nice to see the latest effort from Artemiy Pavlov and Sinevibes. The Ukrainian developer has just been on a roll lately with clever, Mac-friendly (Retina Display, even) creative plug-ins. And the latest is a fresh twist on a resonator. Six tuned resonators already makes a nice resonator plug-in, but Hexonator …

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The boys of Elektron, jamming out. The analog lineup at the booth was a big hit at Messe, but the news story was making that analog play nicely with your lappy.

Elektron, Bridging Gap Between Synths, Drum Machines and Computers: Overbridge Explained

It’s a funny thing about this latest hardware resurgence: everyone kind of expects to use that gear with their PC and Mac. Elektron isn’t the first ever to attempt to make their gear integrate smoothly with computers; some of the techniques they use in Overbridge we’ve even seen before. (Roland and Virus spring to mind.) But with complete features for making their hottest, latest equipment behave well with software, they’re firmly in the territory of “why wasn’t everyone doing that before?” Elektron unveiled their approach this week at Musikmesse. It’s called “Overbridge,” and it applies to their latest analog equipment …

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Get a Multi-Sampled Mellotron, Free [Mac, Windows]

At 350 pounds (159 kg), the original Mellotron is not an easy instrument to acquire … or lift. But its 8-second tapes helped define a classic sound – Strawberry Fields, forever. Sample house UVI have been doing a lot of nice work lately – including some real rarities like the prepared piano at Paris research center IRCAM. They’re giving away their multi-sampled Mello emulation. It’s always tough to know how to best capture as a digital instrument something as idiosyncratic as the Mellotron; in this case, they’ve multi-sampled dozens of tapes on three different machines for the 28 sounds. It’s …

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Logic Pro X Brings iPad Control, New Features and Refinement [Gallery, Details, CDM Hands-on]

It’s been four years since we saw a significant update to Apple’s flagship music production suite. But the wait today is over. Logic Pro X is here, along with MainStage 3 and a new, free companion iPad app called Logic Remote. First, if for some reason you’re a loyal Logic user who has been dreading this upgrade, you can officially relax. As I suspected in 2011, this isn’t the sort of radical departure from previous versions of Logic some had feared. With the exception of the long-discontinued WaveBurner and Soundtrack Pro, you’ll be hard pressed to find any “legacy” feature …

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Ardour, For the Rest of Us: Free DAW Gets Plug-ins, MIDI, More as 3.0 Arrives

Ardour has long been software that you probably wanted to want to use. Fully free and open source, supporting standards for plug-ins and file interchange, Ardour is software that arguably the whole industry needs to exist. That is, even if you don’t use it, you might benefit from having a reasonable competitor that pushes openness and interoperability, that can innovate with open source code as much as commercial options do. Now, Ardour is here in a version you may actually want to use. It’s not that there haven’t been people getting work done with Ardour in the past. (Don’t forget …

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plugwire

Windows VSTs on the Mac? Yes, We Can [Plugwire, Tutorial Link]

Windows PCs are from Mars, Macs are from Venus, Windows VST plug-ins won’t ever run on the Mac — wait, not so fast. Ornament Uncle writes with a solution for running Windows VSTs on the Mac as if they were native plug-ins. The tutorial describes a fairly meticulous process – if you’re expecting this to be plug and play, don’t. You’ll want to read the steps thoroughly, and results may vary on different OS versions or with different plug-ins. (I feel obligated to say that as, even with free solutions, we sometimes hear readers complain when things don’t work easily …

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A bare-bones UI belies a powerful engine - and a tool that could finally jump-start sound designers embracing an open format. Proprietary lock-in, no more.

Software Instruments, Freed From Sampler Formats: SFZ, Free Sounds, Free Sample Player

“Free As In Free Me From Proprietary Formats.” If you’re ready to explore sounds – as a novice sampler user or as an advanced sound developer – SFZ brings tidings of great joy. When they move from defining mere sounds or samples to describing whole instruments, sound designers need file formats. The problem has been that those formats tend to be particular to one sampler or another – just Kontakt, or just Logic’s EXS24, or just Gigastudio. Yes, there are converters, but because these samplers have different capabilities, converters cause problems. Being able to create instruments for these samplers is …

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podolski

Podolski is a Free, Full-Featured Virtual Analog Synth Plug-in from Urs Heckmann [Mac, PC]

Any instrument from software maestro Urs Heckmann seems worth a mention. This one, doubly so: it’s free. Podolski isn’t new; it has made appearances through the years in the excellent German-language magazine KEYBOARDS (no relation to the US Keyboard). But now, it’s available for everyone, with some nice updates and modernization and versions for just about any Mac or Windows host (or Linux, via WINE). Now, even if we’re talking only free plug-ins, there are a lot of virtual analog synths out there. But this one is special: it’s got the great sound of FilterscapeVA, and waveform morphing and short …

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hadron

Grains as Instrument: Free and Open Source Hadron Synth, Now VST, AU Plug-in [Videos]

Synthesizers can sometimes seem stuck in a groove, an endless, repeating parade of identical virtual analog synths. If you want something different, the Hadron Particle Synthesizer could fit the bill. It’s a synth. It’s a sampler. It’s an effect. It’s a synth that can morph from synth to sampler to effect. Based on granular synthesis, sound is transformed into new sonorities, sometimes liquid, sometimes stuttering, layered here for even more complex sounds. Earlier versions ran in the sophisticated, evergreen sound-coding tool Csound, and in Max for Live. But if you felt left out, a new version now works as a …

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Switches and things you may or may not recognize... but, you know, don't worry, not only are there hundreds of presets, but randomly switching presets is a lot of fun.

Sonic Charge Permut8: All Your Lo-Fi Digital Mangling Effects in One Place

Permut8 is the kind of thing that inspires the dreams of people who love digitally-manipulated sound. From legendary Swedish developer Magnus Lindström (Malström in Reason, MicroTonic), it’s a digital delay gone very, very mad. Think delays, flangers, bit crushing, beat repeating, and “circuit-bent” digital insanity. The core of the idea is a 12-bit digital delay with variable sample rate, all controlled by a programmable processor. That lets you do things you … shouldn’t. Various digital operators let you mangle and manipulate sounds, for effects that can be sonorous and beautiful or clangy or hideously-distorted, subtle or extreme, or any combination. …

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