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These Tools Plus Live 9.2 Could Change How You DJ and Play Live

Ableton Live can be a fantastic tool for playing live, for improvisation, and for studio work. But while some people put together very effective DJ sets, it doesn’t always stack up to other software out there in terms of satisfying certain significant DJ techniques. And that’s too bad. Because if your DJ aspirations include lots of creative juggling of beats, Ableton Live would seem perfect. The DJ Collection from Isotonik Studios – the advanced Max for Live hackers who have been releasing a dizzying array of tools for customizing how Live works – provides some of the tools advanced DJs …

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scratchtrackplug

Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …

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Disembodied Heads Meet Serato: Neurosonics Audiomedical Labs

Neurosonics Audiomedical Labs Inc. from Chris Cairns on Vimeo. Marvin Suggs and his Amazing Muppaphone was just way, way ahead of his time. But if you haven’t already seen it making the rounds, you owe yourself a little video watching break to check out Neurosonics Audiomedical Labs, Inc., an audiovisual dreamscape in which disembodied heads form electronic drum heads and spin on turntables. The work is produced by Chris Cairns of Partizan Lab, who has a striking resume of commercial spots and worked with folks like Lady Sovereign. The good folks of Motionographer get the scoop on the production background, …

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