In Sync, Spare, Beautiful Audiovisual Duet of R. Lippok + D. Delcourt [Mapping Festival, Ableton]

R. Lippok + D. Delcourt – Raster Noton Showcase, Mapping Festival 2013, Geneva from Dimitri Delcourt on Vimeo. Minimalism for its own sake isn’t terribly meaningful. But economical sound and geometries can become a medium for beautiful moments, if artists truly focus on form and relationship. It’s doubly true when combining music and visual elements, and that leads to some gorgeous intersections of the aural and optical in the work here. Robert Lippok, the Berlin-born Raster-Noton artist, and Dimitri Delcourt, the Swiss designer and live visualist, collaborated in one of my favorite performances of last year’s Mapping Festival in Geneva, …

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Robert Henke on Lasers, Structure, and Musical Choices; Intuition and Limitations

Give Robert Henke a computer, some lasers, and some time to make his own tools as well as his own music, and wonderful things result. In a new video (German, with English subtitles), he gives a master class not so much in technology as the philosophy of using that technology. Robert Henke – now increasingly in the public eye under his full name and not “co-founder, Monolake” or “co-founder, Ableton” attached with it – has for years gone way beyond the club floor. Even apart from experimental club music or elaborate multichannel audio experiments, you see his work accompanied by …

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Your Belgrade Underground Connection: See and Hear Experimental Dance Music

From the beating heart of Europe, audiovisual electronic instrumentalism continues to thrive. We’re fortunate to bring a slice of that scene to you. CDM is in Belgrade, Serbia this week, where we’re pleased to host an event celebrating real-time visual expression. And we get to do it in one of the best underground venues in the city, Drugstore. Event details, for any of you here in the neighborhood: Drugstore, 17 January 23h We’ll start out with a workshop on making architectural space dynamic with interactive/generative sound and imagery, hosted by myself and Abduct. (More on that topic here and on …

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Egyptrixx x A N F: Audiovisuals as Surface, Texture, and Trip to Alien Volcanoes

It’s real, and yet, it isn’t. It’s the sound of percussion, but it resonates in an otherworldly way. It’s the flaming, blood-red surface of a volcano, but it’s melting before us. Some of the most evocative digital works walk this line, transport us to a place our brains can accept, yet not entirely believe, universes just past the reaches of our imagination. And so the collaboration between Egyptrixx (Toronto’s David Psutka) and A N F (Berlin visualist Andreas Nicolas Fischer) congeals around the notion of texture and surface. In generated geometries, globs of interplanetary resin, space insect innards about to …

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Cyborg Beatboxer AV: Gloves, Heartbeat, Gesture Merge in Wild Performance

Humanelectro + “∑(SIGMA)” from Ryo Fujimoto on Vimeo. Once, you might see strange sensors or generated graphics as a kind of novelty, used for their foreign, futuristic quality. Now, a generation immersed in such tech exploits these tools because it’s second nature. That’s the message of the creators behind a fantastic trans-media beatbox performance starring Japan’s Ryo Fujimoto. And while you’ve seen each clever gimmick on its own, here they try ticking all the boxes at once. Musical gloves dripping in wires with flex sensors – check. Muscle sensors – check. Glowing-blue heart-rate sensor behind the ear – check. LEAP …

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Quiet Ensemble: Music by Pineapples, Mice, Snails, and Goldfish, and a Theater as Actor

In calm reflections on life and nature, the Quiet Ensemble lets flora and fauna compose their own ambient etudes, following their movements and tuning in on electrical frequencies. Mice running in wheels play music boxes; light and sound trace the slimy path of snails. Fruit charge up thick, glitchy bass, as goldfish perform an audiovisual quartet in rectangular aquaria. Based on Rome, this collective has produced a series of reflective audiovisual performances. Each project takes on a unique personality, musically and philosophically, so let’s look at them in turn. The snails Orienta; è qui ora, che decido di fermarmi from …

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Lawnmower Man-Style Audiovisuals, in Kinect Experiment, Plus a New Kinect

Oculus Rift + Kinect – Audio visual instrument a001 from Ethno Tekh on Vimeo. That window between science fiction and actual interfaces continues to narrow. Here, virtual hands paw at geometric orbs to produce sound, with simultaneous 3D visuals as accompaniment, in the latest artist/hacker experiment. You can thank the popular and surprisingly-accessible game engine, Unity – which recently added free deployment to mobiles, by the way. Description: This is our first Kinect-controlled, virtual reality experiment, using the greatly anticipated Oculus Rift. It’s a simple virtual reality environment built in Unity 3D with our own interactive framework. It allows us …

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The Music of 2071, As Imagined in 1964: Fischinger Lumigraph to Lumichord

Finishing research for a talk at Genève’s Mapping Festival, I came across this gem from comments on Create Digital Motion. It’s the innovative Lumigraph, an interactive light experiment by visionary film and animation pioneer Oskar Fischinger. The sci-fi film looked ahead to what the music of 2071 might be like, in 1964’s The Time Travelers. To their credit, goofy love lounge aside, the reuse of Fischinger’s abstract light project isn’t far off from music in 2013. (And, hey, whatever puts you in the mood.) Fischinger, for his part, almost certainly wasn’t thrilled with the use of his creation in this …

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Weekend Listening: Sounds from the Mindpirates Silo, And DIY Music Scene’s Underground Nooks

Off the commercial radar, playing often for the joy of it, the bedroom producers and music DIYers are now making their noises live and in person. Secluded in “home studios” no more, production is real-time, in the basements and abandoned spaces at the corners of the music scene. And yes, Happy Record Store Day – but that’s even more reason to cap off an afternoon of record shopping with an evening of live music, wherever you are. And we can offer some sounds direct from artists to discover here. Our friends at Mindpirates can help. We visited the archaic concrete …

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Fractals, Bots, Nodes, and Patternists: Onyx Ashanti’s Cyborg Music Meets the Ensemble [Guest Post]

Get ready: from one more-than-human musical cyborg, a robotic horde of beatjazz artists. Onyx Ashanti isn’t satisfied just augmenting his own body and musical expression with 3D-printed, sensor-laden prostheses. He’s extending that solo performance with bots that crawl around and gesture for feedback, then – inspired by the organic beauty of fractal geometry – is binding together performers with his system in a networked system of nodes. Just don’t call it a jam session. Call them patternists. If this sounds crazy, it is: crazy in just the way we like. But amidst this hyper-futuristic vision of performance, Onyx also writes …

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