screenshot_122

Watch Powell’s genius, glitching music video made from email

If you’ve never heard of UK producer Powell, it’s maybe even more important that you watch this video now. There’s a lot I want to say, but I’d give away the ending. Let’s keep it to this: an adventurous electronic producer, making a raucously stuttering, intense, punk-digital record, talked to his rock idol Steve Albini. And something happened. What happened on email turned into a music video by director Guy Featherstone, and the results are pure poetry. Very large epilepsy warning: this video strobes sickeningly. But, if like us, you rather like that sort of thing, you may … enjoy …

READ MORE →
law3_mshr_03

The Arcane Arts of Experimental Instrument Design: 3DMIN [Videos, Gallery]

From the dawn of civilization, musicians could always be counted on as the ones inventing the truly weird technologies to make noise. Here – bang on this. Blow into this. It’ll make some sound; it’ll be noisy; it’ll get everyone’s attention. And so, the art of such designs continues. New instrument design explorations have gone hand in hand with electronic music research from the moment electronics (and, eventually, digital technology) were capable of real-time performance. But if 3DMIN follows in the footsteps of those programs, it also seeks to intertwine questions about other fields and disciplines. And tonight in Berlin, …

READ MORE →
turbo-gusli

Play a Russian Folk Instrument with Your Mind, Or Turn Seashell Patterns, Likes Into Generative Art

::vtol:: “turbo-gusli” demo performance from ::vtol:: on Vimeo. Musical instruments: make a move, get a sound. Or, musical instruments: apply an algorithm, get a sound. Read the tattoos on your arm as a score, turn the black-and-white patterning of a seashell into generated audiovisual artwork, apply brainwaves to a folk instrument and let a robot play it… Such are the mental excursions of one ::vtol::, aka Moscow’s Dmitry Morozov. He’s been busy over the past year or so, wearing robots that interface with tattoos to make music and constructing surround sound umbrellas. And we still have more crazy-science goodness to …

READ MORE →
reliq at full tilt during a live set, bending time and space. Photo courtesy the band.

Playlist: Anika and Moderna Bring Sonic Caffeine, reliq and Erika Open the Airlock

Monday is a perfect time to try to shift moods with music, to change the mix. So here’s a melange of Monday mixes … mmmmmmm. (Good God, I’m glad we have music to start the week, as words are generally failing me.) Here’s a bit of what we’re cueing up here – from deep, perk-you-up sounds from Anika and Moderna to richly-diverse experimental sounds via reliq and Erika.

READ MORE →

Cristian Vogel, Still Dazzling Ears, Two Decades On [Listen]

There are few artists as thoroughly credentialed across dance music and Classical new music as Cristian Vogel. But what’s astounding about Vogel is, having ventured out on the precipice of those bleeding edges of both worlds, he still stands on tiptoe there now. Chilean-born, UK-raised and academically-trained in the 80s, and now a leading voice in Berlin’s scene for the past 20 years, he’s no less prolific today than in the past. But let’s not just wax poetic – let’s have a listen to the latest. We can love the fact that Jamie Lidell, Vogel’s former mate in Super Collider …

READ MORE →
Carrying her musical life on her back - in more ways than one. Zoe Keating, by Nadya Lev for Coilhouse. Photo courtesy the artist.

Zoe Keating, Cellist Who Exposed Her Musical Finances, Talks Music Making, Distribution [Interview]

She shocked the music business by revealing she wasn’t making money on Spotify – then shocked them again by revealing she was making money on our own. Now, CDM’s Matt Earp talks to cellist Zoe Keating about surviving as a creative musician, and keeping the music coming. Hint: “exposure” is not necessarily the key to survival. -Ed. Zoe Keating is an avant-garde cellist, a Canadian transplant to San Francisco who now lives on its far outskirts. Her sound slips back and forth between the classical and electronic worlds, conjuring sylvan images and dusty warehouses with equal clarity. Two self-released full-lengths, …

READ MORE →

Centuries of Electronic Music, Now At Last Making Facebook Timeline Useful: Bleep Compilation

In case you’ve missed it, the project opens like this: “Bleep’s Guide to Electronic Music starts on 25th March, 1857 – the day Édouard-Léon Scott de Martinville receives French patent #17,897/31,470 for the phonautograph.” The Facebook Timeline may seem just a tool for naval-gazing or privacy violation. But then, suddenly, you’re dialing back to the mid-19th Century, and tracing the history of electronic music. Animating smoothly through the decades, you can trace electronic music’s great achievements, from the Martenot to King Tubby and Silver Apples, on through to Aphex Twin and labels like Hyperdub, each popping up each time you …

READ MORE →

Ligeti’s Artikulation: What Might Future Digital Notation Look Like? (Plus Twitter Finds)

Ligeti – Artikulation by tonicadominante What does music look like? With new sounds and new technologies, the question is more apt than ever. Tom of Music thing points, via his Twitter feed, to this interesting post regarding Ligeti’s Artikulation: Visualizing Artikulation [Bad Assembly] Music notation takes on a different meaning in the age of computers. After all, the essential divide in notation – between sound representation and realization – is blurred in the digital domain, in which we move between visual and sonic information seamlessly and a sound can be reproduced exactly. But, perhaps in that fluid context and without …

READ MORE →

Avant-Garde Sound Poet Henri Chopin Has Died, But Give Him a Listen

Musician, composer, and musique concrete artist Henri Chopin has died, writes Seth: he has been and remains a figure whose sound work is very important to me, so i thought i’d share it with you all. he was a sound poet who used reel-to-reel tape as his paper, performance instrument, and collaborator. Chopin is lesser-known than some artists even in the concrete world, so if you don’t know his work, there’s no time like the present to discover it — quite a lot is available online. Videos and comments at WFMU Beware of the Blog Lots and Lots of Sound …

READ MORE →

Plugins From the Edge: Free SynthEdit Source from Jack Dark

If you like your plug-ins extreme and dangerous — like causing bodily injury to pregnant women and children dangerous — here’s some good news from you. Legendary (or perhaps infamous) Windows VST plug-in developer Jack Dark has decided to leave the scene, and he’s leaving his source projects for plug-ins released on DarkWare and (later) Novuzeit: All DarkWare & NOVUZEIT SynthEdit source files, here, free. [KVR Audio forums] That’s dangerous as in sonically and, uh, technologically. And digging into the source means finding still more of the technological avant-garde. Jack explains: One word of warning though, I never intended for …

READ MORE →