iphonesound

Mobile Game Audio 101: A Unique Reference to Crafting Mobile Sound; CDM E-book Discount

Charming, original hand-draw illustrations by Peter Jungers spice up the title. Sound and music for games is already a growing frontier for professional music careers; mobile, then, triply so. But with the expanded opportunities come unique challenges. Learning about them requires real-world experience, and short of word of mouth, that kind of knowledge is often scarce – even in the Web age. Composer, sound designer, and audio director Ben Long has put his sonic thumbprints on games and TV networks alike, and has recently turned his attention to sharing some of the industry secrets of the mobile realm, with work …

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Adobe to Bring Audition, Wave Editor and Post Tool, to the Mac

Audition, a favorite, previously Windows-only wave editor from Adobe, is coming to the Mac this winter. Adobe is touting native surround support, multi-channel effects, and performance optimizations; you can check out how the new tool looks at Adobe Labs. The public beta is due this winter. Interestingly, Adobe is pushing the video side of this more than audio, even though Audition is popular with audio users. The demos are hosted by video specialist Jason Levine, and “post production” is the phrase that keeps coming up. The Mac is quickly becoming spoiled for choice with dedicated wave file editors, maybe enough …

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Don’t Mean A Thing: Swinger Adds Swing to Anything

Photo (CC) John Manoogian III. Wish you could make any track swing? Tristan Jehan, grad of the MIT Hyperinstruments Group and c0-founder of The Echo Nest, made that happen at San Francisco’s Music Hack Day. The Python code uses the Echo Nest’s sound-processing magic, available to the world via open Web APIs, in order to analyze tracks and re-synthesize them in swing form. The results are — well, somewhat terrifying, though in a cool way. Paul Lamere of Music Machinery points this our way and has a ton of examples on his terrific, sound geek-friendly blog. (The post must have …

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Going Mobile: Velocity-Sensitive Touch Pads – on an iPhone? iGOG Says Yes

The iPhone’s glass touchscreen may be a thing of beauty, but despite its multi-touch capabilities, it would seem this device is incapable of responding to how hard you tap it. But the developers at Wave Machines Labs apparently didn’t want to take no for an answer. The iGOG drum suite for iPhone provides drum pads and sample triggering in unique ways, most notably in its velocity-sensitive VelAUcity. How do you get velocity response from a device that’s supposedly not pressure-sensitive? Presumably there’s additional data in the touch events that makes this possible, but for now Wave Labs aren’t saying: iGOG’s …

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Subcycle: Multitouch Sound Crunching with Gestures, 3D Waveforms

multi-touch the storm – interactive sound visuals – subcycle labs from christian bannister on Vimeo. What if you could mash, mangle, mush, and morph sounds with your fingers on a screen, watching the waveforms dance in response in three dimensions? That “what if” is expressed beautifully in a project by musician-developer Christian Bannister of Portland, Oregon, who works as Subcycle Labs. The result is like being able to touch sound directly. Three-dimensional forms morph and vibrate using visuals programmed in Processing, making architectural-organic shapes and spaces that really begin to “look” like sound. These forms can represent synthesis and effects …

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The Speaking Piano, and Transforming Audio to MIDI

Austrian Composer Peter Ablinger has transformed a child speaking so that it can be played as MIDI events on a mechanically-controlled piano, making the piano a kind of speech speaker. Via Matrixsynth, the readers at Hack a Day get fairly involved with how this may be working. It seems not quite accurate to describe this as vocoding in the strictest sense, so much as a simple transformation to a (much) lower frequency resolution – that is, the 88 keys of the piano. Ablinger, for his part, describes the events as “pixels.” It’s pretty extraordinary that without a bandpass filter, you …

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DAW Day – SONAR 8.5 Production Tastiness, and the Smooth 64-bit Transition

SONAR’s AudioSnap now has cleaner markers, and an understandable interface – and does quite a few things Logic 9’s new Flex Time does not. SONAR 8.5, I’m sure at some point, was to be SONAR 9. There’s an enormous amount of functionality in this release. But I think the surprise is some of the stuff that won’t necessarily appeal to the widest audio production audience. Here’s a DAW that’s adding unusual new features for arranging tracks, putting an integrated arpeggiator on every track, beefing up its step sequencer (really), and dumping a bunch of class LinnDrum samples into the package. …

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REAPER v3: From MIDI to Automation to Guitar Hero Control, the Alt DAW Improves

Welcome to the alt-DAW scene. Last week, not only did Renoise continue its rebirth of the forgotten “tracker” genre of music making software with ReWire support, but we saw a big new version of REAPER, the beloved lightweight audio production tool from the original creator of Winamp. What makes an “alt DAW”, or “indie” production software? To me, it’s: small development teams of a few people tightly-integrated communities directly involved in feature requests trusting users instead of adding significant DRM, returning to the traditional “shareware” business model of old affordable pricing That’s not to take away from some of the …

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VisualVox Polyphonic Tone Manipulation: The Indie, EUR25 Celemony?

Sonic scientist Peter Neubäcker of Melodyne has been wowing Internet audiences for some time with the automagical powers of the company’s Direct Note Access (DNA). The vision: manipulate individual pitches as easily as MIDI notes, even in polyphonic passages of a single instrument. At NAMM last month, the company showed the first product, Melodyne editor, due to ship in the spring for US/EUR 349. There’s just one little catch: a solo developer has beaten them to the punch, at least prior to them shipping their DNA flagship editor tool. And if you want it right now, it’s yours for 25 …

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