thoughtless77

Loss for Words: Noah Pred’s Stuttering Vocal Beats, in Video, Release of the Day

From a completely different musical pole, it’s nice to follow up Jelena Glazova’s thoughts about vocals, poetry, and Dada with a dance track, Noah Pred’s “Loss for Words.” Transplanted from Toronto to Berlin, Thoughtless Music’s Noah Pred has helmed one of the smarter dance labels out there, channeling energies to and from the German capital and Canadian scene (Noah himself is American-born). Now, he’s back with a solo release I’ve been eagerly anticipating, having taken a side trip to Get Physical for the False Image project with Tom Clark. Tim Xavier and Hrdvsion join, two other friends to watch, join. …

READ MORE →

Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

READ MORE →

Musical Physics, Baby! A 3D AV Sequencer Box, Physics Resources for Max

The Box from Mike Todd on Vimeo. Knobs and faders, we love you on hardware. But when it comes to the unlimited possibilities of the computer, we know how to get the party on: “Add some physics bodies.” (See below; that’s really a quote.) Mike Todd, whose work we’ve seen before on CDMotion, sends us a physics-based sequencer/synth built in Max/MSP and Jitter. It’s a quivering, humming three-dimensional world of sound, in which visuals and noise are entangled in a single design. (Ableton Live acts as a sound engine.) As Todd says, he’s “not sure which CDM site this would …

READ MORE →

Music Performance as Real-Time Special Effect: Kinect Jamming Gets More Futuristic

The V Motion Project from Assembly on Vimeo. It’s all real – in a manner of speaking. And it’s all real-time. But just what is a live performance made with cameras, gestures, and projection? It’s worth watching The V Motion Project and pondering those possibilities, amidst the flashy visual eye candy. It’s certainly optically impressive. It’s music made to be watched (and, in the video, filmed with iPhones and whatnot). Watch a second time, and you wonder: as we reach a new peak of maturity, decades into alternative interface design, what will come next? To say that this is a …

READ MORE →

Church-Inspired Electronic Music, in Album and Interactive, Gothic App, from Forss [Listen]

Delicate and dense, melodies and sounds from church contexts, found sounds of bells and voices, are set against crisp, sharply-solid, forward-driving electronic beats. And then, there are the visuals: an archaic architecture of mystical symbols and three-dimensional, evolving forms interpret the music in visual form. Swedish-born artist and technologist Eric Wahlforss, in other words, has been busy. As the artist Forss, his album is an app, appropriately for someone who is the co-founder and CTO of SoundCloud. Eric showed me an early build over cheeseburgers. It’s reactive, perhaps, more than interactive, but there’s still a chance to use your hands …

READ MORE →
josh-ott-and-thicket

Thicket for iOS Thickens; Artists Describe the Growth of an Audiovisual Playground

By the 1990s, the notion that computer software could be a means of delivering interactive digital art more personally was enjoying a Renaissance. This was the age of the Voyager CD-ROM, which catered to new multimedia PCs and Macs with titles from the likes of Laurie Anderson and Morton Subotnick, the decade in which Brian Eno released Generative Music as software and Monolake – before Ableton – included a Max/MSP patch with an album. But the reach of these experiments was doomed to be relatively limited. Now, of course, things are different. First, we saw some widely-available audiovisual toys, coinciding …

READ MORE →

Across the Universe: Mind-Blowing AV Performance Makes Music a Spacey Trip

Turning music and sound into three-dimensional worlds often yields something that fields like a trip through space. But this feels like a real trip. Through pulsing, glowing starfields, “Versum”‘s audiovisual movements are brain-bendingly transformative. Artist Tarik Barri has created an integrated world of sound and image that makes the interface and the compositional realms seamless. It seems as though this really is a musical universe, through whose harmonies of the spheres you can fly like. Boldly going, indeed. Ingredients: Max/MSP/Jitter, Processing, Java, SuperCollider, GLSL [the 3D shading language], and … some serious skill and time, I imagine. The work has …

READ MORE →
drasko_install

Jamming Live in 3D, a TEDx Toronto Installation, and Call for Your Work

Something crazy going on here. Install image from Drasko V. Drasko Vucevic, Toronto- and Santa Monica (California)-based sound designer and artist/composer, is apparently not only interested in playing alone. His upcoming interactive installation at Toronto’s Royal Music Conservatory will have an audience jamming along live via Twitter. And the artistry is crowd-sourced, too – with a range of artists already onboard, Drasko is calling on musical and visual artists (read: you) to be involved with sounds and visuals. Drasko has sent along extensive notes, so I’m going to let him speak for himself:

READ MORE →

Eye, Ear, Body Candy: The Pulsing, Geometric AV Worlds of numbercult

Sometimes, to quote Depeche Mode, words are very unnecessary. Instead, lose yourself for a few minutes in the vibrating mathemagical lands of numbercult, audiovisual immersions in which sound and geometry fuse in a strange, abstract dance. Their most recent creation, found via Richard Devine’s prolific Facebook wall and posted earlier this summer, explores an actual audiovisual sequencer. See it at top: Connected is a graphical/musical sequencer system. a three way flow of information, between graphics, sound and external triggers shape the composition. Recorded in real-time. But actual functioning interfaces aside, I’ll leave you with some other video clips that traverse …

READ MORE →

Live from Beijing: Audiovisual Broadcast Today, and a Platform for Conversations and Education

Artist gogo (Sheng Jie ) in Tokyo. Presenting artists from around Earth to viewers around Earth, a center in Beijing has found a way to do live performance for a sleepless world without waking the neighbors. Let me start out by saying this: if you read CDM from China, say hello. We’re in the wrong language, we have no translation, and I seriously doubt our Texas data center is delivering this site with any speed (until we upgrade to an international CDN), but the only reason I still run CDM is in order to reach people, and to hear from …

READ MORE →